Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
  1. Most of the redemptive notes ring false, as does the mythical Manhattan, where the snow is just too clean and everybody lives around the corner.
  2. Burt Reynolds turns up as scruffy mountain man, sparking unfulfilled expectations of some primo Deliverance jokes.
    • 29 Metascore
    • 40 Critic Score
    Had the film maintained a tone of kooky, Kafkaesque tragicomedy, narrowing in on Linda's wacko wrestling match with the laws of physics, we might really have had something here.
  3. As the basest form of genre hootenanny, it wimps out: There's no twist, no showboat acting, not even an outrageous crisis of paternal violence.
    • 29 Metascore
    • 20 Critic Score
    The movie contains exactly two chuckle-worthy moments.
  4. The cast, save the charisma-free Schneider, is uniformly hilarious, and deserves classier high jinks than this Juwanna Tootsie roll.
  5. Writer-director Roberto Busó-Garcia's Spanish-language movie is so tame and so completely boring that to advertise it as a horror film is to insult the genre.
  6. Director Trevor White frames the former teen gang member's life as an uplifting coming-of-age prison drama that feels entirely disconnected from the realities of incarceration.
  7. 13
    Lumbers, stumbles, and blows all its secrets at the outset.
  8. Louder Than Words obviously means well, but its brand of cheap uplift is the kind of cheese that actually breeds cynicism.
  9. High-concept cinema this ain't.
    • 29 Metascore
    • 10 Reviewed by
      Ed Park
    It's about following your dreams, no matter what your parents think. Socrates motions for hemlock.
  10. Added to the general torpidity and twangy tropes of this Southern family drama is the discomfort of watching a natural actor (Garity) force it.
  11. The forced horseplay is entirely without ensemble chemistry, probably because the leads were hired principally as singers/musicians, as this, the directorial debut of former Law & Order: Criminal Intent star Vincent D'Onofrio, is that rarest of mongrel movies: a slasher/musical.
  12. Mukunda Michael Dewil's film has the makings of a taut little thriller, but the writer-director has the twin disadvantages of needing to include dialogue and to rely on the services of Paul Walker to embody his protagonist.
    • 29 Metascore
    • 40 Critic Score
    The movie wrong-foots Zellweger from the start. She's not enough the ice queen, like Sigourney Weaver in "Working Girl," for us to accept her transition into adorable Melanie Griffith.
  13. If the onscreen serial killer isn't having fun, how can we?
    • 29 Metascore
    • 50 Reviewed by
      Ed Park
    Crudely written, haphazardly acted, and improbably fun.
  14. Not for the first time in films, noble intent is at odds with aesthetics.
  15. Chander Pahar is an unfocused adventure-cum-travelogue.
  16. High-buffed, low-rack pulp.
  17. Without a scorcher like Pam Grier, the sub-NYPD Blue dialogue and acting dilute what could have been a shrieking wake-up call about for-profit prisons.
  18. No amount of fidgety editing and anxious soundtrack atonality can distract from the creakingly implausible scenario (Marsden's Dan is an almost comic exemplar of uncharacteristic hostage behavior).
    • 29 Metascore
    • 30 Critic Score
    A PG-13 dramedy set in L.A. about some attractive, way-too-earnest aspiring stars has the potential to be a delectable good-bad favorite, but Undiscovered is nowhere near the guilty pleasure it could have been.
  19. Meet the Mormons isn't substantial enough to screen on the first day of LDS 101; the church's most basic tenets — and controversial aspects — are elided completely.
  20. The most embarrassing project on co-star Barbara Hershey's resume.
    • 29 Metascore
    • 20 Critic Score
    An exhausting exercise in genre mixing.
  21. These grating characters frequently burst into songs that are not only ill-fitting, but also — as with every other aspect of this indie — awful.
  22. As we plod along, attempting to figure out how the sprawling ensemble players all fit together, the mystery and symbolism of what's truly behind the door grows less profound and more irritating.
  23. Like a hot tub itself, it looks inviting, but all too soon you've had enough.

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