Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Kempner's film, which has an eat-your-vegetables quality, runs long and suffers from a lack of focus.... Still, it's inspiring how Rosenwald, who took full advantage of capitalism's potential, also shared, passionately and generously, his windfall.
    • 67 Metascore
    • 70 Critic Score
    Delpy shows Linklater's influence in her willingness to let actors work and walk at length, and she has an unusually playful style for an actor turned filmmaker.
  2. Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke.
  3. The brilliant concluding chapter in the death trilogy that inspired Gus Van Sant's artistic rebirth.
    • 67 Metascore
    • 90 Critic Score
    Devastating, artful, and intelligent documentary.
  4. Does attest to the once-upon-a-time existence of a Hollywood counterculture, but it's so reverentially heavy-handed in evoking the era that it can't help playing like "Forrest Gump" without Tom Hanks.
    • 67 Metascore
    • 40 Critic Score
    Offers little beyond the momentary joys of pretty and weightless intellectual entertainment.
    • 67 Metascore
    • 50 Reviewed by
      Ed Park
    Seeing BLT has been positioned as a political act. Alas: The film in question seems hardly worth the fuss.
  5. The Business of Strangers goes too far in dramatizing Julie's primal, Paula-fied surge of female fury, and the script finally mistakes respectful ambiguity for vaporous drift.
  6. Doesn't quite know how to take its leave; it tapers off like a curling cigarette trail, but it lingers like a ghost.
  7. Depp and Highmore's final scene together strikes a muted blow of desolation -- bottomless but just bearable -- that Forster rather bravely lets stand as the last word on all the fanciful solace that Barrieland had to offer.
  8. Nominated last year for a short-doc Oscar, the featurette is a lovely modern mini-myth, sarcastic and Beatrix Potter–y in turn.
  9. At the heart of the movie are the prolonged, increasingly violent, self-criticism sessions - an escalating, claustrophobic, paranoid reign of terror, staged in near-darkness and shown in close-up.
  10. It's all here, from the design contests to the farcical series of ribbon-cuttings, including a photo op cornerstone-laying, to the stupid Jeff Koons balloon that recurs as an incidental sight gag.
  11. In the face of the authenticity of Shmuel's faith, the evidence for or against the Judaic heritage of the Igbo is beside the point.
  12. The dilemmas Fame High's four subjects face are real, and Kennedy gets plenty of drama from the prospect of failure and disappointment.
  13. Dislecksia: The Movie is an exuberantly didactic documentary, and director Harvey Hubbell has done his homework.
    • 67 Metascore
    • 50 Critic Score
    The visual tricks lose their potency before the halfway mark, leaving the energy of Biophilia Live to rise and fall with the music.
  14. The strange, ever-changing result is, at times, as original as loose remakes come, with Bidegain using his hallowed source material as a springboard for something rare: a "writer's movie" that loses nothing in the jump from script to screen.
  15. Where faux-empowering "The Girl With the Dragon Tattoo" confines sexual power play to the old rape-revenge matrix, Haywire is a real war-of-the-sexes tournament, briskly paced with a tickling sense of black humor.
  16. XXY
    It takes a controlling hand to chisel something more contoured than monotony out of this dense angst, and director Lucía Puenzo doesn't have it, though Inés Efron, as Alex, gives a committed centerpiece performance with a nice, slightly lupine grin.
  17. The doc is often terrific fun. But it is a work of observation and advocacy rather than journalism.
  18. Constructed as a mystery, As You Are offers glimpses into intense adolescent bonds, just enough to remind baffled onlookers that they don't have a clue.
  19. It’s hard to know whether it’s intentional that The New Radical, Adam Bhala Lough’s slick documentary about “techno-anarchist” Cody Wilson, famous for developing a 3-D-printable plastic gun, presents its subject as a shallow pseudo-intellectual man-child.
  20. An Israeli movie with neither politics nor religion--and only one casual, if fraught, mention of the Holocaust--bespeaks an underlying desire for normality that's as poignant and fantastic as Keret and Geffen's modest, shabby Tel Aviv settings.
  21. It's something of a relief that little is actually resolved in A Late Quartet; Zilberman is at his best when leaving narrative threads hanging rather than trying to tie them together.
  22. This earnest, well-observed weepy has more depth than its genteel trappings might imply.
  23. The frank honesty of these accounts testifies to the trust Junger and Hetherington cultivated among the Second Platoon in 2008.
    • 67 Metascore
    • 70 Reviewed by
      Ed Park
    An unstoppable good-mood generator, the resolutely 2-D SpongeBob SquarePants Movie has more yuks than "Shark Tale" and enough soul to swallow "The Polar Express" whole.

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