Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Picture's retro feel is rendered pleasing overall by scribe's linguistic flair and the enjoyable cast.
  2. Access and affection, which can fog the lens of the documaker, are precisely what make So Much So Fast so moving and engaging.
  3. This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast.
  4. Like "In the Bedroom," Little Children, at well over two hours, is somewhat long for an intense, intimate drama, and arguments could run many ways concerning what could be tightened or excised.
  5. Falling short of being truly memorable but sharper than the general slagheap of comedies.
  6. Liebesman hews close to the 2003 pic’s bile-tinged snuff-film aesthetic. His approach falls somewhere between the overwrought sadism of the “Saw” series and the giddy gore-for-gore’s-sake energy of “The Devil’s Rejects,” sharing those films’ twisted notion that today’s auds are willing to embrace such homicidal maniacs as heroes.
  7. It doesn't make for involving drama, unless the audience is already invested in the subjects' fortunes. Thus, 49 Up will have more appeal for long-time followers than newcomers.
  8. The Francises are aces behind the camera, displaying an elegant sense of composition that makes their subject visually ravishing. Andreas Kapsalis' gorgeous score lends doc a grand quality.
  9. An ambitious, low-budget neo-noir, Stephen Purvis' El Cortez navigates the genre's tawdry twists and crosses and double-crosses with intermittent flair.
  10. Pic contains its share of viable gags and stars generate a certain degree of convincing chemistry. But eventually, the seams in personality design and artificially stitched-together script construction begin to show.
  11. Unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry, John Cameron Mitchell's ambitious attempt to merge his characters' active sexual lives with more conventional emotional content is playfully and provocatively entertaining for roughly the first half, but loses staying power thereafter when investment in the uncompelling characters' problems is requested.
  12. Often grotesque, though never in the "Sick and Twisted" juvenile gross-out mode, dreamlike feature is as lovingly crafted as it is unsettlingly sour-sweet, with Mark Growden's avant-garde folk score in perfect synch.
  13. Neither newly revelatory nor formally innovative.
  14. A golden opportunity to analyze the most vital and probably most creative contempo American playwright is missed in Freida Lee Mock's docu, Wrestling With Angels: Playwright Tony Kushner. Kushner's art demands a filmmaker of equally challenging artistry, able to plumb an opus based in polemics, politics and Brecht, instead of psychodrama.
  15. Tradition and informality collide -- and mutually benefit -- in the deliciously written and expertly played The Queen.
  16. The overlong but involving drama has obvious cross-generational appeal.
  17. A witty, warmly crafted chestnut.
  18. Picture seemed certain to either fly high on outrageous humor or crash under the weight of tastelessness. Instead, the movie just sits there and never comes alive.
  19. For those who felt insufficiently uplifted by "Invincible" and "Gridiron Gang," here comes Facing the Giants, an aggressively inspirational drama about a born-again high school football coach.
  20. Writer-director Montiel creates a movie of many parts that don't always congeal. Mix this with the many meaty scenes and a roster of often exceptional actors and the effect is one of a fabulous acting showcase more than a wholly finished work.
  21. Picture is targeted at the already initiated, but directors Steve Cantor and Matthew Galkin deftly resolve one often glaring problem with tribute documentaries -- making those who might not care do so.
  22. A curate's egg of a movie that starts intriguingly but becomes increasingly frustrating.
  23. Though the bold treatment of homoerotic love in Mexican helmer Julian Hernandez's feature bow Broken Sky is sure to grab attention, it doesn't take long before the picture's torturously slow pace turns an earnest effort into a tedious aesthetic exercise.
  24. In the end, The Last King of Scotland is much better when it plays it cool and amusing than when it tries to ramp up outrage and indignation.
  25. Overstuffed and fatally miscast, All the King's Men never comes to life.
  26. Lovingly and knowledgeably made by director Tony Bill, who got his pilot's license as a teenager, pic nonetheless has a lightweight, airbrushed feel; despite the brutal dogfights and inevitable deaths, there's little gravity or resonance.
  27. This stunningly shameless follow-up to the 2002 theatrical sleeper (and homdevid mega-seller) offers more of the same -- a lot more -- while repeatedly upping the ante in terms of offensiveness. Which, of course, should greatly -- and profitably -- please is target aud.
  28. Manages to pack a satisfying emotional punch.
  29. Forgettable fun for the undiscriminating.
  30. May shock many viewers, especially political liberals.

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