Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Call Me Lucky is a loving but fair portrait of the artist as a heroic hothead.
  2. Moments of pain and revelation keep coming, all varied and surprising. These accrete into a mountain of evidence for Sauper's thesis: South Sudan might be new, but the forces shaping it are the same that have damned Africans for centuries — the rest of the world's lust for resources and conversions. That everything is beautiful just makes it hurt all the more.
  3. The film, with its traditional mix of talking heads and vintage footage, does not try to hide the Panthers' advocacy of violence.
  4. The film is an adventure, a reason to despair, a chance to hang out with a great talker, and an often beautiful portrait of this city's promise and cruelty.
  5. Despite a melodramatic title, the film is keen and measured. Drama builds in the small moments.
  6. [A] fascinating, unnerving documentary.
  7. Elegantly shot to emphasize the suffocating atmosphere of its believably frightening scenario, the film speaks clearly about generational expectations and the disintegration of the middle class, even when the brothers communicate without using words.
  8. Stirring, sad, and at times truly frightening.
  9. The Hallow offers plenty of scares and is unnerving from wire to wire, wrapping up the second act with a bang and red-lining the tension until the end.
  10. In A Ballerina's Tale, director Nelson George paints a moving portrait of Copeland that underscores her triumphs over bodily and historical limitations.
  11. This isn't hard-times reportage or a deep-dive ethnography. It's a life-as-it's-lived picture, a chance to meet and loiter with the people in the places the interstates zip past.
  12. Grim but riveting viewing, a layered commentary on this country's moral and spiritual underbelly.
  13. Little of what happens will come as a surprise, but Corbet's narrative restraint coupled with his formal daring makes for a gripping experience. It's a slow burn, but the fuse attached had me holding my breath.
  14. Skipping across ages and genres, this cine-essay beguilement from Russian Ark director Alexander Sokurov considers the Louvre — and the miracle of the transmission of art and culture across its history.
  15. This isn’t torture-porn dystopia; it’s a singular, honest, heartfelt portrait of sisterly devotion at the end of the world
  16. Inevitably, this tense comedy dips into tragedy, with our fearful intelligence agencies getting everything wrong and the filmmakers using their rare access to chart each mistake as it happens.
  17. [A] vivid and enlightening documentary.
  18. Heady and rigorous, The Creeping Garden is an illuminating science documentary that tickles the imagination.
  19. Raluy, a Mexican TV and stage star making her movie debut, is captivating as a woman whose terror at her own behavior is matched only by her bewilderment at the system around her.... But the real star here is Plá, with his total control of the frame.
  20. If Gabriel Clarke and John McKenna's exhilarating documentary, Steve McQueen: The Man & Le Mans, were merely a testament to McQueen's stubbornness and irascibility, it would still be a damned entertaining portrait.
  21. In Sichel's inspired conceit, the self-reflexive truth-through-fiction ethos of the Iranian New Wave meets a sensitive documentary exploration of trying to live at the ends of life.
  22. Dukhtar is an issues film with the twisted, heart-pounding feel of a road-trip thriller, but Nathaniel based her script on a true story, and there's a low-key quality to the conversations that feels real, intimate, and all the more urgent for it.
  23. The film proves a piercing character study whose narrow view frustrates complete empathy.
  24. Footage of the now-wealthy Smiths being deposed is damning, the brothers' legal jiujitsu is appalling, and the stories of deaths are heartbreaking.
  25. Finlay tells this story with the usual doc techniques. The interviews are marvelous, especially the ones with Ellis's exes, who attest not just to his weakness for groupies but to his collection of trophies.
  26. In a manner so sly you could overlook it, Porumboiu invests this tissue-thin premise with the shadows of Romanian history.
  27. Oz is the best-known novelist in Israel, notorious for supporting a two-state solution. If you don't yet understand why he does, watch this film. If you're already on Oz's side, keeping the wound open might be worth it.
  28. The filmmakers, like the songbirds they advocate for, are only messengers, but their message is persuasive and terrifying.
  29. Allah, a street photographer of deserved renown, has achieved something here beyond the familiar documentary impulse to show us the people who live on the streets. His immersive, unsettling techniques dig at a sense of what it might feel like to be among them.
  30. The Tainted Veil is a long conversation, wide in scope and geography, but nonetheless intimate.

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