Variety's Scores

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For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,134 out of 17779
  2. Mixed: 7,009 out of 17779
  3. Negative: 1,636 out of 17779
17779 movie reviews
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  1. All's Faire in Love
    Verily, this Scott Marshall-helmed production has several nutjob supporting performances that almost rescue its hackneyed plot, but there's not enough consistent madness to keep the film from what will be a fleeting theatrical career, followed by entombment on homevid.
  2. God's Land
    Miller deftly navigates his picture's unusual tonal mix, balancing absurdity, melodrama, comedy of manners and an unblinking ethnographic stare. But the film's nearly three-hour length may consign it to cult status.
  3. Glitch in the Grid
    Leiser flexes his animation muscles with a bewitching stop-motion technique, but it proves a poor fit with a scattershot storyline that includes quasi-interview and improv segments that never coalesce into a coherent whole.
  4. In Time
    It's a fascinating philosophical conceit delivered as a slick, hyper-stylized conspiracy yarn, juicy enough to deliver on both fronts, provided you don't ask too many questions.
  5. 13
    A starry cast and glossier production values simply work against the black-and-white original's strengths in this stillborn thriller about a deadly game of chance.
  6. Melancholia
    For all the tyrannical disdain he's shown other filmmakers over the years, von Trier once again demonstrates a mastery of classical technique, extracting incredibly strong performances from his cast while serving up a sturdy blend of fly-on-the-wall naturalism and jaw-dropping visual effects.
  7. Retreat
    A potential menage a trois of terror is served up as rather weak tea in Retreat, which fails to make its alleged suspense, thrills or even its mist-enshrouded landscapes particularly plausible.
  8. Hipsters
    Although a massive hit at home, taking approximately $16 million at the wickets, this great-looking but tonally uneven pic won't jive with audiences quite so well anywhere else.
  9. The Adventures of Tintin
    Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged audiencs.
  10. Puss in Boots
    However crass the motivation for its existence, Puss' origin story could easily stand on its own -- a testament to clever writing on the part of its creative team and an irresistible central performance by Antonio Banderas.
  11. Like Crazy
    An exquisite, beautifully acted gem of a film, one that should serve as a prelude to bigger things for stars Felicity Jones and Anton Yelchin, as well as director Drake Doremus.
  12. Janie Jones
    There's never any doubt where the picture is headed. If it finally achieves a modicum of poignancy, the impact surely would have been greater if the whole felt fresher.
  13. Inni
    Whereas 2007's well-traveled "Heima" reveled in scenic color imagery of the artists' homeland, this minimalist item strips the band down to its output, fashioning black-and-white performance footage into a uniquely spellbinding experience.
  14. The Double
    While there's the sense that this old guy/young guy spy angle has been done better by films like "Spy Game" a decade ago, Gere, never looking tougher or handsomer, and Grace, adding some action skills to his relatively cerebral persona, invigorate the proceedings in roles that would seem to benefit the actors' career arcs.
  15. The Rum Diary
    Temperance of a different sort, a willful abstention from trippy stylistic excess, is what makes this 1960-set Caribbean picaresque easily the most lucid screen adaptation of Hunter S. Thompson's work, even if it's still several drafts shy of a fully developed yarn.
  16. Cargo
    Its provocative subject matter, though seriously treated, qualifies it as a dark-horse candidate for latenight cable.
  17. The Reunion
    A flabby, unfunny action-comedy produced, directed and written by former WWE exec VP Mike Pavone, The Reunion boasts one of the most poorly assembled scripts to emerge from the wrestling franchise.
  18. Snowmen
    Picture narrowly avoids outright bathos, thanks largely to first-rate perfs by its child thesps and by Ray Liotta. But by self-righteously rejecting facile solutions, then employing them anyway in the tradition of "no ending left behind," the result conforms to parents' old-fashioned notions of kid movies rather than demonstrating true kid appeal.
  19. Klitschko
    The indomitable siblings' unusual background, huge size and highly developed intellects, as well as the dramatic ups, downs and rebounds of their interwoven sagas, should result in a fascinating dual biodoc. But the two-hour pic's lack of economy makes for heavy slogging, with no boxing minutiae too small for exhaustive exposition.
  20. The Descendants
    Nearly every detail sources directly back to Kaui Hart Hemmings' sensitively crafted novel, and yet, Payne's triumph is in striking the right tone -- and knowing what to leave unsaid.
  21. Le Havre
    Mixing together some of helmer Aki Kaurismaki's favorite Gallic and Finnish thesps with a few newbies, Le Havre feels like a welcoming family reunion.
  22. The Mighty Macs
    Family-friendly and abounding in uplift, The Mighty Macs is an undemandingly pleasant indie drama.
  23. Oranges and Sunshine
    A deeply moving study of emotionally scarred adults who were illegally deported as children to Australia from Britain in the 1940s and '50s.
  24. Revenge of the Electric Car
    Revenge is a disappointment. Admittedly, the picture deploys the same kind of cinematic bells and whistles that made "Killed" so enjoyable. But without true tension, the documentary feels as slickly manufactured as its va-va-voom subject.
  25. Martha Marcy May Marlene
    The largely elliptical script feels a few drafts shy of focus, with the thriller elements undermining the juicier questions of why one joins a cult and how life can go back to normal later.
  26. Margin Call
    J.C. Chandor's precocious writing-directing debut is fastidious, smart and more than a bit portentous as it probes the human costs of unchecked greed.
  27. Elevate
    Hoop dreams die hard, and the stories in Elevate are both sobering and thrilling.
  28. Paul Goodman Changed My Life
    Reminiscences about Goodman and readings of his poetry are played over old pictures that capture his singularly seductive appeal and lively sense of humor.
  29. The Catechism Cataclysm
    In the curious absence of religious satire, toilet humor isn't enough to constitute comedy, while the leads' grating performances make 81 minutes feel eternal.
  30. Being Elmo: A Puppeteer's Journey
    All in all, the pace -- although buoyed by Joel Goodman score -- is rather plodding until Clash's life story intersects with that of the little red guy, at which point it lifts off. And even yanks a tear or two.
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