Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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  1. The French Minister
    A sparkling and savvy comedy of political manners.
  2. It Felt Like Love
    The writer-director’s stress on the small, degrading details that attend yearning as well as her protagonist’s desperation and self-deception make it more mood piece than straightforward narrative, but the ultra-confident production proves that Hittman’s a talent to watch.
  3. Buzzard
    Giving not an inch to any sort of readable moral paradigm, this third installment in Potrykus’ Grand Rapids-set animal trilogy (including his 2010 short “Coyote” and his 2012 feature “Ape”) proves as fascinating as it is off-putting.
  4. Divergent
    By trying to cram in as many explanatory info dumps as possible, Burger neglects to tend to the elements of the film that could easily make up for any narrative deficiencies: namely, a sense of place and a feeling of urgency.
  5. Tyler Perry's The Single Moms Club
    One of the best products to roll off the prolific multihyphenate’s Atlanta-based assembly line, largely absent the pandering humor and finger-wagging moralism that have bedeviled many of Perry’s earlier (if undeniably popular) efforts.
  6. Hateship Loveship
    Under Johnson’s patient, observant direction, a relationship that might sound ridiculous on paper lives and breathes with surprising tenderness and plausibility onscreen.
  7. The Great Invisible
    A uniquely thought-provoking chronicle of an event that, in the absence of any real preventive action taken by oil companies or the U.S. government, calls out for further cinematic and journalistic attention.
  8. Fort Tilden
    Its potent sense of place and underlying ideas never compensate for the tiresome millennial musings that constitute most of its runtime.
  9. Better Living Through Chemistry
    There isn’t a pharmaceutical cocktail powerful enough to improve the dreadful comedy of Better Living Through Chemistry.
  10. Patrick: Evil Awakens
    Rich in gothic trappings and sporting a terrific central performance by Sharni Vinson (“You’re Next”) as a nurse in Patrick’s sinister sights, the pic has some wobbly dialogue and doesn’t deliver full-blown terror, but should satisfy audiences hankering for old-school genre entertainment.
  11. Xingu
    A stirring, broad-strokes account of the founding of Brazil’s Xingu National Park... Boasting breathtaking cinematography, remote, rarely seen locations and charismatic thesping.
  12. Shirin in Love
    When not serving up sentimental contrivance, Shirin in Love is just tepidly cute, with wan comic situations and lines that provide little opportunity for a game-enough cast.
  13. Himizu
    Because Sono tries to set the manga’s storyline, with its stylized violence, in the very real, post-earthquake/tsunami disaster area, Himizu struggles to find a coherent tone.
  14. Guilty of Romance
    There are too many twists, insignificant literary references and drawn-out scenes of sex and violence to sustain either the pic’s running time or its ideas, with Sono’s message obscured in the final reels by an ambiguous treatment of his leading ladies.
  15. Suzanne
    Quillevere, co-scribe Mariette Desert and editor Thomas Marchand struggle to keep audiences fully involved in the story... Thankfully, the performances are all first-rate.
  16. 20,000 Days on Earth
    An aptly intense and innovative study of pioneering rock poet Nick Cave, 20,000 Days on Earth playfully disguises itself as fiction while more than fulfilling the requirements of a biographical documentary.
  17. Muppets Most Wanted
    Muppets Most Wanted looks and sounds eager to please but immediately feels like a more slapdash, aimless affair, trying — and mostly failing — to turn its stalled creativity into some sort of self-referential joke.
  18. Need For Speed
    Paul plays the part with the flinty, tightly wound charisma of a small man who makes up in moxie what he lacks in stature. There’s something of the young James Cagney in him, and he’s by far the best thing Need for Speed has going for it.
  19. Total Siyapaa (Total Chaos)
    Ethnically barbed hijinks ought to ensue, but jinks of any sort are in short supply, due to drowsy pacing and a string of distracting staging mistakes that suffocate just about every gag.
  20. 13 Sins
    Achieves a modest degree of tension and dark humor before tilting into gory overkill, while its diffuse central ideas — about materialism, the dangers of playing God and the latent human capacity for violence — never really take plausible shape.
  21. The Signal
    Exceedingly stylish and ultimately quite silly, The Signal is a sci-fi head trip better appreciated for the journey than the destination.
  22. War of the Worlds: Goliath
    Rote character writing, voicing and animation devalue the more impressive design elements of Joe Pearson’s long-aborning project.
  23. Oculus
    Cleverly complex, if not quite as scary or memorable as one might have hoped.
  24. Neighbors
    Lewder, weirder, louder, leaner, meaner and more winningly stupid than anything its director Nicholas Stoller and star Seth Rogen have ever been involved with before, frat comedy Neighbors boasts an almost oppressive volume of outrageous gags.
  25. Chef
    The final destination is entirely predictable — right down to the deus ex machina reappearance of an erstwhile antagonist — but the trip itself is never less than pleasant, and often extremely funny.
  26. Veronica Mars
    It plays less like a meaty mystery than an extended thank-you to the fans who breathed it into existence. Still, it’s smooth and engaging enough on its own compromised terms, clearly informed by Thomas’ genre-savvy storytelling and unpretentious craftsmanship, and not without a certain self-deprecating sense of humor about its own immodest origins.
  27. The Strange Color of Your Body's Tears
    When does an exercise in style become a wearying ADD slog through blood-splattered pseudo-Freudian nonsense? When it’s The Strange Color of Your Body’s Tears.
  28. Journey to the West
    [A] mostly entertaining action-fantasy-comedy.
  29. Grand Piano
    [An] appealingly absurd thriller.
  30. Awful Nice
    Awful Nice carves out all the touchy-feely stuff that makes Judd Apatow movies run two reels too long in favor of a jump-cut style that eliminates the fat and keeps the jokes coming.
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