Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
  1. For smart, strong girls and the guys who like them, Vampire Academy will hit a vein.
  2. A wretched excuse for a comedy.
  3. Strange how dreary it all is, and how tired Fraser seems.
  4. Eventually succumbs to the weight of plot contrivance.
  5. Going through the motions of a liberal-Hollywood polemic with the sweaty, mounting hysteria of a bad liar, The Life of David Gale is foremost an overheating gotcha machine, scripted by first-timer Charles Randolph with seams showing and red herrings stinking up the joint.
  6. The film's heart is in exactly the right place, but there's not a brain in its pretty little head.
  7. Winter's Tale, however imperfect, is that rare beast on the movie landscape: an unapologetic romance (for the first two-thirds, anyway), with attractive stars and special effects designed to give audiences something other than the experience of watching worlds get blown up.
  8. For all its comic panache, A Fantastic Fear of Everything too often feels forced rather than funny — the strain evident in the setup is rarely worth the payoff, and the result simply proves exhausting.
    • 31 Metascore
    • 30 Critic Score
    First-timer Casper Andreas approaches his subject with the subtlety of a wrecking ball. Tired jokes are repeated over and over.
  9. It's lively and funny, if unbalanced.
  10. The film's clumsy script elicits groans, but it's the plot that infuriates.
  11. [A] goof/stunt of a movie.
  12. A swirl of messy boundaries and loony dialogue.
  13. The phoniness of their cross-country saga is compounded by a gaggle of cipher sidekicks.
  14. Jeff Bridges's abysmally campy performance may be the worst thing about disposable sword-and-sorcery fantasy Seventh Son, but it's also the only memorable thing.
    • 30 Metascore
    • 60 Critic Score
    Spare and single-minded, The Cave is an insistently entertaining piece of pulp.
    • 30 Metascore
    • 30 Critic Score
    There's not a moment in Alex Cross that doesn't function splendidly as comedy. Which means that for all his cool-cat preening and heroic soul-searching, Tyler Perry must have felt right at home.
  15. Proving that its chosen genre is best when its tropes are treated with a balance of sincere sweetness and wink-wink absurdity, Playing It Cool thrives through sheer liveliness, as well as the chemistry of its perfectly paired stars.
  16. The script isn't what matters here: This is a slasher movie with guns, and, uh, huh-huh, that's pretty cool.
  17. Succeeds at being laughably highfalutin.
  18. Thuds away at the now familiar New York turf of Jews and their mating habits.
    • 30 Metascore
    • 20 Critic Score
    Perhaps the most charitable thing that can be said about the 143-minute marathon My Way - with a reported budget of almost $25 million, the costliest Korean motion picture ever produced - is that it does nothing by halves.
    • 30 Metascore
    • 20 Critic Score
    CBGB's biggest problem is that it's taken such electrifying source material and done absolutely zilch with it.
  19. Writer-director Francesco Lucente's overconfident, emotionally forced 160-minute opus offers trite antiwar platitudes--at best--in chronicling the anguished existence of a soldier who can't shake the horrors he experienced in Fallujah.
  20. The fanboys will find room in their heart to forgive the desecration. Everyone else won't care at all.
  21. The zippy screwball energy - and fantastic roster of cameos - that mitigated the fratty humor of Broken Lizard's last movie, the restaurant send-up "The Slammin' Salmon," is missing here, resulting in generic, feeble laffs and an ending as sticky as the pilfered substance.
  22. Live at the Foxes Den's heart is certainly in the right place, but its content is culled from so many different movies that it seems the end product of a particularly unfocused pitch meeting.
  23. More enervating than it is ambitious, Jake Squared is partly a romantic comedy and mostly a pseudo-philosophical apology for self-absorption.
  24. With The Hangover Part III, director Todd Phillips continues to occupy an apt (and very lucrative) niche, casting rich, entitled fraternity dicks as underdog heroes beset by shrewish women, foreigners with funny accents, and even animals-often cute animals with big, dewy eyes.
  25. Disney misfire.

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