Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Right from the superbly framed opening scene of Kostis on the ferry, the visuals satisfy with their unerring sense of composition.
  2. The film has gruesomely effective moments, and one at times gets caught up in the gears of its big interlocked narrative, but it also has serious longueurs.
  3. There’s considerable poignancy in the contrast between this eccentric pair’s mutual sense that their lives are winding down and the vast, still-unshaped futures of their young charges, but Ní Chianáin’s film largely resists sentimentality of the “Greatest Love of All” variety.
  4. Radio Dreams is a witty, low-key exercise in deferred gratification.
  5. Skillfully blending intimate human drama with sharp political observations, Deepak Rauniyar’s outstanding second feature sends a powerful message about the need for tolerance if Nepal is to overcome divisions that remain long after the Comprehensive Peace Accord of 2006
  6. Adapting Fumiyo Kono’s 2007 manga of the same title, director Sunao Katabuchi captures the manifold experiences of a housewife during WWII with beguiling intimacy and appealing hand-drawn illustration.
  7. It’s not every documentary that can so exhilaratingly make us feel a part of something so special.
  8. Pearlstein’s very deft assembly manages to raise all these ideas and others for viewer consideration while underlining that there are few, if any, definitive responses to them.
  9. [A] solid yet unexceptional documentary.
  10. It’s a lovingly crafted movie, and in many ways a good one, but before that it’s an enraptured piece of old-is-new nostalgia.
  11. Issues are overly simplified and scenes are often poorly constructed (not helped by uneven editing), though Nafar is a charismatic performer. Ditto Qupty, and the energetic hip-hop scenes are welcome distractions. Visuals are spirited.
  12. There’s an air of authenticity as well as a pleasingly laid-back yet substantive narrative engagement to this polished effort.
  13. It’s a showcase for some fine acting and even finer basketball action, but neither are enough to cover for this story’s enervating formulaic construction.
  14. The film would be a routine affair if not for its baroque aesthetic gestures and a captivating turn from star Abbie Cornish.
  15. The real achievement here is in going beyond the buzzwords of newscasts and talking points to convey a sense of what’s happening on the ground — and to give it a sense of urgency.
  16. Phillips, who has the everyman look of a younger John Heard, is such a sympathetic sad sack throughout Punching Henry that it’s occasionally discomforting to watch what happens to him. But that is a major part of this low-key comedy’s charm.
  17. Though the film ultimately hinges on a “forbidden” Muslim-Christian romance, almost nothing is made of the enormous hurdles that would be present in this time and place.
  18. The surprise is that “Skull Island” isn’t just ten times as good as “Jurassic World”; it’s a rousing and smartly crafted primordial-beastie spectacular.
  19. The strangest thing about The Shack, and the reason it’s finally a so-so movie, is that all the rage and terror and dark-side vengeance that Mack has to learn to transcend is something we’re told about, but we never actually see him mired in it.
  20. Offering solid, middle-brow entertainment that borrows from Aristophanes’ “Lysistrata,” the film shows the relationships and tensions between different groups within Orthodox Judaism in Jerusalem, and provides a cautionary (and universally understandable) tale about religious fundamentalism.
  21. [A] thoroughly ingratiating, touchingly heartfelt comedy.
  22. Almost everything that happens in this movie rings cloyingly false. It wants to make you laugh and cry, but you may be too busy cringing.
  23. The movie feels a little too sparse and literal in places.
  24. "Gymnopedies” is an engaging and ultimately touching portrait of love, loneliness and loss of youth.
  25. Rock Dog is cluttered with incompatible subplots that never quite seem to belong in the same film.
  26. While Bitter Harvest will undoubtedly serve to raise awareness, there can be no doubt that the events deserve a more compelling and responsible treatment than this.
  27. The occasional heavy-handed or clumsy elements don’t seriously impair a film whose high spirits, talented cast and luridly intriguing subject consistently entertain, even if they seldom truly surprise.
  28. Somewhere buried deep within You’re Killing Me Susana is a commentary on loutish manliness, and the way in which romances are inherently fraught with tensions between individual and shared desires. Unfortunately, such notions are drowned out by all manner of irritating shenanigans.
  29. Without any fuss, Lipitz has made a film deeply rooted in intergenerational relationships between women.
  30. A promising and impressively self-assured debut for 23-year-old filmmaker Miles Joris-Peyrafitte, As You Are is crafted with the confidence and skill of a veteran, but also the youthful eye of someone not far removed from his protagonists.

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