For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
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| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Amy Taubin
That in such a miserable film I could still care whether his character lived or died is, perhaps, the greatest proof that Chow Yun Fat's a movie star.- Village Voice
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Reviewed by
Jessica Winter
The Governess is too dirty-minded to fit the Merchant Ivory mold but not salacious enough to qualify as bodice-ripping laff riot. [04 Aug 1998]- Village Voice
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- Critic Score
Sluggish, tonally uneven -- In fact, it doesn't even rise to the level of 1991's Soapdish, with the feverishly mugging Elisabeth Shue sending up TV's cesspool of sentimentality.- Village Voice
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- Critic Score
Although the existentialist conclusion highlights the stochastic nature of everyday life, this story of unrequited love doesn't sustain interest beyond the first half-hour.- Village Voice
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Reviewed by
Michael Atkinson
The cheesy idiot-twin of Pawel Pawlikowski's superb "Last Resort."- Village Voice
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- Village Voice
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Reviewed by
Ed Park
As genre comeuppance, this might have been nasty fun, but the movie barely makes sense, with its unbelievable naïveté and arbitrary flashbacks.- Village Voice
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Reviewed by
Michael Atkinson
Has nice, pearly, black-and-white cinematography, but it also has the shocking temerity to run over 100 minutes. Sweet air is required.- Village Voice
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Reviewed by
Michael Atkinson
Culminates in a second bing-bang-boom triple shoot-out that effectively cancels out the shreds of remaining plot but is shot and cut like a sixth grader's Super-8 struggle for Woo-ness.- Village Voice
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The filmmakers may have aimed for doc-like authenticity, but the result is more like a QVC fabulous fake.- Village Voice
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- Critic Score
The hapless goodfella-in-training is as unsuccessful at fulfilling his uncle's wishes as the star and co-director, Robert Capelli Jr., is at delivering punchlines.- Village Voice
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Reviewed by
J. Hoberman
This modern-day vampire story is purposefully shocking in its eroticized gore, if unintentionally dull in its lack of poetic frissons.- Village Voice
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Reviewed by
Edward Crouse
Green, saucer-eyed, cokey, frying in flop sweat, gives the viewer the shrill thrill of being in someone else's nightmare. But the songs? Swung, man, swung.- Village Voice
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Reviewed by
Ed Park
Too stupid to be satire, too obviously hateful to be classified otherwise, Frank Novak's irritating slice of lumpen life is as reliably soul-killing as its title is nearly meaningless. ("Good Housekeeping" magazine's legal muscle forced a last-minute change.)- Village Voice
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This skin-deep flick is merely art-school sophomoric, unwittingly cornball, and counterrevolutionary.- Village Voice
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- Village Voice
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"School Ties" heartthrob Randall Batinkoff and the rest of the cast make do with wooden lines and a plot that fails to jell.- Village Voice
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Reviewed by
Akiva Gottlieb
This micro-budget amateur-acting exercise plays like "The Anniversary Party" without the frisson of marquee performers behaving badly. We get F-listers playing at being marquee performers behaving badly.- Village Voice
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Spectacularly incompetent, Don't Tell races into self-parody before the end of the opening credits.- Village Voice
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- Critic Score
For such a poorly made autobiopic to earn a theatrical release, Nwamu must have some friends in high places.- Village Voice
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- Critic Score
That's the movie--desperate grasps, huffy affronts, gulping kisses, and one juicy (if silent) sex scene, early in the film, before our senses have been deadened by boredom. Without dialogue, we don't know who the characters are, so we can't care about what they do.- Village Voice
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The results are neither profound nor funny, but merely uncomfortable. A hubristic failure at risky humor, The Tiger and the Snow provides Benigni his own Michael Richards moment.- Village Voice
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The Wayward Cloud fails as allegory, human story, anti-porn screed, postmodern musical, and even formal delight (Tsai's emptied-out aesthetic has never felt so empty, his mannerisms so pointlessly mannered), but it seems to have worked well enough as a necessary purge.- Village Voice
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- Critic Score
Short-changing issues of race and wearing its heart way out on its sleeve, it's the film's amateur exposition that's most dumbfounding -- poised to provoke more sarcasm than righteous indignation.- Village Voice
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Stern's direction is reticent where it should be nervy, and the chemistry-free cast of mostly New York stage actors appears to have been chosen for its discomfort with dialogue such as "Come hither!" and "Get thee from me!" Ye have been warned.- Village Voice
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Reviewed by
J. Hoberman
Professional obligations required that I endure it, but there's no reason why you should.- Village Voice
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Reviewed by
Nick Pinkerton
The scattershot America the Beautiful recapitulates vintage "Beauty Myth" trumpery.- Village Voice
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Reviewed by
Nick Pinkerton
The worst kind of bastard adaptation, Secret subtracts without adding.- Village Voice
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Reviewed by
Vadim Rizov
Year of the Fish is the kind of really bad movie it takes a lot of misplaced conviction to make.- Village Voice
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For all the potential of this coming-of-age/political-awakening tale, Choose Connor undoes itself with an egregiously sordid turn.- Village Voice
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