Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Like her namesake, the filmmaker Lizzie Borden took an ax...to cinema conventions and tidy political resolutions in her 1983 landmark Born in Flames.
  2. Terrified of alienating those who were raised on the originals, The Muppets panders to them instead, constantly blasting or restaging Top 40 hits from the past three-plus decades, continuing the cheap strategy that worked well on YouTube two years ago with the Muppets' cover of "Bohemian Rhapsody."
  3. Time Out of Mind is an experiment in empathy, an examination of bureaucracy and streetlife mundanity, and a movie that many will find a tough sit.
  4. Wright’s film is fleet but not especially thoughtful, wholly convincing in its production design, and in one crucial sense something rare: Here’s a war movie about rhetoric rather than battle scenes.
    • 75 Metascore
    • 50 Critic Score
    An Inconvenient Truth does restore one's faith in the value of documentary-as-lecture, not least by extolling the virtues (rare as clean water these days) of politician-as-teacher.
  5. As it is, Duris, capable and dull, is no Keitel, 2005 is no 1978, and The Beat That My Heart Skipped is no "Fingers."
  6. As much as Lady Vengeance spins around its implacable protagonist like a rabid dog on a rope, the film becomes in its last, galling act an unlikely but stunning ensemble piece.
    • 75 Metascore
    • 80 Critic Score
    A love letter to New Orleans, Make It Funky! reminds us of what has been lost in the flood, and of an artistic spirit that will never dissipate.
  7. Somewhere between conception and execution, what could have been so much smart, sharp fun turned decidedly pedestrian.
  8. At once shockingly vivid and overwhelmingly antiheroic.
    • 75 Metascore
    • 70 Critic Score
    The film's critique of Islam is offered without rancor, and it's evident that Masud loves all his characters, whatever their viewpoints.
  9. Like grieving itself, the film is awkward, messily honest, and sometimes darkly funny.
  10. A reasonably good Kurosawa pastiche. But overburdened with convoluted flashbacks and interpolated gags, and generally lacking a dynamic sense of cutting, the movie doesn't possess the master's sardonic brio.
  11. Some of the buckshot hits its target: Shrek's second sidekick, assassin-turned-comrade Puss in Boots, is voiced by Antonio Banderas as an outrageously mock-dramatic Spaniard with most of the pig-pile screenplay's best toss-offs.
  12. A deglamorized couple-on-the-run story, Warwick Thornton's Samson & Delilah doubles as a portrait of a tiny Australian aboriginal community.
  13. de Oliveira's film is a musical of a sort, its quietude occasionally lifted by work songs or chorales.
  14. Magnificent and cheesy, the latest and most proudly absurd of Chinese historical spectaculars, Detective Dee is a cinematic comic book for people who are sick of the mode.
  15. It's crucial to note, too, that this isn't just a nice little movie for older people: There's some real bite to the way it deals with the life questions that come with aging, and whatever sweetness it has is just an undertone, not a feel-good frosting overlay.
  16. Our Little Sister often vibrates with such tenderness of feeling that it’s difficult to dismiss outright. The excellent performances from the four lead actresses help offset the occasional heavy-handedness of the script, with Kore-eda alive to their distinctive tics and gestures.
  17. The usual doc mix of interviews and vintage photos is moving and surprisingly funny.
    • 75 Metascore
    • 90 Critic Score
    Aenne Schwarz and Barbara Sukowa give strong performances as the author’s second and first wives, respectively, but this is Hader’s movie. His is one of the great performances of recent years.
  18. Nico, 1988 offers all I want from this kind of movie: a sense of what time with someone unknowable might have been like.
  19. Spy
    It's a comedy of exasperation where, for once, the joke isn't on McCarthy, but on everyone who can't see her skills.
    • 75 Metascore
    • 50 Reviewed by
      Ed Park
    But mostly the film is just hectic and homiletic: two parts exhausting "Men in Black" mayhem to one part family values.
    • 75 Metascore
    • 80 Critic Score
    If the film shows that few men are as unreasonable as Ralph Nader, it also shows that few have so succeeded in shaping their world: His legacy of progressive legislation will affect generations to come.
  20. Jia Zhangke is one of the world's preeminent filmmakers, an essentially contemplative director whose considerable talent is further amplified by the significance of his material--namely, everyday life in the most dynamic economy on earth.
  21. That patience of Reichardt's, and her dedication to showing us exclusively the things that we must see, makes the scenes of preparation — boat parking, fertilizer buying — hypnotic and suspenseful and practical all at once.
  22. Sunada's critical distance makes Kingdom of Dreams and Madness the clear-eyed celebration that Ghibli's artists deserve.
  23. Remarkable documentary.

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