Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Lunacy is dark, scary, and yucky--even by the Czech animator's own standards.
  2. Feature-length elaborations on quirky, inspiring human-interest stories are generally to be avoided, but I'll make an exception for A Man Named Pearl.
  3. This delightfully sensual documentary gets inside the artist's creative process while also treating viewers to glorious music by the likes of Wagner and Satie.
  4. Like its actress, it's an ambitious knockout that doesn't quite live up to its potential. But its argument is worth hearing: Instead of crying for the collapse of one actress, Folman is crying for the collapse of civilization, the triumph of the synthetic over the real.
  5. The film's premise rests on one contrivance too many as it is...and Heder keeps raising the stakes instead of settling into the groove established so well by her two leads.
  6. All Governments Lie is worthy testimony that many journalists are in it for the truth.
  7. This is Oliver Stone country, but Broomfield's self-effacing affect is more Woody Allen,
  8. A breezy first-person video essay that goes in search of the average Asian American woman, all the while wondering if there is in fact such a thing.
  9. It's far more convincing — and enraging — when focused on the lives of real people. In these heartbreaking moments, Before the Flood grows more aggressive in its imagery and argumentation, becoming the climate-change documentary Americans need to see.
  10. A master of smash-mash montage and choreographed chaos, Greengrass is the best action director working today, adroit at producing the sense of everyone converging and everything happening simultaneously.
  11. Moody, pretentious, but potent.
  12. Hard to tell what’s more annoying in this empty character study of eccentrics and the suckers who love them: the braying, blurting soundtrack or Douglas himself, who can’t find his way into a man tortured by dull demons.
  13. Pattinson and Wasikowska deserve better material than the Zellners’ head-scratchingly lazy jokes.
  14. It's squeamish about sex but not, unfortunately, sentiment.
  15. A humorously death-haunted psychodrama.
    • 63 Metascore
    • 70 Reviewed by
      Ed Park
    Chamber's charm lies in the sheer visualization of Rowling's weirder inventions: pots of shrivel-phizzed screaming treelets, Harry's arm gone boneless from a bungled spell, a scolding letter from home that leaps to life as a yapping paper mouth.
  16. A few moments harp on the sentimental, but overall, this is a powerful addition to the small collection of films dedicated to spreading awareness of this horrific crime.
  17. The result is a pleasure, perhaps as much for audiences as for Polanski; it's a chance to luxuriate in the atmosphere of world-class Formula One, here a lavish free-love party interrupted now and again by a few laps on the track.
    • 63 Metascore
    • 50 Critic Score
    Director Juan Carlos Medina depicts a grim city perpetually shrouded in fog the color and consistency of pea soup. He makes the murders appropriately gory, but not over the top. Yet a storyline involving anti-Semitism threatens to upend the compelling detective tale.
    • 63 Metascore
    • 70 Critic Score
    Shot on DV, the film looks awful, but this homemade quality fosters an authenticity that allows for startling suspense as Yunes's secret life comes to light.
  18. The film — which is nowhere near as interesting as LaBeouf’s performance — is hopelessly reductive about its subjects’ psychology even as it mocks the press of 1980 for being reductive about its subjects’ psychology.
    • 63 Metascore
    • 40 Critic Score
    A cautionary eco-doc so earnest and moth-eaten it should properly be seen on filmstrip during fourth-period social studies.
  19. Leyser's collation of interviews and stock footage is polished enough to effectively perpetuate the Burroughs legend.
  20. Lilti tells a fine story, but he doesn't always look closely enough at what he's saying.
  21. Simple and well acted, Unsane has tension enough to knot the stomach.
  22. What makes Watson's novel a delight is its guilelessly homoerotic subtext. By downplaying that, the movie argues the case for Watson's innocent sensuality--and against its own worldly update.
    • 63 Metascore
    • 80 Critic Score
    Despite cloying narration, Fitzgerald's footage and interviews are fantastic.
  23. However cloying, the movie creates a powerful vortex. It's surprisingly visceral-at times almost thrilling.
  24. Director Bavo Defurne fills the frame with warm, bright color and the lovely austerity of the Belgian seaside, angling for a soulful, slightly hyperreal comedy rather than the pursuit of a political agenda or a boring awareness-raising endeavor.
  25. Spring Breakers seems to be holding a funhouse mirror up to the face of youth-driven pop culture, leaving us uncertain whether to laugh, recoil in horror, or marvel at its strange beauty. All I knew is I couldn't wait to see it a second time.

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