Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. There’s really only one ingredient for which The Salvation is likely to be remembered: Eva Green.
  2. Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile “Twilight” star.
  3. If the screenplay, by Dan Futterman (“Capote”) and E. Max Frye, is relatively spare in terms of dialogue, it’s satisfyingly rich and thorny in its conception of the tightly wound triangle at its center, while Miller’s direction evinces the same sustained intensity and consummate control of his material that defined his first two features.
  4. Although nothing here quite matches the moving, life-in-five-minutes montage in Pixar’s “Up,” one swooping flashback sequence comes very close.
  5. Alain Gsponer’s well-crafted romantic comedy, glides along on the sheer power of rising German star Daniel Bruhl’s boyish charm.
  6. Both the words and the pictures are surprisingly flaccid, largely due to Gerald DiPego’s literate but hopelessly contrived screenplay and direction that lacks Schepisi’s usual snap.
  7. The pleasure of Edge of Tomorrow is that it’s not an action movie first and foremost, but rather a cheeky little puzzle picture in expensive-looking blockbuster drag.
  8. Blended suffers from a fundamental lack of trust in its audience, following every unexpectedly smart exchange with a numbskull pratfall or one-liner, and every instance of genuine sincerity with an avalanche of schmaltz.
  9. Though there might have been some real drama to tap in following some seniors’ efforts to reconnect with their long-lost loves, Cassaday either doesn’t find any such intrigue, or didn’t bother looking for it.
  10. The film’s haphazard focus muddies the waters without doing anything to clarify the overall stakes. Fortunately, the continual visual splendors make a rather striking argument of their own.
  11. It’s more of a bawdy buddy movie about the horse’s trainer, Chip Woolley, and owner, Mark Allen (who exec produced), with a bit of slapstick thrown in.
  12. More sensitive than sensational, Candler’s debut doesn’t add much in the way of insight to the juvenile delinquency genre, but boasts a stunning breakthrough performance from newcomer Josh Wiggins as the troublemaker in question.
  13. Some material in the docu feels repetitive or unnecessary. But the main problem is that “Citizen Koch” simply juggles too many themes and narratives to cohere. The result is largely compelling in the moment, but unsatisfying as a whole.
  14. [An] engrossing documentary.
  15. If necessity is the mother of invention, then DreamWorks’ desire to extend the Dragon franchise has propelled the creative team in the most admirable of directions, resulting in what just may be the mother of all animated sequels.
  16. Ultimately, the training and suicide mission are less interesting to Ayouch than the initial forming of character, and the fundamentalist cell members are only stock figures; what’s important is the group’s sense of disenfranchisement and the lure of inner peace.
  17. Neither as striking nor as fundamentally scary as its predecessor, this pumped-up, robustly crafted pic is still quite a ride.
  18. Maintaining an unhurried tempo and an air of hushed reverence, the pic furtively hints at Shiori’s loneliness and despondency even as she soldiers on, until a series of revelations by Takumi culminates in a liberating finale.
  19. This globe-trotting debut effort by helmer Aaron Yeger and his producing team offers a vivid mix of visual evidence, historical commentary and survivor testimonies. It’s less successful trying to integrate the struggles of today’s Roma, which merits a docu of its own.
  20. Ben-Ari seems just as invested, if not more so, in the social and psychological obstacles that can make breastfeeding problematic, and she explores them with impressive rigor, sensitivity and a refreshing lack of judgment, listening intently while prescribing little.
  21. If the characters’ quandaries at times feel overly circumscribed, they’re also advanced with a bracing emotional directness, devoid of either cynicism or sentimentalism, that touches genuine chords of feeling over the course of the film’s fleet 130-minute running time.
  22. A bluntly powerful provocation that begins as a kind of tabloid melodrama and gradually evolves into a fraught study of addiction, narcissism and the lava flow of capitalist privilege. [Unrated Version]
  23. The grounding material here is with the elderly Vidal himself... Unfailingly witty and devastatingly insightful, he personifies that near-extinct species — the public intellectual.
  24. Schwarz lacks the writing chops to adequately embed the character’s predictable learning curve into a richer narrative fabric, but Dunne’s perf is pitch-perfect.
  25. Edwards seems to have miscalculated our investment in his cast...simultaneously underestimating how satisfying some good old-fashioned monster-on-MUTO action can be.
  26. The extent to which it’s hilarious and revelatory, however, may depend on viewers’ degree of prior intimacy with all things Harmonic.
  27. Most frustratingly, the film rarely manages to meld its two parent genres at all, with musical-theater pastiche dominating the early going, and straight slasher pastiche taking over around the halfway point, and rarely the twain do meet.
  28. “Oh, Toto, this doesn’t look like the Oz I remember,” Dorothy murmurs at one point. Truer words were never spoken.
  29. The power of performing arts to restore hope to damaged young lives is marvelously captured in Still I Strive.
  30. Though the perspective of farmers is well worth examining, this good-looking 77 minutes of propaganda is heavy on sugar-coating and light on nutritional value.

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