Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
  1. Green Dragons wants to be spaghetti with marinara, but it's closer to egg noodles and ketchup.
  2. Made with no discernible craft and monstrously sanctimonious in dealing with childhood loss, it might as well be called "Pray It Forward."
  3. Indifferently written, passably acted, resourcefully shot in video with enlivening splashes of local color.
    • 36 Metascore
    • 20 Critic Score
    Cookbook banks on the humor of its caricatures and the heft of its moral dilemma, but because it never develops its characters beyond types, it comes off as flat and forced throughout.
  4. Thematic muddle aside, the film's appeal lies in Burke's ranting charisma, Julie Christie's thankless turn as a sympathetic doctor, and Michael Spiller's radiant cinematography, which frequently captures the mythic grandeur that eludes Hartley's narrative grasp.
  5. More exciting and truthful than most better-looking films dare to be.
  6. Walter's self-conscious efforts at quirkiness...and cartoonishly drawn characters...try too hard while falling far short of their marks.
  7. Throughout, Helberg's awkward-anxious routine proves insufferable, and it's made no more tolerable by supporting turns from Zachary Quinto, Alfred Molina, and Judith Light, who are given so little to do that their presence in this mess feels downright cruel to both them and us.
  8. Seems to have been made up as it was being filmed.
  9. There isn't a moment in Hôtel Normandy that isn't painfully contrived, yet, worse still, its mix-ups boast all the inspiration and excitement of a weekend getaway at the local mall.
  10. The film is most successful when humanizing the people behind the objectification, with lives beyond the smut.
  11. An unbearable 90-minute trip with a trio of loud, needy egotists.
  12. Bert Stern: Original Madman is a sometimes uncomfortably intimate portrait of a man who seems unsure if he has a place left in the culture he helped to shape.
  13. Rupture is a sci-fi abduction thriller that leaves little to be thrilled about.
  14. Hamming shamelessly as Berowne, Branagh is overseasoned for his part ... he's as desperate as a veteran social director at a Catskills hotel about to fold.
  15. The virus is spreading, but the filmmakers don't appear fully committed to the idea of a zombie apocalypse, so no sense of dread (or suspense) ever takes hold.
  16. Though it’s not very scary, the film mines suspense from Jack’s attempts at luring his victims and hiding his tracks.
  17. The film absolutely delivers on the scenery-chewing front. And yet the movie is still hollow and joyless.
  18. The skirmishes are alternately silly and wan. The film's gloomy techno score is its most lasting attribute.
  19. Segal's gearbox gets jammed between recession-era sports drama and brainless comedy, especially as Hart hollers pop-culture punch lines like he's the squirrel sidekick in a CGI kiddo flick.
  20. Weide's big-screen version is sitcom-drab.
  21. Yet another black comedy that misunderstands and misrepresents the genre.
    • 35 Metascore
    • 20 Critic Score
    Its action sequences, more geeky than thrilling, fail to rescue the laughable plot.
  22. Detached performances and a murky sound mix further the sense of suspended animation.
    • 35 Metascore
    • 30 Critic Score
    All the stylistic flourishes can't hide the lack of an actual plot, character development, or point. Like Gerardo, we wait, hoping something will happen, knowing nothing will.
  23. The vibe rarely expands beyond dozy Comedy Central skits sprinkled with ironic cliches rather than jokes, 99 percent earnest slo-mo quirk and 1 percent funky non sequitur (the characters sport brand names, like Plymouth Ray-Ban), most of it explained rather than performed.
  24. It is plodding, lazily filmed, gassy with James Horner's score, and pads its runtime only by way of tolling repetition.
  25. Even as Deb comes to embrace the vibrancy of urban life, she's still prey to a blinkered suburban viewpoint which becomes inscribed in the film itself.
  26. A corny saga of social and generational conflict, it's ultimately yet another Chinese period epic that functions as a thinly veiled treatise on the nobility of socialist equality.
  27. Dream House also manages to commit a cardinal thriller sin: casting well-known actors in ostensibly inconsequential roles, which in this case reveals the real culprit before the mystery proper has even begun.

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