Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
    • 31 Metascore
    • 30 Critic Score
    Throughout, Chastain delivers a full-bodied debut performance, but she's ultimately stuck taking her wandering-soul protagonist far more seriously than it-or the film-deserves.
  1. Surveillance is the work of a director who has made significant strides in both storytelling and control of the medium, deftly interweaving a grisly thriller, a sicko "Rashômon," a switcheroo, a psychotic love story, an imaginative paean to children, and an inspired resurrection of Julia Ormond.
  2. Those seeking out some titillating times would be better satisfied by Googling “feminist porn” and clicking randomly. But if you relish a mindless soap operatic story that leans into the silliness of the genre, Fifty Shades Freed might do the trick.
    • 31 Metascore
    • 40 Critic Score
    Stuffed with cheap effects and devoid of tension, this French-Japanese-U.S. co-production contributes exactly zilch to the rich film history of those three nations; the most horror-crazed teen may be hard-pressed to find any authentic thrills here.
  3. Death may not be the end in The Lazarus Effect, but it should be.
  4. John Schultz's wan, unfunny The Honeymooners is unlikely to tickle devotees of Jackie Gleason's archetypal yuk-fest.
    • 31 Metascore
    • 20 Reviewed by
      Ed Park
    Though it's high time for a probing drama that illuminates the labyrinth of America's immigration system, those responsible for Green Card Fever should have their artistic licenses revoked.
  5. From the auteur who assaulted us with "Sleepless in Seattle" comes a more punishing film.
  6. The scariest thing in the movie is a cameo by Scott Baio.
  7. This TMNT is bigger and emptier, a wasteland of pixels.
  8. Although it's grotesque to see pre-teens stomping in underground warehouse-battle settings, at least Battlefield America's racial politics are interesting.
  9. Murder of a Cat has an off-kilter charm, with Greene prizing humor over menace, and Clinton's maturity over plot resolution
  10. Oddly, that extra star power makes Black November look cheap. It's threadbare for an action flick... The story Amata wants to tell is much simpler, and he might have been more successful sticking to his own guns and staying with his sturdy, empathetic heroine.
  11. Perfect Stranger derives some novelty value from its colorblind casting and from being the most ludicrously silly Hollywood f----fest since the Willis-starring "Color of Night" (minus that movie's comic self-awareness). But as a thriller, it's so by-the-numbers that it's hardly worth keeping count.
  12. Your Highness plays like a dirty-joke blooper reel made by the cast of a junky sword-and-sorcery epic.
    • 31 Metascore
    • 30 Critic Score
    Straining to put his own stamp on this stale-from-the-crypt material, Zombie falls back on the twitchy visual grammar of his videos, splicing in dream sequences and grainy porno-snippets apparently purchased at Bob Crane's estate sale. The violence eventually becomes more inhuman than human.
    • 31 Metascore
    • 50 Reviewed by
      Ed Park
    Efficient, suitably anonymous chiller.
  13. The cocky presumption of charm that isn't actually there is precisely the problem with action-comedy This Means War.
  14. Coming from the strangely vacuous Graham, in a Manhattan this preposterous, the staid social message is as ludicrous as its surroundings.
  15. What's on the screen is so dreadful that it inspires the ontological question "What are films and why is this not one of them?"
  16. Weirdest, funniest studio release of the summer so far and a bona fide cult object in the making.
  17. It's a kick to see the Tim Robbins version of the man recently described by the Microsoft trial judge as "Napoleonic" installed in a disgustingly opulent Bond-villain HQ/pad, and the overwrought Boiler Room-meets-The Game scenario is not without its own schlocky pleasures.
  18. Taking the vantage point of civilians rather than combatants allows 5 Days of War to show the toll of the terror and of the relentless, exhausting pursuit of war with unexpected force. Had it rejected the genre's romantic trappings and false heroics more consistently, the movie might've been worth the ride.
    • 31 Metascore
    • 40 Critic Score
    What happens when you put a rabbi, a Buddhist monk, a high-strung capitalist, and a lesbian humanitarian together in the same room? Not comedy, it turns out.
  19. This is, of course, a movie about affliction, and it ultimately succumbs to the bland, sentimental uplift we've come to expect from such outings.
  20. John Stalberg Jr.'s dismal stoner comedy does little to inject any sense of joy or laughter into its depiction of teenage pot antics.
  21. Trivial, commercially calculated ensemble drama (porn! pot! rock music!), which plays like a non-musical "Rent," or a faux-edgy "Shortbus" for kids raised on "American Pie."
  22. Only Noah Wyle, as Adam's unreadable dad, rises above the muck; he deserves his Tarantino-aided resurrection sooner rather than later.
  23. The Curse of Downers Grove coasts on pulpy fumes thanks to its creators' effective emphasis on circumstantial peril over character-driven drama.
  24. Curiously, Blackmail Boy's alternate title is "Oxygen"--and by film's end, you'll be gasping for it.

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