Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Fascinating and often devastating.
  2. The film is pleasingly meandering, till the more typically Majidian soulful and teary-eyed climax.
  3. An informative if shrill primer on the last 35 years of Peruvian plight, the new doc State of Fear may only be effective as an educational tool for Americans, whose media have told them next to nothing about one of the Western Hemisphere's most horrifying killing fields.
  4. The real treasure here is newcomer Kervel, a child superstar in the making.
  5. In its own weird little way, Thor: Ragnarok manages to poke fun at the constant churn of myth and entertainment of which the movie itself is a part. It’s a candy-colored cage of delights, but it is a cage nevertheless — and it doesn’t hide that fact.
  6. Schwarz's juxtaposition of the human cost of the drug war alongside the glamorization of its henchmen and their brutality is sobering, even depressing.
  7. Continues Disney's trend of crafting animated movies as much for adult viewers as for their pre-adolescent progeny.
  8. A picture that balances heart and mind with nuance.
  9. Promising parallels abound (not least between the two women's burdens), but the direction is stubbornly flat-footed.
    • 74 Metascore
    • 80 Critic Score
    This was basically the best idea ever. The setting brims over with the same wicked froth of danger, exoticism, and passion that 19th-century Seville must have had before it got stylized into oblivion.
  10. Greenwood brings his usual A-game, generating great chemistry with Purnell in their ad hoc paternal relationship, but she's the revelation.
  11. This is a spy movie bereft of the genre's usual, casual kicks. It's not interested in cheap thrills or playing gotcha with the audience. (Which isn't to say parts of it aren't exhilarating.)
    • 74 Metascore
    • 70 Critic Score
    Malte's discomforting interviews with his siblings, supplemented by surreally matter-of-fact, Zelig-like photos of Hanns in Hitler's company, make for gripping and confrontational viewing. Yet the harder he persists, the less clear it is what he wants from his family.
  12. Each person’s actions here are not theirs alone, but part of a network of complicated needs and conflicting ideologies that make up contemporary Pakistan. Some of the stories are difficult to hear, but they must be listened to.
  13. The flashes of emotional eloquence from the actors (especially Fitzgerald and Julianne Nicholson, as the radiant vet student who befriends both boys) are muffled by the ultimately asphyxiating preciousness.
  14. Mariage takes his time and allows the film to drift in an almost ostentatiously casual manner.
  15. Totally convincing in a physically demanding role, Collette carries the movie on her shoulders -- and that weight is what it's all about.
  16. On one hand a seat-o'-pants digital-video quickie designed for blunt trauma, and on the other a veritable index of classic genre-stuff, Boyle's film creates an acute sense of movie-viewing danger.
    • 73 Metascore
    • 80 Critic Score
    The ultimate truth, though, is that certain, probably arrested, personalities (like mine) just find this kind of shit pretty funny and any attempt to talk your way around that is, as Cartman would say, blowing bubbles out your ass.
    • 73 Metascore
    • 70 Critic Score
    Refreshing and depressing.
  17. There’s a lot of great filmmaking in Novitiate, but there’s also quite a bit still missing.
  18. Inevitably, this tense comedy dips into tragedy, with our fearful intelligence agencies getting everything wrong and the filmmakers using their rare access to chart each mistake as it happens.
  19. Unconstrained by the need for a neat-and-tidy dramatic arc, All This Panic opts for messy honesty — and, in the process, finds hope for all of its subjects, in ways both big and small.
  20. Despite From Afar's lumbering solemnity, Castro, a Chilean actor best known for his collaborations with compatriot Pablo Larraín, proves ever supple.
  21. Interior scenes focus theater-like on the dining room table-as-vortex: Threats and insults whip about, but, finally, so do forays of friendship.
  22. Collaborating with DP Elemér Ragályi, Török also invests the movie with strong visual motifs, perhaps most prominently a consistency of shots that peer at characters through everyday barriers (windows, curtains). The resultant sensation of uncomfortable prying underlines the boiling suspicions that power the plot.
  23. No one does poetic British with more remorseless hyper-realism than the Scots, and Arnold, who amassed a raft of reputable awards for her 2003 short film "Wasp," directs with a precociously sure touch and a raw taste for graphic sexuality rare in a woman helmer. It shocks, yet feels organic to the paranoid, loveless milieu portrayed in Red Road.
    • 73 Metascore
    • 80 Critic Score
    Although the visuals are worth the ticket alone, Fantastic Planet also crackles with emotional and political resonance.
  24. Reybaud’s film similarly serves as a tonic lesson in physical specifics, each location populated with richly idiosyncratic conversation partners.
  25. To these eyes, Into the Wild is an unusually soulful and poetic movie that crystallizes McCandless in all his glittering enigma, and allows us to decide for ourselves whether he was the spiritual son of Thoreau, Tolstoy, and John Muir, or the boy most likely to become Theodore Kaczynski.

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