For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Chute
It’s a tale that was once thrilling, but the thrills seem to have evaporated.- Variety
- Posted Jan 13, 2014
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Reviewed by
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Reviewed by
Jay Weissberg
A low-budget potboiler with an overblown score not loud enough to drown out the hackneyed dialogue.- Variety
- Posted Jan 12, 2014
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Reviewed by
Peter Debruge
The critters look cute, but behave less so, while the competing-heists concept never quite takes off.- Variety
- Posted Jan 11, 2014
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Reviewed by
Geoff Berkshire
The timidly plotted proceedings never veer from romantic-comedy formula. There’s a whole lot of talk and very little action here, and not just because the squeaky-clean pic wears its PG rating like a badge of honor.- Variety
- Posted Jan 10, 2014
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Reviewed by
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Reviewed by
David Chute
As a narrative, “Evangelion 3.0″ may make you feel your brain is turning into goat cheese. As a showcase for pure visual ingenuity and splendor, though, it rocks.- Variety
- Posted Jan 10, 2014
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Reviewed by
Joe Leydon
The term “freewheeling” does not begin to describe the slapdash, anything-goes quality of the screenplay co-written by Troma mogul Kaufman.- Variety
- Posted Jan 10, 2014
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Reviewed by
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Reviewed by
Joe Leydon
A modestly inventive but curiously bloodless version of the Bard’s timeless tragedy.- Variety
- Posted Jan 10, 2014
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Reviewed by
Scott Foundas
Lutz’s acting muscles aren’t nearly as well developed as his pectorals and deltoids, and while the role may not call for a master thespian, it at least begs someone who can emote without looking like he’s straining to execute a dead lift.- Variety
- Posted Jan 10, 2014
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Reviewed by
Geoff Berkshire
A bittersweet ending offers both victory and defeat, but closes on a note of hard-won optimism.- Variety
- Posted Jan 9, 2014
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Reviewed by
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Reviewed by
Dennis Harvey
After a decent if formulaic setup, the story bogs down in dull midsection intrigue, and helmer Jonathan Newman doesn’t deliver as much excitement as expected in the climactic stretch.- Variety
- Posted Jan 9, 2014
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Justin Chang
A capably assembled if ultimately unremarkable thriller.- Variety
- Posted Jan 9, 2014
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Reviewed by
Dennis Harvey
Raze is a brutally monotonous fight-to-the-death-contest actioner whose novelty element — all-female competitors — is undermined by lack of imagination on every other level.- Variety
- Posted Jan 8, 2014
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Reviewed by
Dennis Harvey
Loves Her Gun ultimately doesn’t quite cohere as one part slackerish social observation in a nicely turned mumblecore mode, and one part cautionary psychological thriller about the dangers of treating fear with a loaded weapon.- Variety
- Posted Jan 8, 2014
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Reviewed by
Dennis Harvey
Proving the “Paranormal Activity” formula can still work when used with canny restraint, Erickson achieves good results with long, eerie found-footage takes that end in jolts.- Variety
- Posted Jan 8, 2014
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Reviewed by
Ronnie Scheib
Morrison has always closely collaborated with musicians, but here the helmer goes one better, making music the ultimate product of the Great Flood.- Variety
- Posted Jan 8, 2014
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Reviewed by
Justin Chang
The Japanese action aesthete plays it cool and smooth in a picture that exerts a steadily tightening grip, though not until after a first hour of near-impenetrable gangster gab that may leave the uninitiated feeling stranded.- Variety
- Posted Jan 7, 2014
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Reviewed by
Maggie Lee
Tyro helmer Park Hong-soo handles wall-to-wall action, political intrigue and adolescent love with a relentless efficiency that befits his protagonist, even if the execution can feel as methodical as that of a killer checking off a hit list.- Variety
- Posted Jan 6, 2014
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- Variety
- Posted Jan 6, 2014
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Reviewed by
Andrew Barker
The haunted house setpieces provide reliable doses of jolts, even if one can see the scaffolding of each scare being built from miles away, and director Landon has fun with some clever camera placement here and there.- Variety
- Posted Jan 3, 2014
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Reviewed by
Dennis Harvey
Despite retaining the basic narrative architecture of its classic source, Hollywood Seagull too often feels like a trite, sudsy take on privilege, ambition and angst among showbiz players and wannabes — one that seemingly exists mostly to showcase real-life C-listers, aspirants and pals in the tradition of Henry Jaglom’s films.- Variety
- Posted Jan 2, 2014
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Reviewed by
Leslie Felperin
The film comprises an impressive directorial debut for Adler who demonstrates a confident grasp of pace, place and thesp handling.- Variety
- Posted Dec 29, 2013
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Reviewed by
Joe Leydon
A slickly entertaining piece of work that will doubtless delight the young pop star’s fan base, and possibly engage curiosity-seekers who have heretofore remained immune or indifferent to Bieber Fever.- Variety
- Posted Dec 26, 2013
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Reviewed by
Peter Debruge
Pavich does an admirable job tracking down surviving parties (except for the suspicious-sounding cast), opting for a humorous rather than indignant tone to the interviews.- Variety
- Posted Dec 24, 2013
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Reviewed by
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Reviewed by
Andrew Barker
Essentially recasting “Grumpy Old Men” with the senescent specters of Rocky Balboa and Jake LaMotta, the result is sporadically amusing, with some chucklesome sight gags and crowdpleasing supporting turns from Alan Arkin and Kevin Hart, yet it’s all so overcooked that it defeats its own purpose.- Variety
- Posted Dec 23, 2013
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Reviewed by
Ronnie Scheib
Mordaunt previously directed a docu in Laos that featured kids who sold unexploded bombs for scrap metal, and that earlier experience invests this feature’s characters and milieu with an absolute integrity.- Variety
- Posted Dec 23, 2013
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Reviewed by
Peter Debruge
A partly authentic, partly scripted behind-the-scenes featurette that never quite conveys the star’s “high/curious” interest in all things taboo.- Variety
- Posted Dec 23, 2013
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Reviewed by
Jay Weissberg
Aiming for a Hitchcockian take on an eccentric auctioneer (well-handled by Geoffrey Rush) who becomes enamored of an heiress with severe agoraphobia, the pic ends up more in Dan Brown territory, with over-obvious setups and phony insight into the art establishment.- Variety
- Posted Dec 23, 2013
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Reviewed by
Peter Debruge
As impressive as these visual elements prove to be, the film struggles to grab and maintain audiences’ interest, whether or not they know the underlying legend by heart.- Variety
- Posted Dec 23, 2013
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Reviewed by
Peter Debruge
Hoogendijk has created an artifact that, while not exactly elegant, 400 years hence may prove as vital a window into Amsterdam culture as any of the Dutch masterpieces hanging in the museum itself.- Variety
- Posted Dec 21, 2013
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Reviewed by
David Chute
At their best, the lush yet punchy musical numbers that Acharya stages for Dhoom: 3 reach giddy heights of pop romanticism.- Variety
- Posted Dec 21, 2013
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Reviewed by