For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Uses humor and high spirits to entertain while spreading the Good Word. Much of this slick and sprightly CGI feature is sufficiently funny to amuse even the most resolutely unreligious parents who escort their little ones to megaplex screenings.- Variety
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Derek Elley
Sports a lustrous performance by Cate Blanchett that gives the movie much of its final sheen but still can't keep it on the rails as the already flimsy story starts to disintegrate in the final act.- Variety
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- Critic Score
Pic, which may be too cutesy for some tastes, is lacking in substance in some areas but it has a wonderfully nuanced, constantly surprising perf by Mary-Louise Parker, who elevates the intermittently charming insider spoof.- Variety
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Reviewed by
Todd McCarthy
Anthony and Joe Russo place too much faith in the ability of their talented thesps to carry the day over precariously thin material.- Variety
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Scott Foundas
A stunning work, revisiting controversial events with journalistic objectivity and a meticulous eye for detail.- Variety
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Todd McCarthy
Audiences will be excused for any feelings of déjà vu the new film might inspire. That won't prevent them from watching it in rapt, anxious silence, however, as the gruesome crimes, twisted psychology and deterministic dread that lie at the heart of Harris' work are laid out with care and skill.- Variety
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Ken Eisner
The helming debut of thesp Fisher Stevens, who mixes swell ensemble acting with eye-popping animation for a witch's brew of good sex, bad timing and very funny dialogue.- Variety
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Robert Koehler
This bad idea is then underlined by pallid direction from tyro helmer and TV ad vet Kevin Donovan, a virtually incomprehensible plot line and a less-than-satisfying co-starring turn from Jennifer Love Hewitt.- Variety
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David Rooney
Has a patched-together feel, and its aims as human drama, social documentary and vigilante movie are never quite reconciled.- Variety
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Scott Foundas
An erratic, psychobabbling jumble of scenes that never builds to any discernible point.- Variety
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- Critic Score
The material is more interesting than the film's rather dry mode of presentation, which is somewhat hampered by a dearth of archival footage.- Variety
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Reviewed by
Dennis Harvey
Broomfield's shaggy p.o.v. always troubles -- blurring the lines between tabloid and serious reportage, morbid curiosity and hard facts, objectivity and amusing, quasi-amateur stuntsmanship.- Variety
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Todd McCarthy
A fine cast further illuminates a felicitous script.- Variety
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Lisa Nesselson
An acceptably entertaining but borderline bland vehicle for Jean Reno.- Variety
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- Critic Score
Rooks has chosen to give this a surface elegance which sometimes robs the film of its needed earthiness and sensuality in its love angle and more robustness in detailing the vagaries of social aspects and values at the time.- Variety
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Reviewed by
Todd McCarthy
Revives the format but not the fun of classic Hollywood screwball comedies about rediscovering the virtues of a former mate.- Variety
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Robert Koehler
A movie at war with itself -- tuned into its characters' vicissitudes one moment, stumbling with awkward stabs at goofiness the next.- Variety
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- Variety
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Reviewed by
Scott Foundas
An unusually bright, inspired look at the perils of breaking into the acting business.- Variety
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David Stratton
This potentially intriguing story winds up being dull and at times faintly silly.- Variety
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Derek Elley
Scripters Robert Lee King and Lamar Damon leave no national cliche or double entendre unturned in this good-looking but relentlessly lowbrow outing which plays like "Clueless Does South Fork" with a side order of garlic.- Variety
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- Variety
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Reviewed by
Robert Koehler
Remote, non-involving and finally incomprehensible.- Variety
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Todd McCarthy
There is no one to become attached to in The Four Feathers, no interest or sympathies appealed to or engaged.- Variety
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Lisa Nesselson
Adult fans of good thesping in the service of a lightweight but thoroughly entertaining story should bask in the antics.- Variety
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Todd McCarthy
A pretty skillfully handled domestic thriller about a criminal activity that, while always upsetting, is especially noxious now due to the too many recent tragic and highly publicized instances of it.- Variety
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Joe Leydon
Plays like a mercilessly extended version of an uninspired "Saturday Night Live" sketch.- Variety
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Dennis Harvey
Unremarkable but competent in stylistic terms, with good use of Philadelphia locations, sharp casting and the requisite marketable hip-hop soundtrack adding up to a fun genre package.- Variety
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David Rooney
The well-structured film goes beyond issues of sexuality, giving nuanced consideration to broader questions of love and loss, family and friendship, trust, lies and deception.- Variety
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Lisa Nesselson
For all its careful plotting, some viewers may find the exercise ultimately hollow and nasty, but thesps make the experience completely worthwhile.- Variety
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