Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Sheridan’s feel for psychology and setting are in fine evidence here. Wind River’s landscapes are forbidding and beautiful.
  2. Perhaps the richest of Resnais's recent efforts.
  3. The performances are uneven, but the spirit never flags.
  4. Slick and sober, fiercely contemporary, and rigged by a fail-safe three-act structure, Dirty Pretty Things nimbly straddles the line between realism and popcorn pop, but it knows which side its bread is buttered on.
  5. The Namesake carries faint echoes of the carnal physicality that makes Nair's more lightweight movies so much fun to look at--"Monsoon Wedding" was a dandy piece of froth, and "Vanity Fair" survives only on its looks--but it's a quieter, more mature work.
  6. Deadpool might even stand as one of the strongest and most inventive films of the high-early-late superhero baroque — if we could just turn off its built-in commentary track.
  7. Employing straightforward, music-free aesthetics that express the grim realities of his story, director Funahashi captures both grief and outrage in equal measure.
  8. The movie's a fascinating mess, grand and gaudy, often hilarious.
  9. The actors are all on target (particularly Penelope Wilton as Shaun's relentlessly cheery mum), and taken on its own shaky legs it's a wittier genre coda than "Abbott and Costello Meet Frankenstein."
  10. Often thrilling almost-feelie.
  11. Wranovics's entertaining documentary feels appropriately detached.
  12. In showing how some men derive primal, perverse senses of pleasure and power from their brutality, how small men make themselves feel large and invincible, the film distills the roots of terror (political, cultural, religious) to truths that are tragically evergreen.
  13. The most welcome change is the tone. Wadlow has decided he's making a straight-up comedy, and he demonstrates a knack for it.
  14. Tender and funny.
  15. If you have to see another penguin blockbuster, you could do worse than this loose-limbed charmer.
  16. Overall, it's a strong sampler, with surprising variety.
  17. The bulk of White Palms--and the more riveting, grim storyline--is seen in flashback to the early 1980s.
  18. Everybody Loves Somebody won’t reinvent the (third) wheel, but the knowing dialogue and convincingly human characters are a refreshing break from the norm and worthy of your attention.
  19. Wide-eyed, open-mouthed, and silently beseeching, she's (Johansson) even more a screen for projection here than in "Lost in Translation"; surrounded by a gaggle of over-actors, she glows with understatement.
  20. In the end, listing this sequel’s flaws and charms is a loser’s game, and I throw up my hands: I just had fun, maybe mostly because watching these actors brings me so much joy. There’s nothing second best about that, or about them.
  21. Instead of glorifying the amber liquid, Whisky Galore! is a love letter to an isolated community trapped in amber.
  22. I got a charge out of Going Upriver, but as more than one person has noted, the movie's ideal spectator would be Kerry himself.
  23. Small details and incidents accrete into a pointillist rendering of despair.
  24. When Fancher’s weathered visage finally appears, he recounts more regrets than triumphs, but in Almereyda’s affectionate biographical scrapbook, his accomplishments are small manifestations of an iconoclastic existence whose reward is a messy, cherished independence.
    • 74 Metascore
    • 70 Critic Score
    Though richly allegorical, Serenity also works as a rousing and unabashedly manipulative adventure that never takes itself too seriously.
  25. Although it doesn't worry itself with dialectic complexities, Hotel Transylvania succeeds on the level of entertainment.
  26. Matti sets a brisk pace, utilizing the squalor and desperation of Manila's slums and prisons as well as powerful, against-type performances by Torre and Pascual to give us a familiar yet engaging thriller (with more than a few surprises).
  27. Acher adroitly juggles all the gimmickry, using it to comment on Holly and Guy's burgeoning relationship.
  28. The film is wisely sparing of melodramatic flair, allowing the inherent drama of the situation to horrify and harrow on its own.
    • Village Voice
    • 79 Metascore
    • 70 Critic Score
    The character is intentionally lightly drawn: Laura's suffering is symbolic, a surrogate for the suffering of a society helplessly caught in the crossfire.

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