Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Immigrant is reportedly based on writer-director Barry Shurchin's own family history, but the story he's chosen to tell is so melodramatic and relentlessly grim that any passion he feels for the material isn't reflected onscreen.
    • 66 Metascore
    • 40 Critic Score
    Zelary strands its protagonists in a hermetically sealed world where time runs in place. It's a feeling that viewers of this two-and-a-half-hour epic will come to know all too well.
  2. Jacket's shrill, Necco-colored sets and distractingly awful CGI long shots almost mask the movie's real coup: Letscher's physique.
  3. Outside of the Jordan inner circle, this family-versus-business parable comes across as slight, familiar, and in dire need of seasoning.
  4. It's an easier movie to tolerate than it should be if, like me, you're in love with Téa Leoni, who, as a lithe, lusty, strangely patient firecracker Superwife in a shag, rescues the movie from the tar pit of irrelevance. With some decent lines, she could be the new Myrna Loy.
  5. Plaza Suite is a strenuous bore, far less amusing than the play, but no less empty and heartless in its insistence on creating grotesques for easy laughs and then forcing them to feel sorry for even easier pathos. [20 May 1971, p.61]
    • Village Voice
  6. There are moments when the tedium loosens you to melt into the landscape, and you swear you can hear the moss on the rocks start talking.
  7. The cell phone reception in Dracula's castle is pretty bad, but it can't be as frustrating as trying to fathom the plot of this woefully muddled horror film.
  8. Given its boundless sarcasm, running-jumping- standing-still ambience and hyperbolic Guignol violence, Lock, Stock aspires to be something like the Beatles meet the "Wild Bunch." Too bad it doesn't have even a rubber soul.
  9. On-the-nose monologues on the cyclical nature of centuries-old blood feuds ultimately feel more like stuffy lectures than living history; ditto the film as a whole.
    • 42 Metascore
    • 40 Critic Score
    At once downbeat and claustrophobic, it's also often grueling to watch.
  10. Dull, if not devoid of wit, this shaggy dog longs to frisk through the back alleys of history, but scarcely manages more than a modest, snoozy charm.
  11. Lyew kills the story with implausible twists, but he does craft some effective, original set pieces.
  12. Getting even is wearying in My Best Enemy, a banal World War II thriller dependent on contrived role reversals.
  13. A cheerless and nonsensical thriller.
  14. Banks seems to hope that merely spending time with her subject will somehow create an illusion of intimacy. But her film's secretive opacity only makes Callahan a little prince, far away on his own planet.
  15. "No poetry after Auschwitz," Theodor Adorno proclaimed. One sometimes wishes he'd added, "And no big-name cinema either."
  16. Speaking of camp, the diva battle teased in the trailer for Joyful Noise between its two stars, Queen Latifah and Dolly Parton, flatlines, as do most of the movie's jokes.
  17. Largely innocuous and forgettable, Polly lacks "Mary's" romantic pathos and psychosexual anxiety and is a few squirmy set pieces shy of "Meet the Parents."
  18. A film of unreconciled impulses, Breathing is by turns vaguely sentimental and cooly detached in a manner that's ultimately more off-putting than it is complementary.
  19. Will disappoint anyone looking for transport from a movie--being a time traveler's wife, it turns out, is mostly a drag.
  20. Lockout is, not unexpectedly, a potluck of derivative references.
  21. Imagination is in short supply, with rubbery heroes repeatedly plummeting (down chutes, primarily) or hopping and running in slow motion-images that (to state what has now become the obvious) are seldom enhanced by pedestrian IMAX 3-D effects.
  22. Green Dragons wants to be spaghetti with marinara, but it's closer to egg noodles and ketchup.
  23. A resolution gifting world-surveillance software to the cops, plus slo-mo action over the oft reprised "Close to You," stretch past bullet time into nap time.
    • 60 Metascore
    • 40 Critic Score
    While the filmmaker avoids a conventional episodic format driven by central characters in conflict, he hasn't created one that could keep a complex story clear.
    • 60 Metascore
    • 40 Critic Score
    Such an uncomplicated portrait may be faithful to Murphy...Yet, no matter its veracity, that veneration is the only point conveyed throughout, and in cinematic terms, it renders Murph: The Protector a one-note hagiography, no matter how convincing and affecting its portrait of unimpeachable courage.
  24. Madison peddles condescending hokum as heartland values.
  25. No doubt, these talking-head assertions about DeJoria’s charitable attitude toward work and life...are true. Alas, they’re delivered in a celebratory one-note package that feels like something cooked up by a publicity team.
  26. The Great Raid is ultimately scotched by History Channel–worthy nostalgia.

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