For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Mexican helmer Carolina Rivas obviously intends her slow-paced and contemplative doc as a testimony to the indomitability of the human spirit under dire circumstances.- Variety
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Todd McCarthy
There is a sense of bloat and where-do-we-go-from here aimlessness to this unconscionably protracted undertaking.- Variety
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Justin Chang
Deeply intriguing but almost too-faithful adaptation of Philip K. Dick's nightmarish 1977 novel.- Variety
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Todd McCarthy
Director Sturla Gunnarsson seems aware of the savagery intrinsic to the story, but is unable to mine it deeply, proving too genteel in the end to make a genuinely creepy or disturbing film.- Variety
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Leslie Felperin
Doesn't have the crossover appeal of recent music-themed docus like "Metallica: Some Kind of Monster," but could find worshippers as a micro-niche release.- Variety
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Leslie Felperin
While soccer fans will rep the core aud, even non-fans can enjoy.- Variety
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Deborah Young
Audiences hooked on Persian mainstream will devour this irreverent romantic comedy, spiced with saucy dialogue that spoofs traditional gender roles through gritted teeth.- Variety
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Jay Weissberg
Cantet's anticipated follow-up to "Time Out" supplants that pic's important issues with unexamined attitudes toward sex and the tropics.- Variety
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Lisa Nesselson
Ravishingly lensed, widescreen pic's purely cinematic qualities slightly outstrip its narrative ones as central protag, as a result of the apparent suicide, slowly -- very slowly -- questions whether the aspects of her own marriage she thought were cast in stone may be made of less sturdy material.- Variety
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Eddie Cockrell
A quasi-docu about the formative years of the African National Congress that relies heavily on handsomely-mounted dramatic recreations to tell its story.- Variety
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Todd McCarthy
Streep single-handedly elevates this sitcomy but tolerably entertaining adaptation of Lauren Weisberger's bestselling 2003 roman a clef about a personal assistant's year of chic hell under the thumb of the dragon lady of the fashion world.- Variety
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Leslie Felperin
Made with access to the Mehdi Army and embittered citizens the Western news media -- or even the CIA -- might envy, producer-helmer-lenser Andrew Berends creates a revealing insight into the war in Iraq from the locals' POV.- Variety
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Jay Weissberg
Odd blend of the truly cheesy with a few genuine f/x makes for a cutesy if not exactly thrilling spectacle.- Variety
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- Variety
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- Variety
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Reviewed by
Joe Leydon
The Motel offers a fresh take on characters and conventions, and compels interest with shrewd, sympathy-inspiring storytelling.- Variety
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Dennis Harvey
A pic that will delight the previously converted, but, as film is just as hit-and-miss as the series was.- Variety
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Robert Koehler
Oil companies aren't the only ones profiting from a spike in prices at the gas pump. It's likely also to boost the prospects of Who Killed the Electric Car? a likable if partisan post-mortem on the now-defunct auto.- Variety
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Scott Foundas
A perceptive, unsettling psychodrama marking the assured feature writing and directing debut of shorts filmmaker Kyle Henry.- Variety
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Robert Koehler
A thoroughly winning and unexpectedly observant lark about the antics of seven Latino skateboarding pals in South-Central Los Angeles.- Variety
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Justin Chang
Adam Sandler's recent low-key phase continues with this cleverly conceived but conspicuously unfunny comedy.- Variety
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Justin Chang
Waist Deep packs considerable energy and style into its tale of an ex-con forced back into a life of crime to rescue his kidnapped son. Yet the kinetic direction and occasional sly humor can't disguise the tale's banal brutality or pump much excitement into its routinized pileup of shoot-outs and car chases.- Variety
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Robert Koehler
The politics of homophobia and child molestation receive a badly misjudged tweaking in Peter Paige's writing-directing debut, Say Uncle.- Variety
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Deborah Young
The film has a winning combo of excitement and topicality.- Variety
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Jay Weissberg
There's poetry in The Forsaken Land -- not the written kind (there's barely any dialogue) -- but visual poetry replete with still, painterly compositions and finely nuanced lighting.- Variety
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Robert Koehler
Proves that few can maneuver one of Cohen's dusky, lovelorn songs like Cohen himself.- Variety
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Todd McCarthy
Pumping high-performance gas back into the series after a second lap sputter, third entry stays in high gear most of the way with several exhilarating racing sequences, and benefits greatly from the evocative Japanese setting.- Variety
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Joe Leydon
A genuinely clever kidpic that should delight moppets, please parents -- and maybe tickle a few tweens.- Variety
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Robert Koehler
Never quite sure what it wants to be -- a magical-mysterious love story, a psychodrama, a sprawling family saga, or an uneasy combination of these.- Variety
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Joe Leydon
Nacho Libre strikes a delicate balance of whimsy and absurdity that may surprise auds primed to expect wall-to-wall slapstick.- Variety
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