Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Plays best as a dry exercise in historical doublespeak and rationalization.
    • 67 Metascore
    • 40 Critic Score
    Much of this is tedious--no more or less exciting than surveillance-cam footage of a regional sales manager, even if this one's desk offers a glimpse at one point of a legless baby doll.
  2. This sweet, pensive gabfest is neither conventionally romantic nor pornographic.
  3. Not to imply that our Claude's gone native, but here his unabiding fascination with bourgie-style repetition compulsion bears some resemblance to sympathy.
  4. The scenario recalls everything from "High Noon" to "Unforgiven," but Costner is less interested in grappling with the grim ambiguities underlying those films than in codifying them. There's still much to like, including the warm, thoughtful performances and cinematographer James Muro's fearless use of natural light.
  5. Worse, the film never challenges the traditional Zionist narrative of the kibbutzim developing an untamed land, paying only lip service to the fact that it was already inhabited before the Jewish settlers got there.
  6. Ordinary Miracles offers a breezy and informative overview of the legendary photographic collective known as the Photo League.
  7. A war film consumed with waiting.
  8. Because the battle for legalization is still being fought in most other states, the lack of an up-to-date perspective is frustrating.
  9. The Homestretch is ultimately a humane accomplishment.
  10. The film is an adventure, a reason to despair, a chance to hang out with a great talker, and an often beautiful portrait of this city's promise and cruelty.
  11. [A] lighthearted and immensely entertaining doc.
  12. It’s only October, but Christmas has come early for horror fans.
  13. Ostensibly a conventional tale of triad loyalty, As Tears Go By announced the presence of a genuine Hong Kong new wave—as well as an ambitious cineaste.
    • 67 Metascore
    • 50 Critic Score
    Compelling enough as a methodic moral inquiry, a step-by-step account of how lines in the sand move, Ides is less successful when attempting to capture the feeling of the times.
  14. Except for Polley and Rea, the performances are heavy-handed.
    • 67 Metascore
    • 60 Critic Score
    Whatever the first-time filmmaker lacks in subtlety and finesse--not even the snow-white Sundance Screenwriters Lab could bleach Montiel's script of its corner-deli grit--he recoups by other, more playfully attitudinal means.
  15. Enemy of the State isn't really a smart film, but it makes a concerted stab at pretending to be one.
  16. Though Zilberman's affection for the women leads to some indulgent digression, the doc's low-key tone (and lack of the stock, timpani-backed Nazi iconography) throws certain anecdotes into powerful relief.
  17. Given its boundless sarcasm, running-jumping- standing-still ambience and hyperbolic Guignol violence, Lock, Stock aspires to be something like the Beatles meet the "Wild Bunch." Too bad it doesn't have even a rubber soul.
  18. One of those charming little documentaries that make you question whether the human race is really worth preserving.
    • 67 Metascore
    • 50 Critic Score
    Chbosky plays this CW serial stuff for maximum earnestness, stressing the teenage tendency to assume that every new thing they're feeling is unprecedented in human history, keeping the tone just-moist-eyed throughout.
  19. Even as an apocalyptic plot-pushing rescue mission unfolds, slapstick police chases keep the level of diverting quirk high, and the husband-wife/father-daughter dynamics remain central.
  20. That the most vicious homophobes are often closet cases is not news, but Dolan seems less concerned with that self-evident fact and more about creating a mood of unease.
  21. This is a fascinating and often tumultuous story, which Haupt chronicles through a mixture of interviews with the real Ostertag and Rapp (now married, they appear as a pair) alongside dramatized vignettes that, as the film wears on, feel like annoying interruptions.
    • 67 Metascore
    • 70 Critic Score
    Complex and deeply moving documentary.
  22. Director Rachid Bouchareb brings a measured hand to this intimate, occasionally overdetermined sketch of the aloneness at the center of our global confluence.
  23. The perfect storm of homophobia, racism, and moral panic that sent the San Antonio four to prison is almost too much to cover in a ninety-minute documentary, but Esquenazi paints a tragic and humane portrait of the women who ended up in its center.
  24. In this unhurried full version, Benson allows grief to transform his characters, with few guarantees and plenty of regrets.
  25. Demme, following in the footsteps of the late Louis Malle, takes a spare, direct approach to the material -- his economy pays off in quiet eloquence.

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