For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Melissa Anderson
An affectionate look at a self-destructing maniac and his supporters that bluntly reveals Liebling's total abjection without mocking him.- Village Voice
- Posted Feb 28, 2012
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Reviewed by
Mark Holcomb
Working the long con and damn near getting away with it, this kissing cousin to "Fargo," "Cedar Rapids," and "Win Win" makes for a surprisingly entertaining and nonderivative February time-passer.- Village Voice
- Posted Feb 14, 2012
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Michelle Orange
The result has only a loose resemblance to Valdés's story - though real-life figures including Charlie Parker, Dizzy Gillespie, Chano Pozo, and a Cuban songstress who bears some resemblance to Rita Montaner are featured as characters - but it's a dazzling thing to behold.- Village Voice
- Posted Feb 7, 2012
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Ernest Hardy
Tightly directed and well acted (even though many characters are cut-outs from every war movie you've ever seen), The Front Line shoehorns little known history into a familiar format, and it works.- Village Voice
- Posted Jan 17, 2012
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Reviewed by
Michelle Orange
Although Scalene slows to a drip in places, strong performances and a Hitchcock-trained eye build unnerving tension into its depiction of the intimate stress of caring for an invalid and the ways people might or might not crack under it.- Village Voice
- Posted Jan 17, 2012
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- Critic Score
Like "Father of My Children," Goodbye First Love loosely fictionalizes lived experience in order to capture the ineffable - in this case, emotional maturation or, as Sullivan phrases it, "becom[ing] a real person."- Village Voice
- Posted Apr 17, 2012
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- Critic Score
The film is infectiously somnambulant, so convincingly and unrelentingly dreamlike that its sudden end mimics the sensation of snapping awake from deep sleep.- Village Voice
- Posted Apr 3, 2012
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Reviewed by
Aaron Hillis
Chronicle, with its found-footage storytelling and superpowered teens, at least playfully transcends its "Cloverfield meets Heroes" pitch.- Village Voice
- Posted Feb 10, 2012
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Nick Pinkerton
Like any good study in couple's psychopathology, a familiar relationship is visible here, but in a parodic, mutated form.- Village Voice
- Posted Jan 31, 2012
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Gelb might flit around a bit too much, but his appealing documentary always comes back to its subject's determination (sometimes overbearing) to leave the most meaningful possible legacy to his family and his craft.- Village Voice
- Posted Mar 6, 2012
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- Critic Score
This impressionistic approach eschews traditional biography, instead giving the viewer the feeling of being inside a moment, without necessarily providing all the information we might need to contextualize what we're seeing.- Village Voice
- Posted Mar 6, 2012
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Reviewed by
Nick Schager
With the survivors' physical presence amongst Nazi slaughterhouses as its own powerful statement, Buried Prayers is a nonfiction work that confronts Holocaust atrocities from a piercing ground-level view.- Village Voice
- Posted Feb 11, 2012
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With so many voices, Color Me becomes a rock version of "Rashomon," and what the film lacks in music and live footage, it more than makes up for with obsessive detail and heated debate. Who's right? Everyone.- Village Voice
- Posted Feb 11, 2012
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Reviewed by
Aaron Hillis
She might not be our kin, but filmmaker Mahmoud Kaabour's anecdotal, warm-humored tribute to his grandmother - and, to a limited extent, to her cultural heritage - taps into the universal desire to hang onto loved ones in their waning years.- Village Voice
- Posted Feb 11, 2012
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Ernest Hardy
What gives the film its human dimension are the conflicting memories of former residents.- Village Voice
- Posted Feb 7, 2012
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- Critic Score
For once, an American indie's muted modesty at least makes emotional sense, suiting a bittersweet romance that, by nature, has neither a name nor a future.- Village Voice
- Posted Feb 7, 2012
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Reviewed by
Chris Packham
With its fun script and cheap visuals, Escape Plan evokes the halfwit cheesiness of 1980s-era Cannon films, but it also recalls the deft pacing and legibility of their action sequences.- Village Voice
- Posted Oct 29, 2013
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Mark Holcomb
Epic in scope, intellectual agility, and the potential to induce panic and despair, this documentary exploration of global trade as an emblem of economic apocalypse avoids (just barely) doom-mongering by virtue of its compassion and visual grandeur.- Village Voice
- Posted Feb 14, 2012
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Nick Pinkerton
Good for Nothing has a nice comic sense of the brushfire eruptions of Western violence.- Village Voice
- Posted Mar 6, 2012
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Aaron Hillis
While every scene is art-directed with zest and innovatively staged, The Fairy rarely inspires outright laughter. At least it respects its influences more than does "The Artist."- Village Voice
- Posted Feb 21, 2012
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Reviewed by
Melissa Anderson
In trying through incessant narration to make a six-year-old a prolix sage, Zeitlin can't avoid falling into sticky sentimentality.- Village Voice
- Posted Jun 26, 2012
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Nick Pinkerton
A hit in its native Sweden as "Snabba Cash," the English title is a piece of cheap irony; this is a crime thriller where no one gets away clean, and every action has its irrevocable reaction.- Village Voice
- Posted Jul 10, 2012
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Reviewed by
Mark Holcomb
Even non-fans will appreciate what a tough act Reatard is to follow, though, and anybody with a shred of respect left for rock 'n' roll will feel loss and anger at his passing.- Village Voice
- Posted Feb 28, 2012
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Reviewed by
Nick Pinkerton
Di Gregorio's performance sets the tone of dim hope and quiet forbearance, telling the story through reactions: an ever-accommodating smile that shades into a wince; sparkling, heavy-lidded eyes betrayed by vexed brows.- Village Voice
- Posted Feb 28, 2012
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Mark Holcomb
A tender, thoughtful paean to geek community.- Village Voice
- Posted Apr 10, 2012
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- Critic Score
A viewer's patience with some of Safety's more rote stretches is rewarded in the film's final 15 minutes, when the plot takes a truly unexpected turn. As a DIY answer to the Spielberg generation's nostalgia for movie magic, the film's fully earnest, fantastic climax beats something like "Super 8" at its own game for a fraction of the cost.- Village Voice
- Posted Jun 5, 2012
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Reviewed by
Alan Scherstuhl
The ravishing and kitschy Cirque du Soleil: Worlds Away is the rare movie whose title serves as an accurate indicator of whether you will enjoy seeing it.- Village Voice
- Posted Dec 19, 2012
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The fundamental Schwartz touch applies: In the guise of a narrowly targeted tween flick, he has delivered a smart and emotionally satisfying slice of wish fulfillment, tracing how a threatened family finds harmony.- Village Voice
- Posted Oct 23, 2012
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Reviewed by
Chris Packham
Lauren and Katie aren't defined by their attitudes toward men; they're defined by being fu--ing funny and awesome.- Village Voice
- Posted Aug 28, 2012
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Ernest Hardy
The film trots out a who's who of great thinkers - Jane Goodall, Stephen Hawking, Margaret Atwood, assorted scientists and historians - who are riveting as they walk us through the question of whether we will or can survive progress. The anticapitalism prognosis is grim, and the hope offered is slim indeed.- Village Voice
- Posted Apr 4, 2012
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