For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
A perfectly respectable kid-friendly family offering.- Variety
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Reviewed by
Joe Leydon
An uncommonly satisfying mix of medieval fantasy, high-tech military action and "Mad Max"-style misadventure.- Variety
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Reviewed by
Jonathan Holland
A slickly made, intense and powerfully visual take on time-honored problems such as identity and the body's power over the mind.- Variety
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Reviewed by
Joe Leydon
A hugely enjoyable romantic comedy that dares to suggest that love can bloom -- and, more important, hormones can rage -- after 50. Smart, sassy and slickly packaged.- Variety
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Reviewed by
Joe Leydon
More uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels.- Variety
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Reviewed by
Todd McCarthy
Sam Mendes' much-anticipated second effort after his Oscar-winning "American Beauty" finds him working in a very different key while displaying an even more pronounced attentiveness to tone, genre variations and artistic niceties.- Variety
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Reviewed by
Dennis Harvey
At first a little tabloid in tenor and editorial style, pic soon distances itself from the myriad court TV shows with a fine balance of everyday detail and verite drama.- Variety
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- Critic Score
It's plotted in the form of an epic poem, each stanza dedicated to a member of the group.- Variety
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Reviewed by
David Rooney
The two appealingly played central characters and the film's enjoyable evocation of the 1970s and '80s keep it buoyant and diverting.- Variety
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Reviewed by
Derek Elley
Engaging chemistry between leads Emmanuelle Devos and Vincent Cassel.- Variety
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Jonathan Holland
Simple tale is made unnecessarily complex by script's desire to give everything a metaphysical flavor, characters are across-the-board disagreeable and portentous art-school atmospherics are barely redeemed by occasionally good dialogue and a strong visual sense.- Variety
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Robert Koehler
The court action contains only a fraction of the hoops energy one would expect from a pic co-produced by NBA Entertainment -- and film suffers from the conspicuous absence of the title's Michael Jordan.- Variety
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Reviewed by
Todd McCarthy
Elaborate, sporadically amusing but awfully lightweight followup, which has close to the same tone as its predecessor but makes one realize that freshness had a lot to do with its impact.- Variety
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Reviewed by
Derek Elley
One of the most highly crafted pics in recent memory, and certainly the most original in vision of the 23 features competing at Cannes this year, Songs From the Second Floor rapidly wears out its welcome after the first few reels to finish up as a perplexing objet d'art.- Variety
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Reviewed by
Joe Leydon
Small children who will accept it as rock-'em, sock-'em excitement with a touch of gender-specific empowerment, and hipper teens and grown-ups who can appreciate the whole thing as a semisatirical hoot.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Engaging, intermittently insightful but too glib to wring full value out of its subject matter.- Variety
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Reviewed by
David Rooney
Joyously re-creates the brief but resplendent reign of the legendary freakadelic drag troupe.- Variety
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Reviewed by
Robert Koehler
Feels entirely a part of an already faded go-go era. Pic is too late by a mile and rightly dumped in a few theaters by Fox, which will doubtless send it to video bins faster than you can say gigabyte.- Variety
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- Variety
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Reviewed by
Scott Foundas
Has surprising hipness and good humor to spare, all put across with a funky, low-tech vibe.- Variety
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Lisa Nesselson
Wildly uneven yet perversely coherent ode to the lure of sexual and chemical experimentation, the precariousness of sanity and the sheer suggestible power of paranoia.- Variety
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Reviewed by
Todd McCarthy
Begins as though the filmmakers imagine that they're making a daringly anti-p.c. serio-comedy, but long before it's over, the picture is wearing its bleeding liberal heart all over its sleeve.- Variety
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- Variety
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- Critic Score
Camera compositions are curious, even poorly framed at times, but helmer's gift is in directing actors and building scenes around physical actions, much like silent filmmakers.- Variety
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- Critic Score
Wilder, usually a director of considerable flair and inventiveness (if not always impeccable taste), has not been able this time out to rise above a basically vulgar, as well as creatively delinquent, screenplay, and he has got at best only plodding help from two of his principals, Dean Martin and Kim Novak.- Variety
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- Critic Score
Gutsy, unconventional, bursting with raw urban energy, this surprisingly suspenseful drama portrays New York Hell's Kitchen residents whose lives are governed by the immutable circumstances of their tawdry existence.- Variety
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Reviewed by
Dennis Harvey
Bringing absolutely no fresh angles to a time-tested formula that's seemed particularly overworked of late.- Variety
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Robert Koehler
Jacobson produces a remarkably creepy piece of cinema that disturbs by suggestion, nuance and ambiguity.- Variety
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Reviewed by
Robert Koehler
Falco, light years from "The Sopranos," is exquisitely vulnerable and her scenes play well with Hutton, in his finest role in years as a good man who knows he's sold out.- Variety
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Reviewed by
Todd McCarthy
Has a casual, freewheeling nature in contrast to the creeping grandiosity of some of Disney's A-list animated titles.- Variety
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Reviewed by