Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. Without fully rounded characters, it's hard to care who lives or dies in what amounts to an extended procedural on how disease prevention organizations might respond to such a scenario.
  2. Picture initially suggests a sort of Gallic "Damages," with Kristin Scott Thomas and Ludivine Sagnier in the Glenn Close and Rose Byrne roles, but the corporate catfight soon gives way to a cleverly designed whodunit.
  3. The horrific events in Mexico are proving fertile ground for black comedy, and though Saving Private Perez is certainly not the blackest, it may well be the funniest.
  4. Despite stretches of skillfully sustained suspense, Apollo 18 ultimately comes across as little more than a modestly clever stunt.
  5. Unlike his "Snakes on a Plane," director David R. Ellis' sharks-in-a-lake thriller displays little sense of its scenario's camp potential. Gore, too, is in short supply on account of the pic's PG-13 rating, which renders the attack scenes nearly toothless.
  6. Indian helmer Siddique delivers a middling melange of action, romance, music and slapstick in his hotly anticipated Hindi version of "Bodyguard."
  7. The remake ups the adrenaline factor, and features strong performances across the board, yet feels bogged down by a weighty love triangle and a subject that merits more than the old-school good vs. evil approach.
  8. Provides little more than a pleasantly passable Christian sports parable delivered as a sort of Texan golfer's version of "The Karate Kid."
  9. An inventive marriage of ancient China and Agatha Christie, Detective Dee and the Mystery of Phantom Flame is a lavishly overwrought historical whodunit.
  10. The film struggles to match the original Ealing's quality benchmark, and its unapologetically old-fashioned sensibility may have trouble connecting with contempo audiences.
  11. An improbably effective and affecting mix of raw emotions and exciting smackdowns.
  12. Both evocative and faithful in its depiction of the famed French singer's lascivious life, "Gainsbourg (vie heroique)" offers up a feast of memorable chansons and an almost endless parade of drop-dead-gorgeous muses.
  13. Virtually an experimental film -- the humanity is rich, but pure image and sensation are what makes it tick.
  14. Lacks the delicate tonal control and subtle smarts required for such an intended half-surreal exercise.
  15. Chasing Madoff is a useful reminder that all is far from well with our financial institutions, which continue to lobby for less regulation rather than more. But the human element of the film is so weirdly distracting it often deflects from its primary target.
  16. Though Mungiu's presumed two shorts have the most individual feel, the other helmers -- Ioana Uricaru, Hanno Hoefer, Razvan Marculescu and Constantin Popescu, all feature novices -- show a plethora of styles within the so-called "Romanian New Wave."
  17. Again co-written by and co-starring writer-thesp Richard Debuisne, picture has some of the duo's trademark sharp dialogue but again fails to fully come together on a narrative level.
  18. Despite the preposterous, kissing-your-sister premise of A Good Old-Fashioned Orgy, a very likable cast and some terrific sketch-style comedy should please (if not deeply satisfy the lustful yearnings of) audiences lured by the film's title.
  19. A lightly enjoyable road picture about a circuitous road to redemption, Black, White and Blues offers simple, down-home pleasures while spinning an undeniably familiar but emotionally satisfying tale.
  20. A satirical yet sensitive portrait of life in an evangelical Christian community, Higher Ground marks a startlingly bold directing debut for actress Vera Farmiga.
  21. Suffers from severe problems of tone, a surfeit of undeveloped plot points and characters, and bland direction.
  22. Joffe's first feature never shakes off the feel of a telepic with above-average production values, and its unsteady lead performances and often garish stylistic touches make a muddle of the source material's psychological acuity.
  23. The Olivier Megaton-directed Colombiana may not be the brainiest of actioners, but one of the merits of producer Luc Besson's latest brainchild is that fanboys worldwide will come away with a scrap of horticultural knowledge as well as a pretty good time.
  24. A cheap-looking, vaguely depressing echo of Robert Rodriguez's well-loved kidpic trilogy, assembled with minimal imagination or effort.
  25. Set during the brief, brutal 2008 flare-up between Russia and Georgia, the drama has some exhilarating moments, but they're dampened by concessions to conventionally bloviating music, overly theatrical dialogue and inadvertently comic slo-mo.
  26. On a moment-by-moment basis, Anne Hathaway and Jim Sturgess make this long-arc love story viable, sometimes even vital. But the structural conceit proves more reductive than expansive, the big picture too overdetermined to really sweep the viewer away.
  27. The well-executed picture solves the biggest challenge facing those hoping to breathe new life -- however nasty, brutish and short -- into the 79-year-old franchise by finding an actor capable of filling Ah-nuld's shoes.
  28. Where helmer Adam Wingard's prior "Pop Skull" used a jittery style to convey its delusional, possibly meth-addled protagonist's mindset, here, too much handheld camera wobble and wavering image focus only alienate the viewer from this somewhat sluggish tale.
  29. Being pissed off isn't enough to convince in a film that reveals very little that's new; the picture's personalized approach and kitchen-sink structure don't help, either.
  30. Though it cries out for trimming, "Musan" is a welcome, substantive marker on the current cinema landscape.

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