Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. A comedy in the last century and a drama in the new one. At least, that's the dumbfounding impression left by writer-director Oliver Parker's utterly miscalculated film adaptation of Wilde's play.
  2. As wrenching as it is funny.
  3. Those who see it at fests, and in carefully tailored specialized release, will be struck by the adroitness with which it addresses touchy issues, as well as by the outstanding performance of Ryan Gosling in the difficult leading role.
  4. Pleasant and engaging, rather than laugh-out-loud funny or emotionally involving.
  5. George Lucas has reached deep into the trove of his self-generated mythological world to produce a grand entertainment that offers a satisfying balance among the series' epic, narrative, technological and emotional qualities.
  6. Matthew Barney delivers his masterpiece in Cremaster 3, unquestionably the 35-year-old sculptor-performance artist-filmmaker's most linear, most narratively inclined work to date.
  7. In the post-Columbine era, Koury's film has its finger on something particularly potent.
  8. Most impressive in an objective sense, as a technical exercise -- its staccato technique preventing greater involvement.
  9. Tries to salvage its dopey premise with frantic final-reel plot contortions.
  10. Starts out on an exhilarating high but gradually loses steam, Janice Beard 45 WPM tries hard to overcome its inconsistency with relentless whimsy.
  11. History comes alive with verve and cold-sweat suspense in The Lady and the Duke.
  12. This refitting of Claude Chabrol's 1968 classic "La Femme Infidele" is less concerned with suspense and dramatic fireworks than is the usual American "erotic thriller," and much more devoted to nuances and the minutiae of how men and women behave, pretend and lie in duplicitous situations.
  13. Overall aroma of movie junk food.
  14. Expertly edited chronicle doesn't lead to any major explosion, but reveals plenty -- little of it pleasant -- en-route.
  15. Neither pure masala musical nor pure masala meller, Lagaan is an involving, easily digestible hunk of pure entertainment that could be the trigger for Bollywood's long-awaited crossover to non-ethnic markets.
  16. A cut above the average Aussie crazy-clan comedy.
  17. A modest charmer.
  18. Succeeds as light entertainment -- even if at the cost of the material's greater potential.
  19. Mediocre, dramatically flat picture.
  20. An elegant but empty and frustrating meditation on desire, obsession, love and possession, The Captive intellectualizes those subjects almost beyond the level of art-film parody.
  21. Intelligent, low-key suspenser.
  22. A film with a terrifically engaging concept that overstays its welcome by quite a stretch.
  23. Kiarostami shoots Africa with an uncanny verisimilitude, coming close here to his idea of a "poetic cinema" indebted more to poetry and music than the theatrical novelistic storytelling tradition.
  24. For those always on the lookout for the "funny" Allen, this one definitely has its moments, but too much of the picture is flat, dispiriting and frankly unbelievable in fundamental ways that defy the granting of poetic license.
  25. An embarrassing failure at almost every level.
  26. Pic's happiest surprise is Tobey Maguire in the title role, as the young actor provides an emotional openness and vulnerability that gives this $120 million production its most distinctive flavor.
  27. All-encompassing drama.
  28. Doesn't compare favorably with David Schisgall's similarly themed "The Lifestyle," released to arthouses last year.
  29. Inexplicably mixing lamer-than-lame "bad taste" comedy with yea worse traumatized-assault-victim histrionics, pic's only entertainment value lies in viewer weighing whether pic is primarily a.) offensive b.) amateurish c.) pathetic or d.) a cry for help.
  30. A fascinating story, albeit with some missed opportunities in the telling.

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