Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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  1. Furious 7
    Furious 7 provides both a satisfying chapter in the movies’ preeminent gearhead soap opera and a tactful, touching memorial to Walker.
  2. Court
    Managing to be both extremely rational and extremely humane, the film works so well thanks to an intelligent, superbly understated script and a feel for naturalism that extends beyond mere performance.
  3. Treading Water
    Emitting the unpleasant stench of over-affectation, Treading Water slaps together its particular peculiarities with such randomness, it’s as if the film were conceived from blindly throwing disparate elements at the wall.
  4. The Wrecking Crew
    This nostalgia-drenched rockumentary remains a hugely entertaining treasure trove of witness-at-creation anecdotes and enduringly potent ’60s pop hits.
  5. Suite Française
    Clumsy storytelling decisions, however, can’t entirely get in the way of a good story, and it’s when Suite francaise focuses on the simplest human dynamics of its yarn that it forges a sincere emotional connection.
  6. The Divergent Series: Insurgent
    Considering that Insurgent is meant to represent the series’ great civil war, it all comes across feeling like a tempest in a teapot: a glorified rehash of what came before, garnished with the promise of what lies in store.
  7. 3 Hearts
    The entire scenario, contrived to within an inch of its life, takes Poelvoorde’s appeal for granted. Marc’s anxiety becomes our own once he realizes what he’s done, though Jacquot makes it much more compelling to watch his characters fall in love than it is to see them writhe and twist amid its complications.
  8. Run All Night
    Even when he’s dealing with this boilerplate material, Collet-Serra brings an understated intensity and a subtle emotional pull to every scene, aided immeasurably by actors who invest their roles, big and small, with just the right degree of conviction.
  9. Straight Outta Tompkins
    Benson displays more energy and assurance behind the camera than he does in front of it; even still, his tonal command of his own narrative is wobbly at best, employing cynical humor and climactic eruptions of violence to jazz up what is ultimately an overly earnest and predictable cautionary tale.
  10. Home Sweet Hell
    Heigl’s performance as a coolly murderous model housewife is the only real reason to even consider watching Home Sweet Hell, an otherwise flailing and risible tale of adultery, extortion and suburban malaise that suggests a poor woman’s “Gone Girl” — one stripped of all tension, style and subtext, and instead rendered with a level of over-the-top gore that would give even David Fincher pause.
  11. Danny Collins
    Beneath the sitcom cutesiness and boldfaced sentimentality, the film manages to keep just enough reality coursing through to stay grounded.
  12. Home
    Unimaginative and downright predictable by grownup standards, but bursting with elements sure to appeal to younger auds.
  13. Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau
    The richness of the tale told here makes this competently packaged feature a keeper nonetheless.
  14. The Gunman
    Penn’s veiny, sweat-glazed biceps are the most objectively impressive feature of this rote, humorless thriller, a distinctly unconvincing attempt to refashion the star — who also co-wrote and produced — as a middle-aged action hero in the Liam Neeson mold.
  15. Road Hard
    This feature directing debut for Adam Carolla and frequent writing/producing collaborator Kevin Hench is an amiable, nicely assembled semi-autobiographical fiction that will please the former’s fans.
  16. Kidnapping Mr. Heineken
    About as appealing as day-old beer littered with cigarette butts, the abysmal caper drama Kidnapping Mr. Heineken is one of those international co-productions produced for all the right tax-credit reasons and none of the right artistic ones.
  17. Chappie
    Intelligence, artificial or otherwise, is one of the major casualties of Chappie, a robot-themed action movie that winds up feeling as clunky and confused as the childlike droid with which it shares its name.
  18. Unfinished Business
    A comedy with its heart in the right place and everything else bizarrely out of joint.
  19. An Honest Liar
    An Honest Liar is a highly entertaining portrait of James “the Amazing” Randi.
  20. The Lesson
    The naturalistic style of the storytelling is stealthily enthralling, as is the lead performance by Margita Gosheva as a provincial Bulgarian schoolteacher who is slowly, inexorably driven to the edge by crushing debt.
  21. Ana Maria in Novela Land
    Ganem has sufficient verve and appeal to sustain interest in both of her characters, and the sporadic tweaking of telenovelas and the fans who love them is often quite clever.
  22. The Mafia Only Kills in Summer
    There are moments when audiences will wonder if laughing about gangland whackings isn’t in bad taste, yet it becomes increasingly clear that the helmer-scripter is using humor to cut Mafia bosses down to size, thereby turning an accusatory glare at an Italy that granted these people power.
  23. The Life and Mind of Mark DeFriest
    It’s a bizarre story not entirely clear in the telling — partly because we can’t be entirely sure when the subject is telling the truth — but absorbing nonetheless.
  24. Out of the Dark
    The lead actors are solid as usual, but you can feel them all knocking their heads against the low ceiling of material that’s afraid to take any risks — playing it so safe that the film ends up lacking anything in the way of real personality, scares or plot surprises.
  25. My Life Directed by Nicolas Winding Refn
    Though billed as a documentary, this 59-minute doodle barely rises above homemovie status.
  26. The Hunting Ground
    This sort of doc is a legal minefield, but it never seems to sacrifice urgency or cogency, although like Dick’s previous films, it may irk those who prefer a wonkier, less button-pushing approach.
  27. Futuro Beach
    Its visual and sonic verve more than compensate for some overworked symbolism.
  28. Everly
    This slickly assembled exploitation-movie wankfest gets some mileage out of its star’s fully committed performance, though not enough to offset the grim, monotonous tenor of the proceedings — or the glib, fetishistic recycling of Asian thriller tropes.
  29. Eastern Boys
    Campillo’s original screenplay demands any number of trusting leaps from its audience and characters alike, yet maintains credibility thanks to the studied assurance of its most elaborate setpieces, and the wealth of socioeconomic detail in its portrayal of both Daniel’s aging-yuppie lifestyle and the nervous group dynamic of the immigrants.
  30. The Lazarus Effect
    “Lazarus” shamelessly steals from superior genre efforts and lacks any distinguishing traits beyond a wildly overqualified cast.
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