For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Picture's retro feel is rendered pleasing overall by scribe's linguistic flair and the enjoyable cast.- Variety
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Reviewed by
John Anderson
Access and affection, which can fog the lens of the documaker, are precisely what make So Much So Fast so moving and engaging.- Variety
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Reviewed by
Todd McCarthy
This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast.- Variety
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Reviewed by
Todd McCarthy
Like "In the Bedroom," Little Children, at well over two hours, is somewhat long for an intense, intimate drama, and arguments could run many ways concerning what could be tightened or excised.- Variety
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Reviewed by
Robert Koehler
Falling short of being truly memorable but sharper than the general slagheap of comedies.- Variety
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Peter Debruge
Liebesman hews close to the 2003 pic’s bile-tinged snuff-film aesthetic. His approach falls somewhere between the overwrought sadism of the “Saw” series and the giddy gore-for-gore’s-sake energy of “The Devil’s Rejects,” sharing those films’ twisted notion that today’s auds are willing to embrace such homicidal maniacs as heroes.- Variety
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Eddie Cockrell
It doesn't make for involving drama, unless the audience is already invested in the subjects' fortunes. Thus, 49 Up will have more appeal for long-time followers than newcomers.- Variety
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Robert Koehler
The Francises are aces behind the camera, displaying an elegant sense of composition that makes their subject visually ravishing. Andreas Kapsalis' gorgeous score lends doc a grand quality.- Variety
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Ronnie Scheib
An ambitious, low-budget neo-noir, Stephen Purvis' El Cortez navigates the genre's tawdry twists and crosses and double-crosses with intermittent flair.- Variety
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Ronnie Scheib
Pic contains its share of viable gags and stars generate a certain degree of convincing chemistry. But eventually, the seams in personality design and artificially stitched-together script construction begin to show.- Variety
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Todd McCarthy
Unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry, John Cameron Mitchell's ambitious attempt to merge his characters' active sexual lives with more conventional emotional content is playfully and provocatively entertaining for roughly the first half, but loses staying power thereafter when investment in the uncompelling characters' problems is requested.- Variety
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Dennis Harvey
Often grotesque, though never in the "Sick and Twisted" juvenile gross-out mode, dreamlike feature is as lovingly crafted as it is unsettlingly sour-sweet, with Mark Growden's avant-garde folk score in perfect synch.- Variety
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- Variety
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Reviewed by
Robert Koehler
A golden opportunity to analyze the most vital and probably most creative contempo American playwright is missed in Freida Lee Mock's docu, Wrestling With Angels: Playwright Tony Kushner. Kushner's art demands a filmmaker of equally challenging artistry, able to plumb an opus based in polemics, politics and Brecht, instead of psychodrama.- Variety
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Derek Elley
Tradition and informality collide -- and mutually benefit -- in the deliciously written and expertly played The Queen.- Variety
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Joe Leydon
The overlong but involving drama has obvious cross-generational appeal.- Variety
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- Variety
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Reviewed by
Robert Koehler
Picture seemed certain to either fly high on outrageous humor or crash under the weight of tastelessness. Instead, the movie just sits there and never comes alive.- Variety
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Reviewed by
Joe Leydon
For those who felt insufficiently uplifted by "Invincible" and "Gridiron Gang," here comes Facing the Giants, an aggressively inspirational drama about a born-again high school football coach.- Variety
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Robert Koehler
Writer-director Montiel creates a movie of many parts that don't always congeal. Mix this with the many meaty scenes and a roster of often exceptional actors and the effect is one of a fabulous acting showcase more than a wholly finished work.- Variety
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John Anderson
Picture is targeted at the already initiated, but directors Steve Cantor and Matthew Galkin deftly resolve one often glaring problem with tribute documentaries -- making those who might not care do so.- Variety
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Derek Elley
A curate's egg of a movie that starts intriguingly but becomes increasingly frustrating.- Variety
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Deborah Young
Though the bold treatment of homoerotic love in Mexican helmer Julian Hernandez's feature bow Broken Sky is sure to grab attention, it doesn't take long before the picture's torturously slow pace turns an earnest effort into a tedious aesthetic exercise.- Variety
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Todd McCarthy
In the end, The Last King of Scotland is much better when it plays it cool and amusing than when it tries to ramp up outrage and indignation.- Variety
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Reviewed by
Todd McCarthy
Overstuffed and fatally miscast, All the King's Men never comes to life.- Variety
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Reviewed by
Todd McCarthy
Lovingly and knowledgeably made by director Tony Bill, who got his pilot's license as a teenager, pic nonetheless has a lightweight, airbrushed feel; despite the brutal dogfights and inevitable deaths, there's little gravity or resonance.- Variety
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Reviewed by
Joe Leydon
This stunningly shameless follow-up to the 2002 theatrical sleeper (and homdevid mega-seller) offers more of the same -- a lot more -- while repeatedly upping the ante in terms of offensiveness. Which, of course, should greatly -- and profitably -- please is target aud.- Variety
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Reviewed by
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- Variety
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- Variety
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- Variety
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