Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. This unwieldy drama of conscience in the wake of tragedy is hyperarticulate but rarely eloquent, full of wrenchingly acted scenes that lack credible motivation or devolve into shrill hectoring.
  2. Its inspiring portraits of hardworking subjects make a fine case for raising the bar by rewarding excellence rather than punishing failure.
  3. Dave Boyle's picture is fueled by no overriding visual style, relying completely on its actors' chemistry for momentum. Unfortunately, the two strike no sparks.
  4. It's a picture that's akin to a terrarium of plastic flowers -- gaudily decorative, but airless and lifeless.
  5. Audiences will find the group's triumph inspiring.
  6. Although discomfiting to audiences desiring a steady narrative thread (and less accessible to those unfamiliar with Eastern European history and culture), it sustains interest throughout as a devastating critique of Russian society.
  7. This deliberately paced psychological drama builds an ever-tightening knot of tension around an excellent Michael Shannon, here playing a family man slowly driven mad by apocalyptic visions that could be paranoid, prophetic or both.
  8. Shovels enough dirt on the Tea Party guru and self-described hockey mom to satisfy her haters, but lacks sufficient humor and insight to make it a must-see for anyone outside the Brit muckraker's fan base.
  9. Sorta doing for "Texas Chainsaw Massacre"-type slashers what "Shaun of the Dead" did for zombie pics, "T&D" offers good-natured, confidently executed splatstick whose frequent hilarity suffers only from peaking too early.
  10. A very 2011 take on Alexandre Dumas' classic that feels weirdly dated already. Although adequately entertaining thanks to lavish production values and game supporting perfs, this anodyne adaptation lacks a killer hook that would help it cross over to a demographic beyond action buffs and fanboys.
  11. When a baby orca strayed from its family pod near Puget Sound and showed up 200 miles away in Canada in 2001, it became the center of a long-running human drama by turns cute, inspirational, ludicrous and tragic, as documented in The Whale.
  12. Unable to establish a consistent tone, picture goes derivatively screwball one minute and stickily sentimental the next.
  13. Watching Limelight, about the rise and politically engineered fall of onetime Manhattan nightclub kingpin Peter Gatien, is like looking through a family album: If you're in the family, you might be interested.
  14. Hungarian schoolteacher Gyongi Mago's campaign to raise awareness of her hometown's once-vibrant, now conspicuously absent Jewish population is captured in the superior docu There Was Once ...
  15. Poorly conceived 60-minute picture might have fared better as a more straightforward documentary.
  16. Surprisingly entertaining.
  17. Covering familiar ground from an unfamiliar angle, Ted Woods' oddball documentary White Wash examines the history of African-American disenfranchisement from a black surfer's viewpoint, in the process countering the racist myth that black people don't swim or surf.
  18. Oddly, the director's personal connection with his subject adds little warmth, filmmaker Carl proving nearly as unemotional as his deadpan dad.
  19. Aside from such dutiful fan service, the film is a haggardly slapdash "Bourne Identity" knockoff, never rising above the level of basic competence.
  20. Like the lemon meringue pies and shrimp cocktails it features throughout, Brit comedy-drama Toast is tasty, hearty and rather conventional.
  21. Though garnished with some heavy dollops of cheese, Dolphin Tale is a surprisingly solid, earnest family picture.
  22. Earnest and understated, Weekend has the intimate look and feel of a two-character stage play that has been opened up -- but only slightly, with minimal addition of supporting players -- for a mostly faithful filmization.
  23. Mark Landsman's spirited Thunder Soul offers a heaping helping of uplift while documenting the past triumphs and recent reunion of a predominantly black Houston high school's singularly accomplished jazz stage band.
  24. Though conceptually intriguing, the mix of downward drug spiral with uphill struggle for good never really coalesces.
  25. This sloppily constructed horror-thriller lacks the satirical bite and action chops to skewer extreme-right-wing zealots with the gusto Smith clearly feels they deserve, instead evincing the verbal incontinence and slack tension that have long dogged the writer-director's work.
  26. While the result is yet another story of African suffering told from a white do-gooder's perspective, this particular do-gooder is intrinsically fascinating enough to warrant attention, albeit more nuanced attention than he receives here.
  27. Finding a pulse only in the band's late-reel performance of "Alive," a lusty passage that would've begun a pic intent on making a case for the group's greatness, "Twenty" simply counts the years from 1991 via sludgy backstage and onstage footage whose rarity can't forgive its inclusion. Crowe's critic mentor, the late Lester Bangs, would cringe.
  28. Incompetent on every level, from its haphazard staging to its amateurish sound mix.
  29. Helmer Joel Schumacher and a game cast headed by Nicolas Cage and Nicole Kidman do their damnedest to build and sustain suspense while trying, with some degree of success, to breathe fresh life into a formulaic, even generic scenario.
  30. Will Reiser's semiautobiographical script initially prescribes too artificial a story treatment for its characters but is rescued by a genial, low-key vibe that builds in sensitivity and emotion up through the final reels.

Top Trailers