For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
It's less substantial than cotton candy, but Material Girls is as slickly produced as one of the Marchetta TV spots.- Variety
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Leslie Felperin
Arguably one of the best adaptations of Bukowski's work, even compared with Bukowski's own script for 1997's "Barfly," deadpan timing and ace perfs bring out the morose humor and surprising warmth in the often miserabilist scribe's voice.- Variety
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John Anderson
For those who appreciate the Woody Allen view of New York but would prefer fewer neurotics, Trust the Man provides a loving take on bourgeois Manhattan contentment that's usually only found in episodes of "Will & Grace."- Variety
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- Variety
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Robert Koehler
Ghost throws its most powerful punch in its second half, reporting on contempo events as a direct repeat of the ghastly Leopold era.- Variety
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Deborah Young
Along with the continual build-up of tension and threatened (more than shown) violence, pic is notable for its brutal depiction of the sex industry.- Variety
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Todd McCarthy
The battle of the sexes is restaged to clever but inconsequential effect in Conversations With Other Women. Very much a case of old wine in a new bottle.- Variety
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Robert Koehler
A dumbed-down remake of Kiyoshi Kurosawa's disturbingly abstract Japanese horror film.- Variety
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Joe Leydon
Fresh cast, a formulaic but engaging storyline, and a smoking soundtrack from rap and hip-hop luminaries.- Variety
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Reviewed by
Joe Leydon
This tepid comic-bookish comedy should zip through its theatrical run faster than a speeding bullet. It likely won't perform much more superheroically in ancillary venues.- Variety
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Dennis Harvey
Avoiding rote inspirational notes as well as boyz-in-the-hood violence, scrupulously low-key drama nonetheless builds to a powerful impact.- Variety
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John Anderson
A comedy that's vulgar, disturbing, distasteful and violent, but so is injustice and civil unrest.- Variety
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David Rooney
Underproduced and compromised by an uneven script and a tendency to descend into melodrama, the DV-lensed feature nonetheless is well acted and directed with confidence.- Variety
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- Variety
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Reviewed by
Derek Elley
A star-loaded, Gotham-set relationships movie that's generally good but works better in bits than as a whole.- Variety
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Todd McCarthy
A comprehensive, personal and surprisingly engaging look at how film crews routinely work hours far beyond anything that can be considered safe, healthy or conducive to a balanced life.- Variety
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Reviewed by
Brian Lowry
World Trade Center yields lovely and touching moments but proves a slow-going, arduous movie experience.- Variety
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Jay Weissberg
More moving animal parts and less human pontificating would make a stronger case for a tale already rich in imagery. Another drawback is Liska, too one-dimensional to stand against Triska's overpowering performance.- Variety
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Derek Elley
The chills and spills keep comin' to agreeable effect in Brit-made scarefest The Descent.- Variety
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Joe Leydon
Zippy enough to delight youngsters and clever enough to engage their parents.- Variety
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David Rooney
Aiming for unsettling atmosphere over character definition, the dawdling mystery thriller manages to flatten two protagonists that had far more depth in the novel.- Variety
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Robert Koehler
Simultaneously teasing and loving a subject doesn't make for easy comedy, but writer-star Will Ferrell and director/co-writer Adam McKay pull it off with good-ol'-boy good nature in Talladega Nights: The Ballad of Ricky Bobby.- Variety
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Deborah Young
At 74, Chabrol is in full possession of his talent for elegant, understated filmmaking, though he's far from his disturbing films of the '50s and '60s.- Variety
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Derek Elley
Gotham-based documaker Laura Poitras ("Flag Wars") comes up with a still-timely, quietly hard-hitting look at the Iraqi situation with My Country, My Country, focusing on the lead-up to and outcome of the Jan. 30, 2005, Iraq election.- Variety
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David Rooney
This is a fresh, spirited drama, charming and unpretentious. It mines a similar vein to recent Latino-themed pics such as "Raising Victor Vargas" and "Real Women Have Curves."- Variety
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Reviewed by
Ronnie Scheib
Briskly paced humor and/or pathos flow organically from situation and characters.- Variety
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Reviewed by
Robert Koehler
Enough action, a tiny pinch of sex and some campy moments from Morgan Fairchild.- Variety
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Reviewed by
Robert Koehler
Perfs are either absurdly stiff or over-the-top, and effects and makeup look like they were made in someone's garage.- Variety
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Leslie Felperin
Marred by sluggish script and Verow's inability to either direct actors or cast ones whose thesping ability matches their good looks.- Variety
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Reviewed by
Brian Lowry
Unlike most TV-to-movie transitions, Mann returns to his roots and delivers what amounts to a slightly overblown episode, brimming with style and characteristically short on substance.- Variety
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