For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Bilge Ebiri
Sheridan’s feel for psychology and setting are in fine evidence here. Wind River’s landscapes are forbidding and beautiful.- Village Voice
- Posted Aug 3, 2017
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- Village Voice
- Posted Jun 4, 2013
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Reviewed by
J. Hoberman
The performances are uneven, but the spirit never flags.- Village Voice
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Reviewed by
Jessica Winter
Slick and sober, fiercely contemporary, and rigged by a fail-safe three-act structure, Dirty Pretty Things nimbly straddles the line between realism and popcorn pop, but it knows which side its bread is buttered on.- Village Voice
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Reviewed by
Ella Taylor
The Namesake carries faint echoes of the carnal physicality that makes Nair's more lightweight movies so much fun to look at--"Monsoon Wedding" was a dandy piece of froth, and "Vanity Fair" survives only on its looks--but it's a quieter, more mature work.- Village Voice
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Reviewed by
Alan Scherstuhl
Deadpool might even stand as one of the strongest and most inventive films of the high-early-late superhero baroque — if we could just turn off its built-in commentary track.- Village Voice
- Posted Feb 7, 2016
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Reviewed by
Nick Schager
Employing straightforward, music-free aesthetics that express the grim realities of his story, director Funahashi captures both grief and outrage in equal measure.- Village Voice
- Posted Dec 10, 2013
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Reviewed by
Alan Scherstuhl
The movie's a fascinating mess, grand and gaudy, often hilarious.- Village Voice
- Posted Feb 6, 2015
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Reviewed by
Michael Atkinson
The actors are all on target (particularly Penelope Wilton as Shaun's relentlessly cheery mum), and taken on its own shaky legs it's a wittier genre coda than "Abbott and Costello Meet Frankenstein."- Village Voice
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- Village Voice
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Reviewed by
Joshua Land
Wranovics's entertaining documentary feels appropriately detached.- Village Voice
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Reviewed by
Ernest Hardy
In showing how some men derive primal, perverse senses of pleasure and power from their brutality, how small men make themselves feel large and invincible, the film distills the roots of terror (political, cultural, religious) to truths that are tragically evergreen.- Village Voice
- Posted Sep 17, 2015
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Reviewed by
Alan Scherstuhl
The most welcome change is the tone. Wadlow has decided he's making a straight-up comedy, and he demonstrates a knack for it.- Village Voice
- Posted Aug 14, 2013
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- Village Voice
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Reviewed by
Ella Taylor
If you have to see another penguin blockbuster, you could do worse than this loose-limbed charmer.- Village Voice
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Reviewed by
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- Village Voice
- Posted Oct 28, 2014
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Reviewed by
Aaron Hillis
The bulk of White Palms--and the more riveting, grim storyline--is seen in flashback to the early 1980s.- Village Voice
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Reviewed by
Pete Vonder Haar
Everybody Loves Somebody won’t reinvent the (third) wheel, but the knowing dialogue and convincingly human characters are a refreshing break from the norm and worthy of your attention.- Village Voice
- Posted Feb 16, 2017
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Reviewed by
J. Hoberman
Wide-eyed, open-mouthed, and silently beseeching, she's (Johansson) even more a screen for projection here than in "Lost in Translation"; surrounded by a gaggle of over-actors, she glows with understatement.- Village Voice
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Reviewed by
Stephanie Zacharek
In the end, listing this sequel’s flaws and charms is a loser’s game, and I throw up my hands: I just had fun, maybe mostly because watching these actors brings me so much joy. There’s nothing second best about that, or about them.- Village Voice
- Posted Mar 3, 2015
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Reviewed by
Serena Donadoni
Instead of glorifying the amber liquid, Whisky Galore! is a love letter to an isolated community trapped in amber.- Village Voice
- Posted May 11, 2017
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Reviewed by
J. Hoberman
I got a charge out of Going Upriver, but as more than one person has noted, the movie's ideal spectator would be Kerry himself.- Village Voice
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Reviewed by
Chris Packham
Small details and incidents accrete into a pointillist rendering of despair.- Village Voice
- Posted Apr 3, 2014
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Reviewed by
Serena Donadoni
When Fancher’s weathered visage finally appears, he recounts more regrets than triumphs, but in Almereyda’s affectionate biographical scrapbook, his accomplishments are small manifestations of an iconoclastic existence whose reward is a messy, cherished independence.- Village Voice
- Posted Jul 27, 2017
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- Critic Score
Though richly allegorical, Serenity also works as a rousing and unabashedly manipulative adventure that never takes itself too seriously.- Village Voice
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Reviewed by
Nick Pinkerton
Although it doesn't worry itself with dialectic complexities, Hotel Transylvania succeeds on the level of entertainment.- Village Voice
- Posted Sep 25, 2012
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Reviewed by
Pete Vonder Haar
Matti sets a brisk pace, utilizing the squalor and desperation of Manila's slums and prisons as well as powerful, against-type performances by Torre and Pascual to give us a familiar yet engaging thriller (with more than a few surprises).- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Serena Donadoni
Acher adroitly juggles all the gimmickry, using it to comment on Holly and Guy's burgeoning relationship.- Village Voice
- Posted Oct 7, 2014
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Reviewed by
Heather Baysa
The film is wisely sparing of melodramatic flair, allowing the inherent drama of the situation to horrify and harrow on its own.- Village Voice
Posted Dec 10, 2013 -
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- Critic Score
The character is intentionally lightly drawn: Laura's suffering is symbolic, a surrogate for the suffering of a society helplessly caught in the crossfire.- Village Voice
- Posted Jan 17, 2012
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