For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Geoff Berkshire
Brightest Star, has all the trappings of a contemporary romantic comedy, but also the good sense to strive for a deeper examination of a young man’s search for his place in the universe.- Variety
- Posted Jan 30, 2014
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Reviewed by
Joe Leydon
The four leads are nothing if not game, and actually earn respect, along with a fair amount of sympathy, for their uninhibited willingness to go to extremes. But there are limits to what they can do to dispel the overall sense of mounting desperation as the gross-out tomfoolery grows ever more tedious.- Variety
- Posted Jan 30, 2014
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Reviewed by
Dennis Harvey
Adam Rodgers’ debut feature is a painless enough diversion, but novel ideas and humor beyond mild chuckles are in scant supply.- Variety
- Posted Jan 30, 2014
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Reviewed by
Scott Foundas
Clooney has transformed a fascinating true-life tale into an exceedingly dull and dreary caper pic cum art-appreciation seminar — a museum-piece movie about museum people.- Variety
- Posted Jan 29, 2014
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Reviewed by
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- Variety
- Posted Jan 29, 2014
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Reviewed by
Scott Foundas
The pic falls well short of its efforts to combine the raucous vulgarity of the “Hangover” movies with Cameron Crowe-ish depth of feeling.- Variety
- Posted Jan 29, 2014
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Reviewed by
Peter Debruge
Happy Christmas desperately needs some real jokes, rather than settling for the bemused chuckles that accompany its banal observations into human nature.- Variety
- Posted Jan 28, 2014
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Reviewed by
Rob Nelson
Rossato-Bennett’s over-the-top narration often sounds cloying and banal... But the filmmaker succeeds in providing context, medical and historical, in between awakenings.- Variety
- Posted Jan 28, 2014
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Reviewed by
Jay Weissberg
The pic nicely straddles a line between Sosa’s private and public personas, never quite delving deep although Vila covers all the bases.- Variety
- Posted Jan 28, 2014
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Reviewed by
Peter Debruge
Everything about the three principal teens registers as deserving of “human interest” to Rich Hill’s two helmers, whose generous attitude draws us into this deeply empathetic film.- Variety
- Posted Jan 28, 2014
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Reviewed by
Geoff Berkshire
This is neither an indictment nor an endorsement but simply a refreshing departure from the combative tone of contemporary politics and political coverage.- Variety
- Posted Jan 28, 2014
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Reviewed by
Scott Foundas
The result is unquestionably an auteur film, but one festooned with so many bad and unnecessary ideas that one can’t help wondering if a more modest, hemmed-in version of the same project might not have proved more effective.- Variety
- Posted Jan 27, 2014
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- Variety
- Posted Jan 27, 2014
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Reviewed by
Scott Foundas
Now and then, Winterbottom nudges the movie in the direction of narrative... But even when it’s just ambling about, The Trip to Italy casts a warm, enveloping spell.- Variety
- Posted Jan 27, 2014
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Reviewed by
Scott Foundas
A lively comic jamboree that’s sometimes smarter than it is funny and hits about as often as it misses, but is, on balance, a good deal of fun.- Variety
- Posted Jan 27, 2014
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Reviewed by
Peter Debruge
Perhaps the cleverest thing about Barker-Froyland’s delicately contrived debut is how uncontrived she manages to make it seem.- Variety
- Posted Jan 27, 2014
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Reviewed by
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- Critic Score
Sibling bonds are fertile territory for indie dramedies, but The Skeleton Twins distinguishes itself from the pack with a pair of knockout performances from “Saturday Night Live” veterans Bill Hader and Kristen Wiig.- Variety
- Posted Jan 27, 2014
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Reviewed by
Justin Chang
Lensed with a complete absence of frills that perfectly suits its honest, unvarnished tone, The Overnighters presents an indelible snapshot of a despairing moment in American history, as men abandon homes, families and dreams to stake their claim in an ever-shrinking land of opportunity.- Variety
- Posted Jan 27, 2014
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Reviewed by
Scott Foundas
It’s a familiar story of music-world success, failure and addiction, admirably but unevenly told by first-time feature director Jeff Preiss, who certainly knows the music and the milieu, but proves less adept at shaping the material into a consistently compelling narrative.- Variety
- Posted Jan 27, 2014
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Reviewed by
Peter Debruge
Love Is Strange never feels anything less than authentic, like a true story shared by close friends.- Variety
- Posted Jan 27, 2014
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Reviewed by
Scott Foundas
James cuts — as in all of his best work — straight to the human heart of the matter, celebrating both the writer and the man, the one inseparable from the other, largely in Ebert’s own words.- Variety
- Posted Jan 27, 2014
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Reviewed by
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Reviewed by
Justin Chang
What gives the story its moment-to-moment buoyancy is the pleasure of watching two actors working brilliantly in tandem.- Variety
- Posted Jan 27, 2014
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Reviewed by
Justin Chang
If the narrative progression feels too tidy and circumscribed, Shelton’s talent for bringing out the best in her actors remains satisfyingly intact.- Variety
- Posted Jan 27, 2014
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Reviewed by
Scott Foundas
At every turn, we can sense what’s going on behind Kumiko’s doleful, downcast eyes; Kikuchi pulls us deeply into her world.- Variety
- Posted Jan 26, 2014
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Reviewed by
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Reviewed by
Justin Chang
Forbes brings a marvelous warmth and specificity to this story of a mixed-race family struggling to survive, aided considerably by one of Mark Ruffalo’s richest, most appealing performances.- Variety
- Posted Jan 26, 2014
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Reviewed by
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Reviewed by
Geoff Berkshire
Even in moments that don’t ring entirely true, Boyega’s grounded performance keeps the film headed in the right direction.- Variety
- Posted Jan 26, 2014
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Reviewed by
Peter Debruge
Using Baltimore’s dirt-bike groups as its entry point, the film offers a remarkable grassroots look at how the system is broken at the inner-city level.- Variety
- Posted Jan 26, 2014
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Reviewed by
Peter Debruge
The film amounts to a lousy sort of magic show, schematically pulling strings to prove its own points.- Variety
- Posted Jan 26, 2014
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Reviewed by
Rob Nelson
Camp X-Ray is most commendable for believably depicting the U.S. military from a female’s point of view.- Variety
- Posted Jan 26, 2014
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Reviewed by
Peter Debruge
With Boyhood, Linklater has created an uncanny time capsule, inviting auds to relive their own upbringing through a series of artificial memories pressed like flowers between the pages of a family photo album.- Variety
- Posted Jan 26, 2014
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Reviewed by