For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
There’s really only one ingredient for which The Salvation is likely to be remembered: Eva Green.- Variety
- Posted May 23, 2014
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Reviewed by
Scott Foundas
Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own, and a career-redefining performance by Robert Pattinson that reveals untold depths of sensitivity and feeling in the erstwhile “Twilight” star.- Variety
- Posted May 23, 2014
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Reviewed by
Justin Chang
If the screenplay, by Dan Futterman (“Capote”) and E. Max Frye, is relatively spare in terms of dialogue, it’s satisfyingly rich and thorny in its conception of the tightly wound triangle at its center, while Miller’s direction evinces the same sustained intensity and consummate control of his material that defined his first two features.- Variety
- Posted May 23, 2014
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Reviewed by
Jonathan Holland
Although nothing here quite matches the moving, life-in-five-minutes montage in Pixar’s “Up,” one swooping flashback sequence comes very close.- Variety
- Posted May 23, 2014
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Reviewed by
Ronnie Scheib
Alain Gsponer’s well-crafted romantic comedy, glides along on the sheer power of rising German star Daniel Bruhl’s boyish charm.- Variety
- Posted May 22, 2014
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Scott Foundas
Both the words and the pictures are surprisingly flaccid, largely due to Gerald DiPego’s literate but hopelessly contrived screenplay and direction that lacks Schepisi’s usual snap.- Variety
- Posted May 22, 2014
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Reviewed by
Justin Chang
The pleasure of Edge of Tomorrow is that it’s not an action movie first and foremost, but rather a cheeky little puzzle picture in expensive-looking blockbuster drag.- Variety
- Posted May 22, 2014
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Reviewed by
Andrew Barker
Blended suffers from a fundamental lack of trust in its audience, following every unexpectedly smart exchange with a numbskull pratfall or one-liner, and every instance of genuine sincerity with an avalanche of schmaltz.- Variety
- Posted May 22, 2014
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Reviewed by
Dennis Harvey
Though there might have been some real drama to tap in following some seniors’ efforts to reconnect with their long-lost loves, Cassaday either doesn’t find any such intrigue, or didn’t bother looking for it.- Variety
- Posted May 20, 2014
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Reviewed by
Geoff Berkshire
The film’s haphazard focus muddies the waters without doing anything to clarify the overall stakes. Fortunately, the continual visual splendors make a rather striking argument of their own.- Variety
- Posted May 20, 2014
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Reviewed by
Bill Edelstein
It’s more of a bawdy buddy movie about the horse’s trainer, Chip Woolley, and owner, Mark Allen (who exec produced), with a bit of slapstick thrown in.- Variety
- Posted May 20, 2014
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Reviewed by
Peter Debruge
More sensitive than sensational, Candler’s debut doesn’t add much in the way of insight to the juvenile delinquency genre, but boasts a stunning breakthrough performance from newcomer Josh Wiggins as the troublemaker in question.- Variety
- Posted May 19, 2014
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Reviewed by
Dennis Harvey
Some material in the docu feels repetitive or unnecessary. But the main problem is that “Citizen Koch” simply juggles too many themes and narratives to cohere. The result is largely compelling in the moment, but unsatisfying as a whole.- Variety
- Posted May 19, 2014
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- Variety
- Posted May 19, 2014
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Reviewed by
Peter Debruge
If necessity is the mother of invention, then DreamWorks’ desire to extend the Dragon franchise has propelled the creative team in the most admirable of directions, resulting in what just may be the mother of all animated sequels.- Variety
- Posted May 16, 2014
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Reviewed by
Jay Weissberg
Ultimately, the training and suicide mission are less interesting to Ayouch than the initial forming of character, and the fundamentalist cell members are only stock figures; what’s important is the group’s sense of disenfranchisement and the lure of inner peace.- Variety
- Posted May 15, 2014
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Reviewed by
Guy Lodge
Neither as striking nor as fundamentally scary as its predecessor, this pumped-up, robustly crafted pic is still quite a ride.- Variety
- Posted May 15, 2014
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Maggie Lee
Maintaining an unhurried tempo and an air of hushed reverence, the pic furtively hints at Shiori’s loneliness and despondency even as she soldiers on, until a series of revelations by Takumi culminates in a liberating finale.- Variety
- Posted May 15, 2014
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Reviewed by
Dennis Harvey
This globe-trotting debut effort by helmer Aaron Yeger and his producing team offers a vivid mix of visual evidence, historical commentary and survivor testimonies. It’s less successful trying to integrate the struggles of today’s Roma, which merits a docu of its own.- Variety
- Posted May 15, 2014
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Reviewed by
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Reviewed by
Justin Chang
Ben-Ari seems just as invested, if not more so, in the social and psychological obstacles that can make breastfeeding problematic, and she explores them with impressive rigor, sensitivity and a refreshing lack of judgment, listening intently while prescribing little.- Variety
- Posted May 13, 2014
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Reviewed by
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Reviewed by
Justin Chang
If the characters’ quandaries at times feel overly circumscribed, they’re also advanced with a bracing emotional directness, devoid of either cynicism or sentimentalism, that touches genuine chords of feeling over the course of the film’s fleet 130-minute running time.- Variety
- Posted May 12, 2014
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Reviewed by
Scott Foundas
A bluntly powerful provocation that begins as a kind of tabloid melodrama and gradually evolves into a fraught study of addiction, narcissism and the lava flow of capitalist privilege. [Unrated Version]- Variety
- Posted May 12, 2014
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Reviewed by
Dennis Harvey
The grounding material here is with the elderly Vidal himself... Unfailingly witty and devastatingly insightful, he personifies that near-extinct species — the public intellectual.- Variety
- Posted May 12, 2014
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Reviewed by
Ronnie Scheib
Schwarz lacks the writing chops to adequately embed the character’s predictable learning curve into a richer narrative fabric, but Dunne’s perf is pitch-perfect.- Variety
- Posted May 11, 2014
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Reviewed by
Peter Debruge
Edwards seems to have miscalculated our investment in his cast...simultaneously underestimating how satisfying some good old-fashioned monster-on-MUTO action can be.- Variety
- Posted May 10, 2014
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Reviewed by
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Reviewed by
Dennis Harvey
The extent to which it’s hilarious and revelatory, however, may depend on viewers’ degree of prior intimacy with all things Harmonic.- Variety
- Posted May 8, 2014
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Reviewed by
Andrew Barker
Most frustratingly, the film rarely manages to meld its two parent genres at all, with musical-theater pastiche dominating the early going, and straight slasher pastiche taking over around the halfway point, and rarely the twain do meet.- Variety
- Posted May 8, 2014
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Reviewed by
Justin Chang
“Oh, Toto, this doesn’t look like the Oz I remember,” Dorothy murmurs at one point. Truer words were never spoken.- Variety
- Posted May 7, 2014
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Reviewed by
Richard Kuipers
The power of performing arts to restore hope to damaged young lives is marvelously captured in Still I Strive.- Variety
- Posted May 6, 2014
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Reviewed by
Bill Edelstein
Though the perspective of farmers is well worth examining, this good-looking 77 minutes of propaganda is heavy on sugar-coating and light on nutritional value.- Variety
- Posted May 6, 2014
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