Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
  1. Standoff holds up as a welcome alternative to its more strident brethren.
    • 36 Metascore
    • 30 Critic Score
    There's nothing to fill up the 88 minutes of the film except for the idle bitchery spewed by nearly every character.
    • 36 Metascore
    • 30 Critic Score
    On a spare stage set, Dresser's clever script is allowed breadth for contemplation; here it's sodden with animated sludge. Watch it with your eyes closed.
  2. When Commitment isn't a perfectly forgettable action film, it's either an oil-thin melodrama or a charbroiled treat for meatheads.
  3. Much as I want to believe in Cortés, who is clearly talented and ambitious, there is just too much in Red Lights that encourages agnosticism.
  4. Wolf establishes only a half-formed idea of the decisions, fights, and silences that have shaped these characters’ lives, so the cast often seems to be shouting into a vacuum.
  5. In his film's better moments, Kollek makes us laugh at these visions while also revealing their grace and frailty.
  6. Easily the artiest queer stroke movie of the year.
    • 36 Metascore
    • 30 Critic Score
    Obtuse and creepy.
    • 36 Metascore
    • 30 Critic Score
    Rather than creating believable characters engaged in nuanced conflict, Boy proffers a pair of obvious symbols and hopes that they'll make a statement about the personal and the political.
  7. While "maybe it's for the best" proved happily prophetic for her actor pals, those words of comfort sound more like a clueless bromide when you consider the 30,000 people laid off in Lansing after the film wrapped.
  8. Repeatedly assuring us that its titular subject is really "a metaphor for life," Swing attempts unsuccessfully to liven up a tired scenario with a touch of Twilight Zone fantasy.
    • 36 Metascore
    • 30 Critic Score
    Turistas eventually bogs down in an underlit mess.
  9. Serious Moonlight has a backstory much more intriguingly dramatic than what's onscreen.
  10. When it isn't TV-movie familiar, Egoyan's film is bughouse crazy, mixing in campy pulp elements that bleed pressure away from the story.
  11. Jorge Michel Grau's Big Sky masquerades as a psychological thriller, but underneath it's a meditation on the worthlessness of men.
  12. With a few exceptions, most of the laughs in Stardom are cheap...and worse, the ideas beyond platitudinous.
  13. It'll make you cyberlaugh, it'll make you cybercry, just like cyberlife -- One thing is certain: your boredom
  14. Those two age-old foes--science and blind faith--tango yet again in this noxious slice of Biblical horror about a series of Old Testament plagues being visited upon a Louisiana bayou backwater.
  15. The misfires, including a strange menstruation gag, far outnumber the hits. Dumb and Dumber To is mostly just a kick in the nuts, and not the good kind -- provided there is a good kind.
  16. Nothing but a million little pieces from prior superhero series and the "Twilight" saga.
  17. It's Garcia, Molina, and Tomlin who give you momentary hope that the film might settle into a witty, irreverent romp. Unfortunately, their efforts are ultimately defeated.
    • 36 Metascore
    • 30 Critic Score
    The not-exactly-long-awaited movie version is here, trading in stereotypes just as ineptly as the original.
  18. It's clear that Something Borrowed finds it easier to tell us about relationships than to show us them under way.
  19. Sharon Greytak's Archaeology of a Woman is a decidedly well-made, unnerving film.
  20. It's the rare film to miss its every mark.
  21. A clever but aesthetically murky remake of Haskell Wexler's scorching McLuhan pastiche "Medium Cool" (1969).
  22. Swanberg has discovered lighting and mood-to occasionally stunning effect. Perhaps in some future memo from the front lines of indie-sploitation, he will unite them with story and more than a superficial nod to character.
  23. No bodices were harmed in veteran French filmmaker Patrice Leconte's chaste and bloodless English-language debut.
  24. The rather unappealing character of Axel is indulged with every opportunity for redemption, as Spacey is indulged with every opportunity to showboat.

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