Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. Uses humor and high spirits to entertain while spreading the Good Word. Much of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings.
  2. Sports a lustrous performance by Cate Blanchett that gives the movie much of its final sheen but still can't keep it on the rails as the already flimsy story starts to disintegrate in the final act.
    • 58 Metascore
    • 70 Critic Score
    Pic, which may be too cutesy for some tastes, is lacking in substance in some areas but it has a wonderfully nuanced, constantly surprising perf by Mary-Louise Parker, who elevates the intermittently charming insider spoof.
  3. Anthony and Joe Russo place too much faith in the ability of their talented thesps to carry the day over precariously thin material.
  4. A stunning work, revisiting controversial events with journalistic objectivity and a meticulous eye for detail.
  5. Audiences will be excused for any feelings of déjà vu the new film might inspire. That won't prevent them from watching it in rapt, anxious silence, however, as the gruesome crimes, twisted psychology and deterministic dread that lie at the heart of Harris' work are laid out with care and skill.
  6. The helming debut of thesp Fisher Stevens, who mixes swell ensemble acting with eye-popping animation for a witch's brew of good sex, bad timing and very funny dialogue.
  7. This bad idea is then underlined by pallid direction from tyro helmer and TV ad vet Kevin Donovan, a virtually incomprehensible plot line and a less-than-satisfying co-starring turn from Jennifer Love Hewitt.
  8. Has a patched-together feel, and its aims as human drama, social documentary and vigilante movie are never quite reconciled.
  9. An erratic, psychobabbling jumble of scenes that never builds to any discernible point.
    • 68 Metascore
    • 50 Critic Score
    The material is more interesting than the film's rather dry mode of presentation, which is somewhat hampered by a dearth of archival footage.
  10. Broomfield's shaggy p.o.v. always troubles -- blurring the lines between tabloid and serious reportage, morbid curiosity and hard facts, objectivity and amusing, quasi-amateur stuntsmanship.
  11. A fine cast further illuminates a felicitous script.
  12. An acceptably entertaining but borderline bland vehicle for Jean Reno.
    • 80 Metascore
    • 70 Critic Score
    Rooks has chosen to give this a surface elegance which sometimes robs the film of its needed earthiness and sensuality in its love angle and more robustness in detailing the vagaries of social aspects and values at the time.
  13. Revives the format but not the fun of classic Hollywood screwball comedies about rediscovering the virtues of a former mate.
  14. A movie at war with itself -- tuned into its characters' vicissitudes one moment, stumbling with awkward stabs at goofiness the next.
  15. A chilling history lesson in realpolitik.
  16. An unusually bright, inspired look at the perils of breaking into the acting business.
  17. This potentially intriguing story winds up being dull and at times faintly silly.
  18. Scripters Robert Lee King and Lamar Damon leave no national cliche or double entendre unturned in this good-looking but relentlessly lowbrow outing which plays like "Clueless Does South Fork" with a side order of garlic.
  19. Emerges as a curiously mild-mannered if not downright tepid drama.
  20. Remote, non-involving and finally incomprehensible.
  21. There is no one to become attached to in The Four Feathers, no interest or sympathies appealed to or engaged.
  22. Adult fans of good thesping in the service of a lightweight but thoroughly entertaining story should bask in the antics.
  23. A pretty skillfully handled domestic thriller about a criminal activity that, while always upsetting, is especially noxious now due to the too many recent tragic and highly publicized instances of it.
  24. Plays like a mercilessly extended version of an uninspired "Saturday Night Live" sketch.
  25. Unremarkable but competent in stylistic terms, with good use of Philadelphia locations, sharp casting and the requisite marketable hip-hop soundtrack adding up to a fun genre package.
  26. The well-structured film goes beyond issues of sexuality, giving nuanced consideration to broader questions of love and loss, family and friendship, trust, lies and deception.
  27. For all its careful plotting, some viewers may find the exercise ultimately hollow and nasty, but thesps make the experience completely worthwhile.

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