Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. That in such a miserable film I could still care whether his character lived or died is, perhaps, the greatest proof that Chow Yun Fat's a movie star.
  2. The Governess is too dirty-minded to fit the Merchant Ivory mold but not salacious enough to qualify as bodice-ripping laff riot. [04 Aug 1998]
    • Village Voice
    • 27 Metascore
    • 20 Critic Score
    Sluggish, tonally uneven -- In fact, it doesn't even rise to the level of 1991's Soapdish, with the feverishly mugging Elisabeth Shue sending up TV's cesspool of sentimentality.
    • 20 Metascore
    • 20 Critic Score
    Although the existentialist conclusion highlights the stochastic nature of everyday life, this story of unrequited love doesn't sustain interest beyond the first half-hour.
  3. The cheesy idiot-twin of Pawel Pawlikowski's superb "Last Resort."
  4. Anemic.
    • 27 Metascore
    • 20 Reviewed by
      Ed Park
    As genre comeuppance, this might have been nasty fun, but the movie barely makes sense, with its unbelievable naïveté and arbitrary flashbacks.
  5. Has nice, pearly, black-and-white cinematography, but it also has the shocking temerity to run over 100 minutes. Sweet air is required.
  6. Culminates in a second bing-bang-boom triple shoot-out that effectively cancels out the shreds of remaining plot but is shot and cut like a sixth grader's Super-8 struggle for Woo-ness.
    • 21 Metascore
    • 20 Critic Score
    The filmmakers may have aimed for doc-like authenticity, but the result is more like a QVC fabulous fake.
    • 9 Metascore
    • 20 Critic Score
    The hapless goodfella-in-training is as unsuccessful at fulfilling his uncle's wishes as the star and co-director, Robert Capelli Jr., is at delivering punchlines.
  7. This modern-day vampire story is purposefully shocking in its eroticized gore, if unintentionally dull in its lack of poetic frissons.
  8. Green, saucer-eyed, cokey, frying in flop sweat, gives the viewer the shrill thrill of being in someone else's nightmare. But the songs? Swung, man, swung.
    • 53 Metascore
    • 20 Reviewed by
      Ed Park
    Too stupid to be satire, too obviously hateful to be classified otherwise, Frank Novak's irritating slice of lumpen life is as reliably soul-killing as its title is nearly meaningless. ("Good Housekeeping" magazine's legal muscle forced a last-minute change.)
    • 46 Metascore
    • 20 Critic Score
    This skin-deep flick is merely art-school sophomoric, unwittingly cornball, and counterrevolutionary.
    • 27 Metascore
    • 20 Critic Score
    A bloated, intermittently coherent mess.
    • 23 Metascore
    • 20 Critic Score
    "School Ties" heartthrob Randall Batinkoff and the rest of the cast make do with wooden lines and a plot that fails to jell.
  9. This micro-budget amateur-acting exercise plays like "The Anniversary Party" without the frisson of marquee performers behaving badly. We get F-listers playing at being marquee performers behaving badly.
    • 22 Metascore
    • 20 Critic Score
    Spectacularly incompetent, Don't Tell races into self-parody before the end of the opening credits.
    • tbd Metascore
    • 20 Critic Score
    For such a poorly made autobiopic to earn a theatrical release, Nwamu must have some friends in high places.
    • 35 Metascore
    • 20 Critic Score
    That's the movie--desperate grasps, huffy affronts, gulping kisses, and one juicy (if silent) sex scene, early in the film, before our senses have been deadened by boredom. Without dialogue, we don't know who the characters are, so we can't care about what they do.
    • 22 Metascore
    • 20 Critic Score
    The results are neither profound nor funny, but merely uncomfortable. A hubristic failure at risky humor, The Tiger and the Snow provides Benigni his own Michael Richards moment.
    • 45 Metascore
    • 20 Critic Score
    The Wayward Cloud fails as allegory, human story, anti-porn screed, postmodern musical, and even formal delight (Tsai's emptied-out aesthetic has never felt so empty, his mannerisms so pointlessly mannered), but it seems to have worked well enough as a necessary purge.
    • 39 Metascore
    • 20 Critic Score
    Short-changing issues of race and wearing its heart way out on its sleeve, it's the film's amateur exposition that's most dumbfounding -- poised to provoke more sarcasm than righteous indignation.
    • 38 Metascore
    • 20 Critic Score
    Stern's direction is reticent where it should be nervy, and the chemistry-free cast of mostly New York stage actors appears to have been chosen for its discomfort with dialogue such as "Come hither!" and "Get thee from me!" Ye have been warned.
  10. Professional obligations required that I endure it, but there's no reason why you should.
  11. The scattershot America the Beautiful recapitulates vintage "Beauty Myth" trumpery.
  12. The worst kind of bastard adaptation, Secret subtracts without adding.
  13. Year of the Fish is the kind of really bad movie it takes a lot of misplaced conviction to make.
    • 46 Metascore
    • 20 Critic Score
    For all the potential of this coming-of-age/political-awakening tale, Choose Connor undoes itself with an egregiously sordid turn.

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