Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Glendon Swarthout’s 1988 novel offered a rare approach to those Old West stories by shifting the focus to the women and children who often bore its brunt the worst, and Jones has — for the most part — successfully captured this, often in devastating fashion.
  2. Henry Fool, which runs a leisurely and ultimately tiresome 138 minutes, is so self-conscious it feels uncomfortable in its own skin. [23 Jun 1998]
    • Village Voice
    • 68 Metascore
    • 50 Critic Score
    By treating Kevin's evil as a mystery to be solved, Ramsay only succeeds in making what was once allusive banal.
  3. This "Last Waltz"–like doc is almost funereal, full of reverent banalities spliced between overly folksy takes on melancholic Leonard Cohen bombshells.
  4. Watermark is a documentary filled with images both beautiful and wrenching, yet the film as a whole is a disappointment.
  5. Aardman Animations (Chicken Run, Wallace & Gromit, and Shaun the Sheep) generally invests a great deal of care and precision into its storytelling, but this picture is somehow both simple and nonsensical. Early Man is the convoluted, caveman-populated skewering of FIFA that nobody asked for.
  6. For all its empathy and equilibrium, The East has nowhere to go after the script backs itself into a corner.
  7. The coolest thing about Monster House is that Kathleen Turner's face was actually motion-captured to create the house's movements, but actual human beings on-screen might have ratcheted up the tension, of which there is none.
  8. Black Mass is a tightly wound piece of work, and Cooper (Crazy Heart, Out of the Furnace) keeps its many small parts moving with ease. He's skillful at merging telling, minute details with bigger, looping schemes.
  9. The Edukators smiles indulgently as the kids rage belatedly against the dying of the SDS light.
  10. A tactful but probing and richly satisfying study of an entire family thrown into self-doubt by a teenager venturing into risky territory as she struggles to find her way.
    • 68 Metascore
    • 60 Critic Score
    Earnhart's auteurs are better adjusted, integrating their art into the daily routine of their (equally fucked-up) lives.
  11. Compassionately explores the seemingly irreconcilable situation between conservative Christian parents and their estranged gay and lesbian children.
  12. Sargent's whole enterprise doubles as a '70s archaeological dig.
    • 68 Metascore
    • 70 Critic Score
    The reconciliatory finale comes with a sad footnote: Czech New Wave veteran Brodsky killed himself shortly after the film was released in his native country –- an eerie rebuke to the movie's spunky and life-affirming vision of old age.
    • 68 Metascore
    • 60 Reviewed by
      Ed Park
    Crammed with wild action, obvious but well-mounted gags, and playful effects, the film is refreshingly silly.
  13. Built to outrage, appall, and indict.
  14. A lightly comic slacker drama that takes the desperation of teenage tedium seriously.
  15. Overlong and a bit tiresome but it's actually about something.
  16. Justman's A Trial in Prague acts as something of a corrective to the exuberant but oversimplified "Fighter."
  17. Immersed in popular culture, War and Peace makes it clear that India's nuclear mania appeals not only to religious chauvinism, primitive nationalism, and a desire for modernity but, even more dangerously, to a festering sense of inferiority.
  18. Most of the best moments in Hart Perry's latest documentary can be found in its opening half-hour, a vivid record of a 1979 strike by Mexican American migrant farmworkers in the onion fields of Raymondville, Texas.
  19. Lively, intelligent look at the art of film editing.
    • 68 Metascore
    • 60 Critic Score
    The result is a satire that somehow doesn't feel satirical: comic yet humane.
  20. It's the sort of film that builds up familiar frenzy--newspaper notoriety, tourism uptick, government attention--only to dissolve in a what-just-happened daze.
  21. Sounds trashy, sounds silly, but first-time director Nicolo Donato, who wrote the screenplay with Rasmus Birch, and a superb ensemble refuse to wink, resulting in a film that constantly subverts expectation.
  22. Beautifully shot, the film is unapologetically a crowd-pleaser whose gentleness of tone flows from its subject.
  23. Ping Pong shows us people piquantly aware of the deterioration of their bodies and that they don't have much time left.
  24. While it's hardly a joy to watch, Fire in the Blood is artful in nearly every frame, perhaps so we don't avert our eyes.
  25. Grandriders mostly, but by no means always, avoids the more cloying or heartwarming aspects of its tale in favor of a frank account of the implications of aging in Taiwan.

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