Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The experience is two-thirds thrilling to one-third enervating, a winning ratio for what's essentially a tightly curated anthology film.
  2. Finnigan wisely seizes on the gentle strength and charisma of Hawking's first wife, Jane Wilde. She imprints on the film as fully as her former husband.
  3. Gilroy's up to the challenge, as is his uniformly astounding cast--Clooney, especially, as the charmed and charming man stripped of his superpowers, but also Wilkinson and Swinton as the mirror images of each other.
  4. Watching the Vogels mull over art that they don't need to understand only makes their delight more infectious.
  5. As archetypal as its title, Ridley Scott's would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson article on Lucas that inspired the movie, a real-life Superfly.
  6. Impressionistic and lyrical, as well as somber and gripping, The Betrayal conveys a ceaseless flow. It's as if the filmmaker has opened a window onto a parallel world traveling beside our own.
  7. A fabulously fond and entertaining tribute to the quick-witted Lower East Side kid.
  8. It's rare to find a film that portrays dancers of all shapes, colors, ages, and sizes as beautiful, which they are.
    • 73 Metascore
    • 80 Critic Score
    Although the visuals are worth the ticket alone, Fantastic Planet also crackles with emotional and political resonance.
  9. Few horror debuts unnerve and fascinate as much as this one.
  10. The movie delivers an absolutely complete, fully realized, delightfully novel redo of the hoariest of forms: the meet-cute, love-at-first-sight, break-up-and-make-up, racing-to-the-altar slapstick weepy that's been a staple of cinema since the invention of cinema.
    • 74 Metascore
    • 80 Critic Score
    Suleiman's a more assured director than he is a comedian. But individual, Tati-worthy gags still have great power.
  11. You're paying for the view, and it's truly breathtaking.
  12. No less than for the black inner-city teens of "Hoop Dreams," cash is the name of the game in Curry's fascinating doc, even as the kids' motivation remains a pure love of the sport.
  13. For all Potemkin’s rabble-rousing propaganda, Eisenstein’s aestheticism is everywhere apparent.
  14. Kim's movie rocks -- I saw it cold a year ago, and I don't think I've been as entranced and appalled by an Asian film since Shinya Tsukamoto's "Iron Man."
  15. Greg "Freddy" Camalier's engaging new doc Muscle Shoals stands as a winning tribute to the coastal Alabama studio, musicians, and engineers who laid down some of the greatest pop tracks of the late '60s and early '70s.
  16. It's a tough, gripping watch made emotionally rewarding through trenchant plotting and Gosheva's tight-lipped expressiveness.
  17. [An] intense and dazzling new documentary.
  18. Though this movie waltzes to its own strange rhythm, del Toro hits every note.
  19. After guiding his fate, the filmmakers step back and dispassionately capture a series of frustrated caregivers passing the baton, each nudging Anton toward a new life. This decision makes Almost There a richer, more compassionate portrait.
  20. Impressive in scope if unremarkable in style, The Rape of Europa provides a chronology of World War II as it was experienced by "David," "Mona Lisa," and other artistic treasures the Nazis plundered.
  21. The film is like his life: scabrous, upsetting, kind of moving, funny as hell, alive with hints of how we've become what we are.
  22. Despite this gender imbalance, 2 Autumns, 3 Winters extends tremendous compassion to all of its characters, gently exploring their hopes and anxieties as they try to settle into adulthood.
  23. The film is more closing argument than portrait of life in the downturn, but it's thrillingly vigorous in its damning.
    • 74 Metascore
    • 80 Critic Score
    With dialogue kept to a minimum, cinematographer Agnés Godard confirms her status as one of the most extraordinary visual artists working today.
    • 89 Metascore
    • 80 Critic Score
    While largely lighthearted, Petit's walk and Marsh's film take on new meaning post-9/11. Man on Wire never mentions the events of that day, but the Trade Center's collapse continues to weigh on Petit, as if its destruction was every bit as tragic as the human lives lost that day.
    • 57 Metascore
    • 80 Critic Score
    Brook offers himself as a teacher whose goal is to help his students discover brief, ephemeral moments of bliss.
  24. The old footage — newsreels, scraps of home movies — is entrancing, and even those familiar details eventually accrete with the fresh ones into something grand and stirring, especially near the conclusion.
  25. The result is a poetic documentary of quiet American surfaces and intimately eavesdropped people.

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