For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Stratton
This potentially intriguing story winds up being dull and at times faintly silly.- Variety
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Reviewed by
Derek Elley
Scripters Robert Lee King and Lamar Damon leave no national cliche or double entendre unturned in this good-looking but relentlessly lowbrow outing which plays like "Clueless Does South Fork" with a side order of garlic.- Variety
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- Variety
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Reviewed by
Robert Koehler
Remote, non-involving and finally incomprehensible.- Variety
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Todd McCarthy
There is no one to become attached to in The Four Feathers, no interest or sympathies appealed to or engaged.- Variety
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Reviewed by
Lisa Nesselson
Adult fans of good thesping in the service of a lightweight but thoroughly entertaining story should bask in the antics.- Variety
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Todd McCarthy
A pretty skillfully handled domestic thriller about a criminal activity that, while always upsetting, is especially noxious now due to the too many recent tragic and highly publicized instances of it.- Variety
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Joe Leydon
Plays like a mercilessly extended version of an uninspired "Saturday Night Live" sketch.- Variety
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Dennis Harvey
Unremarkable but competent in stylistic terms, with good use of Philadelphia locations, sharp casting and the requisite marketable hip-hop soundtrack adding up to a fun genre package.- Variety
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David Rooney
The well-structured film goes beyond issues of sexuality, giving nuanced consideration to broader questions of love and loss, family and friendship, trust, lies and deception.- Variety
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Lisa Nesselson
For all its careful plotting, some viewers may find the exercise ultimately hollow and nasty, but thesps make the experience completely worthwhile.- Variety
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Todd McCarthy
In a very demanding role demanding a vast emotional range from clueless innocent to confident role player and emotional adventurer, Gyllenhaal is outstanding.- Variety
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Derek Elley
An out-and-out charmer. It's almost impossible to do justice in words either to the visual richness of the movie, which melanges traditional Japanese clothes and architecture with both Victorian and modern-day artifacts, or to the character-filled storyline, with human figures, harpies and grotesque creatures.- Variety
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- Variety
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Reviewed by
Derek Elley
A solid slice of entertainment without reaching the psychological depths promised by the subject matter.- Variety
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- Variety
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Reviewed by
Derek Elley
What gives Quitting its freshness is its setting in a country that often denies it has such problems and the decision to anchor the film strongly within the Chinese family fabric.- Variety
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- Critic Score
There's an infectious, spry quality to much of The Dogwalker, an indie that benefits from amusing characters, strong thesping and taut situational humor.- Variety
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Reviewed by
Todd McCarthy
A generally old-fashioned costumer that runs out of gas even faster than does the tempestuous love affair between writer George Sand and poet Alfred de Musset that it so devotedly recounts.- Variety
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- Critic Score
Young Kieran Culkin holds his own against a stellar ensemble in Igby Goes Down, a family comedy so dark it turns "The Royal Tennebaums" into latter-day Bradys.- Variety
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- Critic Score
A rousing celebration of the family-run small business, this Ice Cube-topped ensemble comedy, without offering anything especially new or exciting, provides a springboard for high-voltage comic exchanges that double as wisecrack-coated lessons in community relations.- Variety
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Reviewed by
Scott Foundas
Depressingly thin and exhaustingly contrived. Only masochistic moviegoers need apply.- Variety
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Reviewed by
Derek Elley
Looks set to unsettle as many conservative auds as it will delight nihilistic film buffs.- Variety
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Reviewed by
Deborah Young
It's hard to walk away unaffected from this heartfelt, well-researched, feature-length documentary.- Variety
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Reviewed by
Scott Foundas
A chiller resolutely without chills, in which even the pool water always seems heated. And inasmuch as the pic never owns up to its own trashiness, it's not even enjoyable camp.- Variety
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Robert Koehler
De Niro's reunion with helmer Michael Caton-Jones doesn't stoke the same fire as their previous pere-fils drama, "This Boy's Life," partly because De Niro's latest portrayal of a troubled cop feels so familiar.- Variety
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Robert Koehler
At its best, Garbus' account quietly depicts a set of wasted lives, and a closing image of Allen's plywood casket carted away by a bulldozer is emblematic of the tragedy.- Variety
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Reviewed by
Derek Elley
The film offers a frequently obscure but (for fans) always watchable look at history, memory and -- in the most rarefied sense -- love.- Variety
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- Critic Score
Tries to combine romantic comedy, soap-opera parody and murder mystery, but the disparate elements never gel, and the film, about homicide at a daytime television serial, bounces around with no clue of how to reconcile or intertwine its genre conventions.- Variety
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Reviewed by
Todd McCarthy
A knockout documentary with a renegade personality ideally suited to its anarchic subject matter.- Variety
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