Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Hardcore Kiarostami devotees may miss the master's harsher clarity, but Hatami, best known for her starring role in Dariush Mehrjui's "Leila," makes her character's inner transformation both subtle and palpable.
  2. Slight but sardonic, Norwegian director Bent Hamer's deadpan Kitchen Stories makes a taciturn comedy of nothingness out of color-coordinated '50s coziness and Scandinavian social planning.
  3. This Down Under noir confuses incoherent body pileups with "twists."
  4. Easier to like than it is to follow, Choi Dong-hoon's glossy caper boasts all the pomp and cajolery of the true international blockbuster.
  5. Intent to Destroy sometimes plays like a DVD extra that might have accompanied The Promise, but it does have value of its own in its interviews with historians, philosophers, and filmmakers and its vintage photos and footage.
  6. Not for nothing did this movie open the International Critics' Week (and win its grand prize) last year at Cannes; Poison Friends may be all talk, but it's cut like an action flick.
    • 75 Metascore
    • 80 Critic Score
    If the things here are homelier and less loved than, say, Marnie's neon yellow purse or Cary Grant's glowing glass of milk, and the film itself no one's idea of major Hitch, it remains a fascinating investigation of a stillborn process from one of cinema's most dedicated inquisitors of structure.
  7. Despite this gender imbalance, 2 Autumns, 3 Winters extends tremendous compassion to all of its characters, gently exploring their hopes and anxieties as they try to settle into adulthood.
  8. Striking the right balance between interior and exterior can mean the difference between compelling drama and accidental melodrama. Writer-director Ron Morales just misses equilibrium in the visually arresting Filipino thriller Graceland.
  9. By the time Whitney winds to an end, that massive talent feels like a dangerously valuable resource, one that even the people who were supposed to protect Houston couldn’t resist exploiting.
  10. DiCaprio is far more successfully cast here than in Gangs of New York: His performance is all about acting; it's a mild kick to see how he'll manage to talk his way out of nearly every scrape.
  11. Future Past starts fast and never slows down. There's not a line of dialogue that isn't exposition... What fun there is slips in through director Bryan Singer's visuals.
  12. The film is sometimes too sentimental, too predictable in its drift, but electric in individual moments.
  13. Miss Violence honors the thoroughly creepy work of Avranas's countrymen, but in his turn of the screw, Avranas marshals the abstract qualities of art cinema to comment upon concrete horror.
  14. Working with Lyle Vincent as director of photography, Finley continually offers up striking, emotionally resonant compositions, including a wide variety of inventive two shots in which the leads talk at or simply regard each other. Either actress could command the frame; when they share it, the air between them trembles.
  15. Formally spartan, Ousmane Sembène's Black Girl (1966) is dense with cool fury.
  16. Treeless Mountain is skillfully unsentimental--because of, but also despite, the presence of two irresistible, unself-conscious performers in virtually every scene.
  17. The LEGO Batman Movie is entertaining, but it also sometimes feels less like a spin-off of The LEGO Movie and more like one of its targets.
  18. Kate Plays Christine is a documentary, but often a totally fake one, cheekily defining itself as its own making-of DVD supplement and documenting its own evaporation into near-nothingness. Every scene cries — or whines — about the entire project's inherent impossibility.
    • 75 Metascore
    • 90 Critic Score
    Keillor's modest subservience to Altman's group dynamic feels downright gallant, and in the context of the veteran director's most humanistic movie by a wide margin, it certainly has its rewards.
  19. Watching this lauded but fatally slight comedy of manners about a middle-aged Italian who finds himself caring for four spunky old dames, it's hard to believe writer, director, and star Gianni Di Gregorio also co-wrote the bloody mafia hit "Gomorrah."
  20. Though Wajda admires this struggle, the artist’s final pursuit never seems redemptive in the depths of Strzemiński’s isolation and misery.
    • 75 Metascore
    • 70 Critic Score
    It's cinema that risks blunt silliness to achieve emotional and experiential seriousness.
  21. Dews helps Allis hold out a gendered posthumous snapshot of an era whose smug surface, barely masking oceans of suffering, makes "Revolutionary Road" look like a tea party.
  22. Accurate enough as history to provide a potent reminder that black independent cinema did not end with Oscar Micheaux or begin with Spike Lee.
  23. Schumer, writing and performing a character close to the one she’s been presenting to the public, may never be this funny again, but funny she is.
  24. For an hour and a half, this charming little movie, with its chatty talking heads and its sweet-natured subjects, offers a glimpse into the lives of two fascinating people whom I had never heard of, and who shared an unlikely life filled with achievements and setbacks, wonder and pain.
  25. An austere and fascinating documentary.
  26. Methodical, measured, and gently tedious in its comedy, Secret Ballot is a purposefully reductive movie—which may be why it's so successful at lodging itself in the brain.
  27. Bean has built a bonfire of contradictions and the ensuing conflagration illuminates a bit of the world.

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