Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. In both "The Agronomist" and here, Demme looks at real people defined by their civic-mindedness and explores their politics biographically.
  2. If your vegan stomach and ethics do flip-flops at this spectacle, pull back for the cultural comparisons.
  3. It's hard to appreciate things like the character detail amid the insufferably squealy voicing and arbitrary suspense.
  4. The Hunter is too many films in one.
  5. I've been watching horror films since I was three years old. They've never given me nightmares. Until now.
  6. For the more Hooper tries - and oh, how he tries, ratcheting the filth amp to 11 and shooting almost everything with an arsenal of wide-angled, handheld cameras - the more the moist-eyed storybook romanticism of the source material proves resilient to his efforts.
    • 63 Metascore
    • 70 Critic Score
    A fundamentally lazy comedy that will probably make you laugh like an idiot.
  7. The movie works because Christina's desire to help these kids feels natural, and because she herself shoulders burdens that would drive most people to the grave, all without losing her faith.
  8. While the ideas about techno-saturation are far from novel, they're presented with a wry dark humor.
  9. A linguistic stew with a zesty, homemade flavor that belies its carefully researched preparation.
  10. Happily, beneath the film's nostalgic veneer and tooth-rattling visual and aural effects lies a mature ambiguity that's unusual for a holiday blockbuster -- and all but unheard of in a Tony Scott movie.
    • 63 Metascore
    • 50 Reviewed by
      Ed Park
    As parody, it's toothless and often smug, but as random Ferrellspeak generator, it has its delights.
    • 63 Metascore
    • 80 Critic Score
    As in "The Bear," Annaud eschews animal voice-over and visual F/X in favor of live, almost wordless action. The result is the humanization of animals and the animalization of humans.
  11. Burdened by a convoluted script and an ensemble-proof leading lady, the director fails to illuminate a particular corrupt system.
  12. If Simon Killer's tragic drift is predictable, the seedy particulars still engross. And the storytelling is first-rate.
  13. The Summit is at its most powerful when the filmmakers simply tell the tale, which gradually develops the unsettling suspense of a horror movie, with K2 cast as the implacable killer.
    • 63 Metascore
    • 60 Critic Score
    It disposes with social concerns and lets the individuals speak for themselves--and the regrets, rationalizations, and jerry-rigged morality they express are often fascinating.
  14. If there's a film that will make you want to finally accept that friend request from your grandparents, this one is it.
  15. Davis holds forth memorably on the histories of country, blues, and rock 'n' roll. (He played with Chuck Berry.) But neither he nor Accidental Courtesy has much time to consider the scene with the BLM activists, who, in the film's schematic presentation, get depicted as something like a Klan equivalent — just less friendly.
    • 63 Metascore
    • 90 Critic Score
    Zoo
    The beautiful and beguiling new film by Robinson Devor meditates on the Enumclaw incident through a hypnotic blend of original reporting, staged reenactment, testimony of involved parties (both zoophiles and local law enforcement), and pervasive, somewhat precious lyricism.
  16. Fight fans will still find much of interest, including some surreptitious footage of Don King unsuccessfully wooing the young brothers by "playing" Mozart on a player piano.
  17. Manically imaginative and very funny.
  18. Beyond the buzz of iconoclasm, our explorers find a regular troubled marriage, only with three sides to every problem.
  19. The stickups, while plenty funny... lack any sense of dread or danger. And while De Felitta has a knack for slaphappy eroticism — with the feisty Arianda on board, the sex scenes have genuine heat — he also resorts too often to sappy lyricism.
  20. "I think their marriage was a mystery to everyone," an Eames worker notes - an observation true of every couple that you'll wish the filmmakers had explored more deeply.
  21. Pálmason can occasionally get bogged down in his ambiguous leanings.... But many moments attest to the high ceiling of Pálmason’s abilities.
  22. In this unhurried full version, Benson allows grief to transform his characters, with few guarantees and plenty of regrets.
    • 63 Metascore
    • 60 Critic Score
    Rocky Balboa, effortlessly reflexive and patently, even proudly, absurd, is a tough movie to dislike -- and believe me, I've tried.
    • 63 Metascore
    • 70 Reviewed by
      Ed Park
    Convoluted but diverting.
  23. [Loach] and his longtime scriptwriter Paul Laverty combed Irish history to find a figure you might see as Loach's intellectual double; maybe this accounts for some of the speechifying dialogue as various political positions are explained, jarring at times in a film of action shots and escaping out windows.

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