Village Voice's Scores

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For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
  1. Positive: 4,708 out of 11162
  2. Mixed: 4,553 out of 11162
  3. Negative: 1,901 out of 11162
11162 movie reviews
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  1. 12 O'Clock Boys
    What lingers in Nathan's documentary isn't the swaggering trails of diesel fumes. It's the sadness of watching Pug narrow his options.
  2. Il Divo
    Il Divo plays like an elegantly ritualized black comedy.
  3. Gimme the Loot
    Leon’s grungy resume indie is a conscientiously modest deal in the end, with a sweet, mumblecoresque ending, but it glows with unmistakable star power.
  4. Tumbleweeds
    One of the refreshing aspects of the slight, flawed Tumbleweeds is that it creates a world inhabited by recognizable people.
  5. Red Desert (1964)
    Intimations of infection loom (ships pass waving polio quarantine flags) and sexual games are played, but Antonioni was then the most obsessively compositional filmmaker alive, and the movie is all about the scary, foggy, metaphysical negative spaces.
    • 59 Metascore
    • 80 Critic Score
    99%: The Occupy Wall Street Collaborative Film
    What is shocking is seeing the aggressive and malicious response to the movement.
  7. Miami Connection (1987)
    Absurd, yes, but director Richard Park and his game and guileless cast have the highest of spirits, and the nonsense bubbles like a bottle uncorked.
  8. Tinker Tailor Soldier Spy
    The latest Tinker Tailor is, in some ways, more explicit regarding various characters' sexual proclivities than was the miniseries. It's also more concise, but what's lost is George's pathos.
  9. Bigger Stronger Faster*
    Scrappy, remarkably expansive, crazily watchable.
  10. Easier with Practice
    From the virtuoso 10-minute single shot that encompasses the initial phone call, to a long, traveling shot of Davy all but running from a humiliating sexual encounter, Alvarez trusts Geraghty's fear-and-wonder-filled eyes to tell the tale. These two need to make more movies together.
    • 85 Metascore
    • 80 Critic Score
    Paragraph 175
    The tales told are bitter, horrific in detail...yet often leavened with irony and humor. Rupert Everett's low-key narration serves the film well.
  12. The Dangerous Lives of Altar Boys
    Has marked affinities to "Ghost World" and "Donnie Darko." It's more amorphous and less sharply drawn than either but has an acute sense of guilty secrets and secret places.
  13. A Girl Walks Home Alone at Night
    In the end, this morphing of ideas and styles is more deadpan romantic than sociocritical, and sweeter for it.
  14. Nancy
    I’d urge any viewer to look closely at the lead actress. The emotional journey of the story— and it’s a fairly dramatic one — comes alive and gathers force through her expressions. She is the movie.
  15. Red White & Blue
    The pacing and performances are more organic than in most horror.
    • 74 Metascore
    • 80 Critic Score
    Mysterious Object at Noon
    Far from an empty vessel, the film encourages an ever increasing proliferation of odd topics and perspectives.
  17. About Schmidt
    One may not realize how truly sad this movie is until the forlorn final moments, when Payne resists an inspirational closer, and, with exquisite tact, averts his eyes.
  18. Frost/Nixon
    Frost/Nixon's main attraction is neither its topicality nor its historical value, but Langella's re-creation of his Tony-winning performance.
  19. Change Nothing (Ne Change Rien)
    Call it the Passion of Jeanne: Accompanied for much of the movie by a single reverb-heavy guitar and a snare drum, Balibar demonstrates a carefully calibrated lack of affect and a voice as smoky as a carton of Gitanes.
  20. Black Girl (1966)
    Formally spartan, Ousmane Sembène's Black Girl (1966) is dense with cool fury.
  21. Pad Yatra: A Green Odyssey
    Wendy J.N. Lee's Pad Yatra: A Green Odyssey powerfully connects the dots between the enormity of global warming as a phenomenon and the havoc it wreaks in ordinary lives.
    • 61 Metascore
    • 80 Critic Score
    The American
    Despite its director's disinterest in letting people in, there is nevertheless something exciting about a movie this uncompromised, in which the big change from the book to the screen actually toughens up the story instead of watering it down.
  23. My Cousin Rachel
    Tense and at times downright frightening.
  24. The Innocents
    Where "Ida" takes a drearier, more realistic approach to the story, The Innocents, despite its dark focus on a group of women living in fear of getting repeatedly raped by their allies, actually has a mightier finish, something of a crescendo to cut through the quiet grief.
  25. Jonestown: The Life and Death of Peoples Temple
    Nelson has fashioned a compelling movie around an unfathomable mystery. To see Jones's face, eyes hidden behind trademark aviator shades, is to experience the last shock in Psycho. His is the blank stare of living death.
  26. GMO OMG
    A documentary that is by turns exasperating, illuminating, and intentionally infuriating.
  27. Manda Bala (Send a Bullet)
    With an excess of excitable style, samba music, and heady, montage-driven metaphor that threatens to bury his film's key ideas, young-gun director Kohn--a New Yorker with South American roots--has clearly set out to make a splash. So far, he's succeeded.
  28. The Winding Stream
    The film stands as a reminder of how much it can mean just to listen.
  29. School of Rock
    Jack Black is consistently hilarious--and not just in his dreams of moshpit glory.
  30. Gemma Bovery
    Fontaine handles the assignations with sympathetic shorthand — we see what Martin sees, but we see more, too, enough to understand that Gemma's dalliances are vital to her but not overwhelming. She has a handle on them.
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