Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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  1. Pad Yatra: A Green Odyssey
    A trek across the Himalayas to raise climate-change awareness is respectfully packaged as inspirational comfort food in Pad Yatra: A Green Odyssey.
  2. The Starving Games
    It seems even more slapdash and desperately unfunny than their earlier work.
  3. Five Dances
    The sensual movement of bodies through space creates a visual language whose infinite variations seduce and fascinate over the course of the film’s numerous rehearsals.
  4. Delivery Man
    The circumstances may be contrived, but the characters feel refreshingly genuine.
  5. Lone Survivor
    Berg’s blunt, pummeling style offers few nuances and makes no apologies, but his broad brushstrokes have clearly found an ideal canvas in this grimly heroic rendering of hell on earth.
  6. It's Me, It's Me
    Most of the comedy in It’s Me, It’s Me is behavioral, playing off the plausible notion that meeting exact copies of yourself would not be terrifying so much as socially awkward.
  7. The Best Man Holiday
    The cluttered, overlong narrative never really finds its footing.
  8. Everyday
    As the years go by and the kids grow — perhaps the only real benefit of Winterbottom’s approach — time begins to run together, making it all too easy for the mind to wander.
  9. Free Ride
    The script’s autobiographical roots tend to substitute for a well-constructed dramatic throughline, giving the film an open-endedness that feels more dismissive than ambivalent.
  10. We Will See Tomorrow
    Essentially a homemovie cobbled together with bland talking-head interviews, director Yuliya Tikhonova’s film offers little to interest jazz aficionados or those simply curious about the band’s lineup of veteran sidemen from the era of classic jazz.
  11. The Hunger Games: Catching Fire
    [Francis] Lawrence and his team have calibrated the entire experience for maximum engagement. And while its pleasures can’t touch the thrill of seeing the Death Star destroyed — not yet, at least — the film runs circles around George Lucas’ ability to weave complex political ideas into the very fabric of B-movie excitement.
  12. Contracted
    The ick factor is high in Contracted, a body-horror opus that will satisfy genre fans who like to be grossed out, but doesn’t have much to offer on any other count.
  13. The Motel Life
    So full of explanatory flashbacks and animated sequences visualizing the characters’ invented yarns that their real dramas are indeed almost obscured.
  14. Reaching for the Moon
    Attention is retained by the commendably unhistrionic leads, who convincingly etch the pair’s enduring devotion even when passions run dry.
  15. Out of the Furnace
    Cooper seems to make actors feel safe and willing to expose themselves in ways they ordinarily might not, and time and again he takes scenes to places of unexpected emotional power.
  16. Caucus
    [A] fascinating but only intermittently insightful film.
  17. Medora
    Filmmakers Andrew Cohn and Davy Rothbart uncover and illuminate a strain of stoic resilience that could be the last best defense against bottomless despair. Unfortunately, as Medora repeatedly suggests, that invaluable resource may not be inexhaustible.
  18. Sweet Dreams
    Sweet Dreams finds and sustains a delicate balance, seizing on small moments of hope in a place where the horrors of 1994 are in many ways still an open wound.
  19. Finding Mr. Right
    Unwieldy and exasperating, but not without a certain pushy, ingratiating charm.
  20. The Prime Ministers: The Pioneers
    Moderately interesting as a once-over-lightly political history lesson best suited for home-screen consumption.
  21. Cooper and Hemingway: The True Gen
    Once Mulholland has established that both men hark back to a bygone, Teddy Roosevelt-fostered image of laconic masculinity, his peculiar vantage point generates little insight into the psychology and accomplishments of either man, as “The True Gen” abandons biographical logic in favor of a catalogue of arbitrary differences and similarities.
  22. A Case of You
    A lot of interesting, funny performers aren’t very interesting or funny in director Kat Corio’s A Case of You.
  23. 12-12-12
    An impressive yet drama-less concoction that can’t totally disguise its slightly stale aftertaste.
  24. Paris Countdown
    This been-there-done-that story marks a pretty banal debut for writer-director Alain Marie, who seems far more interested in aping Refn and early-career Michael Mann than in finding his own style.
  25. Angels Sing
    Working from a script by Lou Berney, which in turn was adapted from a novel by Turk Pipkin, director Tim McCanlies maintains an even hand throughout, so that neither the moments of broad comedy nor the stretches of tearjerking sentimentality get out of hand.
  26. Krrish 3
    All credit to Krrish 3 for not being an audience-pummeling industrial product like most of Hollywood’s superhero films. It has the off-hand, anything-is-possible spirit of a children’s book or fairy tale.
  27. Musicwood
    Maxine Trump’s feature loses focus as it progresses, though its insights into guitar making, forestry harvesting and environmental shortages resonate strongly.
  28. Frozen
    This always enjoyable tale of mysterious magic, imperiled princesses and square-jawed men of action proves longer on striking visuals than on truly engaging or memorable characters.
  29. The Truth About Emanuel
    Played flatly head-on with some poetic pretensions, the concept never becomes particularly credible or appealing.
  30. Tim's Vermeer
    The result is just about the most fun you can have while learning, partly because it strips away any tangents beyond the task at hand, offering a lean, 80-minute account of how this crazy guy erected his own Everest and then proceeded to climb it.
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