Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. With topical revenge fantasies already available (Dogville, the Kill Bills) and with Roy Scheider on hand as a gun-loving paterfamilias, The Punisher mismanages its greatest asset: an unusual embarrassment of camp riches.
  2. Documentary is an inherently tricky field, requiring objectivity, but Path of Blood leans so far into it that any sense of narrative or purpose dissolves.
  3. Earnest and misguided in equal measure, The Theory of Flightis ostensibly a bold and rare attempt at depicting disabled people as sexual beings, but the notion is couched in such spurious and schematic terms that the film never really stands a chance.
    • 45 Metascore
    • 40 Reviewed by
      Ed Park
    More fun to listen to than watch -- though this still leaves the problem of dialogue.
  4. Hardly works up a decent belly laugh before its characters are happily pairing off with whomever they desire most. The film is like skipping the orgasm and going straight for the cigarette.
    • 48 Metascore
    • 40 Critic Score
    Neither particularly romantic nor especially funny.
  5. It's a shame that, somewhere in his mystagogical handstanding, Fresnadillo forgot the real world.
  6. Reynolds never appears in full command of his body, and at times the performance is painful to watch, not simply because the one-time golden boy has aged but because the role demands that he act as if aging is a betrayal, as if he has nothing to offer the world without his youthful vigor.
  7. Par for the course in blowout CGI adaptations, a great deal of detail and bustle is gained at the expense of charm - for all the miracles these armies of animators can achieve, they have yet to successfully reproduce a humble artist's line.
  8. With some focus and critical perspective, The Source Family might have documented more than a spectacle of its time.
    • 59 Metascore
    • 40 Critic Score
    Perhaps Pearl Jam's arc too closely resembles Crowe's own, and he can't see what's so uniquely poignant about dimmed but enduring stars.
  9. Directors Jason Sussberg and David Alvarado present a study of two eccentrics without pushing too hard against their premise.
  10. Mostly, its unearned funnier-than-thou smugness plays like a DIY dorm-lounge homage.
  11. It should be mentioned that Garriott's father, Owen, was himself a Skylab astronaut, a fact of which much is made - but that only more obviously shows Man on a Mission for what it is: a puffed-up home movie.
  12. An overemphatic, would-be wacky, ultimately tedious sex farce.
  13. Undercut by uninspired direction, car-commercial art direction, and a lack of grit that makes the hidebound nature of the genre stand out like an episode of "Matlock" on HBO.
  14. Wang mistakes affectless storytelling and character conception for rigor, and as a result huge portions of Beijing Bicycle are dull and repetitive.
    • 66 Metascore
    • 40 Reviewed by
      Ed Park
    As hackneyed as they come, but the overall mood is less cynical than affectionate.
  15. A vanity project riding the waves of a socio-political moment, Two confirms just as many stereotypes as it attempts to dismantle.
  16. Saddled with an improbable plotline and an incoherent character, Garity demurs on the invitation to overact.
  17. Songwriter sells the “nice boy” bit well, but if you aren’t already a fan, it eventually becomes tiresome. There are occasional glimmers of a real person (wishing to topple Adele, laying down a “no Snapchat” rule at his house, etc.) but rarely is a feature film so bluntly just marketing.
  18. A largely genial but frequently wearying feature-length toy ad.
  19. At first, Hoffman appears to be juxtaposing the savoir faire and genuine deprivation of the Depression society with the spoiled, consumption-crazed world we have now, but then he merely lapses into a vague Occupy-ish indictment of the 1 percent and the collapse of community as a cultural foundation.
  20. What's more disappointing is how filthy Invincible is with missed opportunities for Herzog to be Herzog.
  21. Far better as a family drama than as a gangster picture, the film's muddled attempt at marrying the two distracts from its emotional center.
  22. Bad Milo! meets your expectations right where you left them.
  23. Carefully lit and designed, with a moody and muted color palette, the film effectively conveys the feel of Aila's hardscrabble existence. But the horrific behavior of Popper, who does little other than threaten, beat, and try to rape Indians, becomes problematic.
  24. An air-conditioned bus tour of Punjabi ritual. Nair stuffs the film with dancing, henna, ornamentation, and group song, but her narrative clichés and telegraphed episodes smell of old soap opera.
  25. Messina's performance has a lived-in, emotional messiness, but the film is nothing but clichés.
    • 51 Metascore
    • 40 Critic Score
    The movie has more lags in action than either of the previous episodes, and somehow the dialogue is even more daft

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