For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
It is much to the credit of Hanks and his collaborators that All Things Must Pass makes this particular iteration of the oft-told tale come across as freshly compelling, even poignant.- Variety
- Posted Apr 14, 2015
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Peter Debruge
Racing Extinction tends to be far more effective when presenting its enlightened activists as heroes.- Variety
- Posted Apr 14, 2015
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Reviewed by
Dennis Harvey
“Brothers'” script hardly provides enough to hang a short on.- Variety
- Posted Apr 14, 2015
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Reviewed by
Dennis Harvey
The relative restraint of keeping any supernatural creatures and most violence just offscreen works well to maintain suspense. It’s too bad Beck and Woods didn’t exercise equal caution in the dialogue department.- Variety
- Posted Apr 14, 2015
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Justin Chang
A mix of found-footage thriller, mock-doc realism and public service announcement that rings true almost as often as it rings false.- Variety
- Posted Apr 14, 2015
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Ronnie Scheib
In its avoidance of all ambiguity, this giant-screen opus ultimately boils down to a rhapsodic endorsement of the tourism and shopping industries.- Variety
- Posted Apr 14, 2015
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Ronnie Scheib
A magnificent tapestry of sounds and images, this documentary interweaves multiple leitmotifs that flow through the film like familiar old friends, surging to the forefront only to be reabsorbed and casually encountered farther on.- Variety
- Posted Apr 14, 2015
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Reviewed by
Nick Schager
No amount of industry-jargon blather and flashback-fractured plotting, however, can mask the wholesale phoniness and overpowering lethargy of this dreary drama.- Variety
- Posted Apr 14, 2015
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Ella Taylor
Ferguson’s careful, painfully banal script keeps sidling up to the neverending conflict that splits this lovely city in two, then backing away into conciliatory but meaningless bromides about intercultural understanding. He probably should have stuck with the gorgeous vistas.- Variety
- Posted Apr 14, 2015
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Peter Debruge
Think of Kahlil Gibran’s The Prophet as a gift: a work of essential spiritual enlightenment, elegantly interpreted by nine of the world’s leading independent animators, all tied up and wrapped in a family-friendly bow by “The Lion King” director Roger Allers.- Variety
- Posted Apr 14, 2015
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Justin Chang
Although shot and performed in a determinedly raw, naturalistic register, this emotionally roiling portrait of two twentysomething Texas sweethearts too often veers toward melodramatic overstatement, inspiring little empathy or understanding despite the committed performances of promising young leads Taissa Farmiga and Ben Rosenfield.- Variety
- Posted Apr 14, 2015
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Justin Chang
A coolly absorbing, deeply unflattering portrait of the late Silicon Valley entrepreneur that expands, not altogether convincingly, into a meditation on our collective over-reliance on our favorite handheld gadgets.- Variety
- Posted Apr 14, 2015
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Reviewed by
Joe Leydon
Despite some bumpy tonal shifts and inconsistencies of characterization, Hello, My Name Is Doris impresses as a humanely amusing and occasionally poignant dramedy.- Variety
- Posted Apr 14, 2015
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Dennis Harvey
The concept carries The Final Girls cheerfully past some dry stretches, and the actors are clearly enjoying themselves, with Farmiga the only representative of humorlessness in what is admittedly the sole sincerity-load-bearing role.- Variety
- Posted Apr 14, 2015
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Peter Debruge
Simultaneously clever and exasperating, the film puts a novel spin on the genre Roger Ebert dubbed “the Dead Teenager Movie.”- Variety
- Posted Apr 13, 2015
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Justin Chang
Danner makes an elegant, warmly sympathetic heroine in this sometimes broadly played but always tender and appealing effort.- Variety
- Posted Apr 10, 2015
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Peter Debruge
Nothing about the circumstances revealed in The Harvest could be called normal, and yet it’s a credit to a fertile imagination that the film proves so terrifyingly relatable.- Variety
- Posted Apr 10, 2015
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Guy Lodge
A wry, oh-so-gentle dual character study saved from sleepiness by the unexpected star pairing of Catherine Deneuve and Gustave Kervern.- Variety
- Posted Apr 10, 2015
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Peter Debruge
A mesmerizing glimpse into Sarno’s search for a sub-Saharan Walden and the implications of that choice.- Variety
- Posted Apr 10, 2015
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Scott Foundas
The unresolvable tension between logic and feeling animates Eugene Green’s La Sapienza, an exquisite rumination on life, love and art that tickles the heart and mind in equal measure.- Variety
- Posted Apr 9, 2015
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Andrew Barker
The eighth entry in Disney’s eco-minded Disneynature series, Monkey Kingdom may well be its cheekiest, funniest and most purely entertaining.- Variety
- Posted Apr 9, 2015
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Scott Foundas
Desert Dancer traffics in the kind of spirited rebel-youth archetypes who’ve been endemic to dance movies for decades.- Variety
- Posted Apr 9, 2015
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Alissa Simon
Although it sports a few fresh moments, the tonally all-over-the-place drama is hampered by script and assembly problems.- Variety
- Posted Apr 9, 2015
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- Variety
- Posted Apr 8, 2015
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Reviewed by
Jay Weissberg
Munzi focuses on incongruous leftovers from a benighted past, where kinship and blood feuds in a marginalized corner of rural Italy fester until entire communities are drawn into a whirlpool of intimidation and violence. This is the film’s strong suit.- Variety
- Posted Apr 7, 2015
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Reviewed by
Peter Debruge
As heroines go, it’s refreshing to get one as complex as this: When psychologically scarred female characters do turn up in thrillers, they’re usually little more than shivering victims who set a group of male cops in motion, but here, Libby does her own detective work, while Hendricks lends star power to the flashback scenes.- Variety
- Posted Apr 7, 2015
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Ben Kenigsberg
A textbook noir premise gets an overamped and undercompelling treatment in The Girl Is in Trouble.- Variety
- Posted Apr 7, 2015
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Reviewed by
Jay Weissberg
Where Haupt succeeds is in conveying the passion felt by everyone who works on the Sagrada, from foremen to sculptors.- Variety
- Posted Apr 7, 2015
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Ben Kenigsberg
Fails to convince on several crucial levels, including plotting and dialogue.- Variety
- Posted Apr 6, 2015
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Reviewed by
Scott Foundas
Appealing performances by a trio of second- and third-generation Hollywood kids keep this three-hankie twaddle more bearable than it deserves.- Variety
- Posted Apr 6, 2015
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