Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. Consistently fascinating and suspenseful.
  2. Lam’s darkest work to date, one where violence is not just graphic but ugly, and Hong Kong symbolically comes to resemble a charnel house.
  3. While not necessarily the definitive cinematic account of Chavez’s life or the UFW movement, Cesar’s Last Fast provides a well-crafted, sometimes stirring encapsulation.
  4. There are intriguing, half-formed ideas afoot in Transcendence, but the script and Pfister’s heavy, humorless direction tend to reduce everything to simplistic standoffs between good and evil.
  5. Those willing to engage may be pleasantly surprised by some of its understated virtues.
  6. The Players is an odd beast that, like all omnibus films, is only as strong as its weakest link.
  7. A creaky heist-caper comedy that hopes to get by on sunny amiability.
  8. [A] good, middlebrow adaptation — which, despite being scripted by Banville himself, sacrifices much of the novel’s structural intricacy for Masterpiece-style emotional accessibility.
  9. Meticulously acted, gorgeously shot and hilariously insightful about the strange, inarticulable ways people can get on one another’s nerves, this psychological thriller takes its premise to surprising, darkly comic extremes.
  10. Skirting horror and black-comedy terrain without quite surrendering to either, the pic proves rather bracing even if it doesn’t hold up to much plot-logic scrutiny.
  11. Stan Brooks’ first directorial feature provides scant psychological depth, drawing its characters and staging their incidents in crude fashion, despite superficial production gloss.
  12. A blandly executed action-thriller whose cast names (Matt Dillon, Willem Dafoe) and mild ’80s Louisiana flavor offer only modest compensations for the story’s workmanlike construction and routine twists.
  13. Surely some of the film’s various incidents have been creatively stitched together from stray bits and pieces of footage, but its central conflict is an entirely organic one, and rarely is any offscreen string pulling distractingly evident.
  14. A marked strength of the movie is that it does succeed in making the unlikely central love affair believable within its own universe.
  15. [A] meticulous postmortem.
  16. The filmmakers etch the character dynamics so astutely that we never doubt the credibility of even the most ill-considered actions.
  17. [A] ponderously paced, needlessly convoluted and altogether unexceptional thriller.
  18. A sci-fi thriller as generic as its title, Alien Abduction generates only low-voltage shocks.
  19. Anthony Chen is remarkably astute in his depiction of the class and racial tensions within such a household, his accessible style enabling the characters’ underlying decency and warmth to emerge unforced.
  20. Draft Day affords the simple but uncommon pleasure of watching intelligent characters who are passionate about what they do trying to do the best that they can.
  21. The rare prestige pic that could actually stand to be longer.
  22. Redundancy remains a problem, but this overlong superhero sequel gets by on sound, fury and star chemistry.
  23. Kakkar and Pastides generate a rooting interest in their characters, with compellingly persuasive performances.
  24. This fascinating but uneven pic has a conceptual rigor that doesn’t always translate into compelling viewing or even a smooth narrative whole. Nevertheless, it reps a strong debut from tyro helmer-writer Nadav Lapid.
  25. A formulaic and functional documentary that nevertheless proves effective at getting the message out about America’s addiction to unhealthy food.
  26. A superior piece of Texas pulp fiction that starts out like a house on fire, sags a bit in the middle, then rallies for an exuberantly bloody finish.
  27. Led by a trio of lackluster performances from Alan Rickman, Rebecca Hall and “Game of Thrones” thesp Richard Madden, this awkward, passionless drama conveys neither the sensuality nor the drawn-out sense of longing required by its period tale of a young secretary who falls in love with his employer’s wife.
  28. Despite the staggering range of material Watermark manages to present — Burtynsky’s five-year undertaking is certainly the most encompassing survey any one artist has ever dedicated to the subject — it’s still just the tip of the metaphorical iceberg.
  29. Pulses are likely to remain level during In the Blood, a serviceable vehicle for MMA champ Gina Carano.
  30. A low-budget horror-thriller that’s resourceful enough to wring a few fresh chills from a slender premise and a less-than-novel formal conceit.

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