Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 68 Metascore
    • 70 Critic Score
    The documentary neatly lays out all the events leading to March 2009 in the Dolomites, from his early days of struggling to find his place in the world to discovering the extreme sports that would shoot him to fame.
  1. Akinnagbe's embodiment of Jack is the most wholly realized accomplishment in the film. His speech, hesitant and stammering, is matched by defensive body language, his walk and posture as guarded and wary as a bird's. It's a truly physical performance in a film that didn't demand it.
  2. The film's chatty, ingratiating, and then howlingly mean.
  3. If Bound by Flesh sorely lacks the perspective of the physically atypical community, it's at least a fascinating look at the transformations in the entertainment industry in the last century.
  4. The cumulative impact of the delayed story revelations and Chun's startling vulnerability is both an elegant gut-punch and a furious indictment of a society that treats its victims with inexcusable aggression and hostility.
  5. Unstudied to the point of utilitarianism, the film nonetheless has wide scope, and Doyle effectively gets his arms around this huge, nebulous, weird job.
  6. While you may be left craving more emotional fireworks than you get, Fillières's intelligent film is accomplished in its portrayal of a marriage in crisis, the union's last gasps rife with poignant exchanges.
  7. Even when it's ruining lives, bureaucracy is boring. And Indian Point, Ivy Meeropol's new documentary about a nuclear power plant of that name, is riddled with tiresome bureaucratic wrangling at local and national levels.
  8. Few horror debuts unnerve and fascinate as much as this one.
  9. Paradoxically, this technique both keeps you from getting to know the soldiers better and puts you completely in their boots, understanding directly that (as one character puts it) war is boredom punctuated by moments of sheer terror.
  10. The film takes a few jumps in time and employs some mildly experimental techniques. Unfortunately, most of the humor doesn't stick.
  11. For a documentary about two men who were big-time drug dealers back in the day, The Sunshine Makers is a quaint, damn-near-adorable bit of nostalgia.
  12. Most hilarious is the revelation that the first director assigned to the film Lumet eventually made, the manic John G. Avildsen, wanted the eccentric, bearded hipster ex-cop to play himself. On the basis of this exceptional portrait, he very well could have.
  13. We’re privy to the students’ backgrounds and get a tiny glimpse into their futures, but the film skims a lot in favor of showcasing the ISEF gathering. Still, as in the spelling-bee doc, these are moving stories of nerdy children, kids who are pragmatic about the forward march of industry yet believe societies can, and must, find cleaner ways to advance.
  14. Robin uses well-timed jolts and gross-out moments to awaken his solitary characters from their stupor, to shock them into acknowledging that their existence isn’t confined to the soul’s protective shell.
  15. It’s a brutal takedown of a practice now warping K-12 education and should embarrass every school that still requires them.
    • 68 Metascore
    • 80 Critic Score
    A love story in which almost everything works and you don't come out of the theatre half hating yourself for succumbing to its charm. [29 Nov 1973, p.86]
    • Village Voice
    • 68 Metascore
    • 60 Critic Score
    The movie has its moments, namely in two expert performances. [13 Nov 1969, p.60]
    • Village Voice
    • 68 Metascore
    • 90 Critic Score
    Beautifully acted and handsomely mounted, this gorgeous period piece is an intelligent and intriguing exploration of "the dark arts" -- less dependent on mere hocus-pocus than on the convincing journey of the soul undertaken by its hero.
    • 68 Metascore
    • 80 Critic Score
    A surprisingly good-natured comedy.
  16. With very few strong characters and a great many middle shots, Pulse sometimes plods--it's the price of Kurosawa's restraint and his indifference to structure.
  17. The final, moving, nerve-wracking reels are all sea, sky, and desperation.
  18. A pleasant old man's movie, in the end, but not one for which Boorman will be remembered.
    • 68 Metascore
    • 70 Critic Score
    Still, with such stellar source material, this Charlotte's Web won't disgrace your childhood memories -- or your child.
  19. A free-form splash of jaw-dropping graphs, impressively accredited talking heads, and sumptuously shot portraits of natural beauty and decay, overdramatically scored to symphonic and other intense musical attacks.
  20. The most exceptional element of Professor Marston and the Wonder Women might actually be its comforting, radical normalcy.
  21. It’s interesting that the most compelling parts of this film are the ones that convey how a taste of Hollywood can destroy a life, since this is yet another Hollywood film about that life.
    • 68 Metascore
    • 90 Critic Score
    It's as weird and whimsical an invention as Guest's "Waiting for Guffman," "Best in Show," or "A Mighty Wind."
  22. Cohn is clearly on the right track toward making the kind of nuanced grown-up dramas that sadly are no longer in vogue.
  23. Little of what happens will come as a surprise, but Corbet's narrative restraint coupled with his formal daring makes for a gripping experience. It's a slow burn, but the fuse attached had me holding my breath.

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