For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ernest Hardy
The acting is community-theater-level, and the sets look phony, but there's unintentional humor in counting the clichés as they mount.- Village Voice
- Posted Mar 3, 2015
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Short-changing issues of race and wearing its heart way out on its sleeve, it's the film's amateur exposition that's most dumbfounding -- poised to provoke more sarcasm than righteous indignation.- Village Voice
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Reviewed by
Chris Packham
It's a black-comedy plot without any blackness or actual comedy, unless mugging and bro-heiming by Mad TV's Will Sasso counts as hilarious.- Village Voice
- Posted Oct 28, 2014
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Reviewed by
Michael Atkinson
Writers are only interesting for what they've written, and for that you'll have to go read.- Village Voice
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- Village Voice
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Reviewed by
Michael Atkinson
Culminates in a second bing-bang-boom triple shoot-out that effectively cancels out the shreds of remaining plot but is shot and cut like a sixth grader's Super-8 struggle for Woo-ness.- Village Voice
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Reviewed by
Ed Park
Too stupid to be satire, too obviously hateful to be classified otherwise, Frank Novak's irritating slice of lumpen life is as reliably soul-killing as its title is nearly meaningless. ("Good Housekeeping" magazine's legal muscle forced a last-minute change.)- Village Voice
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Reviewed by
Michael Atkinson
Though a relatively sober essay on criminal organization, Tycoon is also thoroughly pulpy -- that is, crass, unimaginative, corner-cutting, and simplistic, with the visual vocabulary of daytime soap.- Village Voice
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Reviewed by
Michelle Orange
A schmaltzy family comedy that won't pass the smell test for kids, parents, or even stoner second cousins, Knucklehead is too sluggish for young attention spans, and not inventive enough to keep adults engaged.- Village Voice
- Posted Oct 20, 2010
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Reviewed by
Scott Foundas
If this is one small step for the actor (Efron) toward becoming a leading man, it is, for Hollywood movies, one more giant leap into infantilism.- Village Voice
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Nick Pinkerton
The drubbing score leaves one nearly insensate to the fact that Rodgers has nothing original or even interesting to say about his subject, flattening fine points of scripture to recommend interfaith group hugs.- Village Voice
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Nick Pinkerton
It is part of the film's premise that the movies are only a pretext to serve personal needs. Given how little the murky finished product offers an outside audience, this comes across all too convincingly.- Village Voice
- Posted Jun 21, 2011
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Reviewed by
Michael Nordine
So unabashedly one-sided that the documentary is problematic even when the facts and figures check out.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Pete Vonder Haar
Hey, Crave, the jerk store called, and they're running out of you.- Village Voice
- Posted Dec 6, 2013
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Reviewed by
Michael Atkinson
Predictably soulless techno-tripe, this Bruckheimer-in-a-can thriller is leavened only by the ludicrous notion of Chris Rock playing separated twins.- Village Voice
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Amy Taubin
So hackneyed and so condescending to its potential audience (adult women) that even Lifetime might hesitate before running it.- Village Voice
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- Village Voice
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Reviewed by
Aaron Hillis
Attempts to transform meet-cute romance into an absurdist fatal-attraction thriller, but ends up neither fish nor fowl.- Village Voice
- Posted Apr 16, 2013
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- Critic Score
Rarely has a film's tagline been more fitting: "Some secrets should never come to light."- Village Voice
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Reviewed by
Mark Holcomb
Rote sequel that surely no one was waiting for: Like the serially thwarted Death (the only "character" to return from the first two Final Destination movies), audiences are required to endure banal exposition and junior-high-level foreshadowing before being treated to the nauseatingly detailed scenes of CGI slaughter.- Village Voice
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Reviewed by
Michael Atkinson
For a few brief moments, it's the bravest work this Hollywood gargoyle (Hawn) has ever done.- Village Voice
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Heather Baysa
This film is a sunny, overlong pastiche of tropes, the kind that suggest love involves nothing more than holding hands and jumping off a dock into a lake, or having slow, teary-eyed sex in front of a fireplace, inexplicably blazing in mid-June.- Village Voice
- Posted Feb 13, 2014
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Reviewed by
Ed Park
Though it's high time for a probing drama that illuminates the labyrinth of America's immigration system, those responsible for Green Card Fever should have their artistic licenses revoked.- Village Voice
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Reviewed by
Michael Nordine
None of these TV-movie trappings does Freedom's topical subject any favors, but they do confirm that those most passionate about something often require some sort of creative filter when making art about it.- Village Voice
- Posted Oct 29, 2013
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Reviewed by
Dennis Lim
Limps into theaters at long last, practically begging, with every arthritic pratfall, to be put out of its misery.- Village Voice
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Reviewed by
Laura Sinagra
Without a scorcher like Pam Grier, the sub-NYPD Blue dialogue and acting dilute what could have been a shrieking wake-up call about for-profit prisons.- Village Voice
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Nick Pinkerton
Ball, who can't conceive of human motives beyond the hypertrophic, smutty sexuality that's his stock in trade, primly divides his characters into avatars of Sick Repression or Healthy Liberation.- Village Voice
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Reviewed by
Ben Kenigsberg
Cryptic, pseudo-poetic asides come across as merely pretentious: Repeated cutaways to statues will not make your film "Contempt," nor will fleeting references to serial killers make it "Don't Look Now."- Village Voice
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Reviewed by
Mark Holcomb
Wanders all over the map thematically and stylistically, and borrows heavily from Lynch, Jeunet, and von Trier while failing to find a spark of its own.- Village Voice
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- Critic Score
The filmmakers may have aimed for doc-like authenticity, but the result is more like a QVC fabulous fake.- Village Voice
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