Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. For all its structural and psychological deficiencies, it’s hard not to enjoy Fifty Shades Darker on its own lusciously limited terms.
  2. What 13 Minutes fails to understand is that it’s a moral imperative to remember, but it’s an ethical minefield to remember in a simplified manner.
  3. You walk out of Chasing Coral feeling that Richard Vevers is correct: The more that people see, and understand, the death of our coral, the more they’ll realize that climate change isn’t just about wrecking the planet, it’s about humanity destroying itself.
  4. The movie deprives us of either a tragic villain or a sympathetic lead, hoping that its grab bag of squirm-inducing details — dental drills, stillborn livestock, flesh-eating eels — will suffice, when in fact, they reveal how a shorter, tighter treatment ought to have done the trick.
  5. There’s a quality to the violence here that elevates it above the literal (and reprehensible) nihilism of movies like last year’s “Hardcore Henry,” and instead achieves something more akin to dance.
  6. Havenhurst grows less scary the more urgently action-packed it becomes. It’s not that Erin’s direction lacks energy when needed, but rather that his and Daniel Ferrands’ script never develops any of its numerous familiar but viable plot themes enough to really give the film a distinguishing edge.
  7. [A] splendidly graceful and quietly magical documentary.
  8. The first thing to say about The Lego Batman Movie is that it’s kicky, bedazzling, and super-fun.
  9. With far-right nationalist ideologies suddenly a matter of pressing interest to almost everyone, the timing is regrettably ideal for Keep Quiet. This fascinating documentary by co-directors Joseph Martin and Sam Blair finds a stranger-than-fiction hook for probing that disturbing global trend.
  10. The movie gives us bits and pieces of drama, but in a larger way it doesn’t invite us in.
  11. Hicky presents welcome surprises throughout The Grace of Jake, often introducing plot developments that would lead to melodramatic outcomes in more conventional films.
  12. Reasonably slick but empty, Eloise is no “Session 9” as far as haunted-former-mental-hospital horrors go. Heck, it’s not even a “Grave Encounters 2.”
  13. The term “vanity project” doesn’t come close to adequately describing the hubristic folly that is Wheeler, an excruciatingly dull and self-indulgent faux documentary
  14. The movie, which will be lucky to eke out a weekend’s worth of business, isn’t scary, it isn’t awesome, and it doesn’t nudge you to think of technology in a new way. But it does make you wish that you could rewind those two hours, or maybe just erase them.
  15. This glossy doc uncovers very little conflict or depth in a personality more colorful than it is interesting, at least as presented here.
  16. Where “Trainspotting’s” dive into the void was targeted, bristling with snarky anger at a Conservative system that provided few lifelines, “T2” — despite landing in a Britain once more under divisive Tory rule — is mostly content to let its characters alternately indulge and excoriate themselves.
  17. If romance-seeking audiences know what’s best for them, they’ll put some space between themselves and this movie.
  18. It’s hard not to appreciate the astute ways the script captures the moment when carefree childhood turns into the loss of innocence.
  19. If the doc’s ultimate argument is less than wholly persuasive, A Good American nonetheless paints a fascinating picture of Binney’s mind, and the way in which he first envisioned ThinThread as a giant neural network-like globe filled with graphically linked nodes.
  20. In terms of sheer, punchy physical vigor, Headshot is a knockout.
  21. What makes Oklahoma City a haunting experience is that the movie, in laying out the road that led to his humanity withering and dying, demonstrates a disquieting continuity between the anti-government wrath of Timothy McVeigh and the fervor of anti-government wreckage that has just been given a new credibility in America.
  22. The result here may not be fully revealing of his process, but it’s as close as we’re going to get.
  23. Lovesong makes a virtue of restraint as it traces a complex emotional history in two parts, and innumerable (and sometimes quite literal) shades of gray.
  24. The connection they share isn’t the kind that would pass for conventionally romantic, and yet, theirs is a compelling love story all the same — one the filmmakers follow with open minds, focusing on the lead-up to and days immediately following their wedding.
  25. While his American competition practices the right to remain silent, McDonagh writes his clever, coal-black heart out, delivering another firecracker script.
  26. This kooky-monster escapade is never less than arresting, and sometimes even a riot.
  27. It’s not an easy sit, nor a terribly entertaining one, but in the hands of writer-director Marti Noxon, it delivers painful insights in a relatively fresh way.
  28. In the end, it’s the ensemble’s collective attitude, plus the palpable chemistry between Patti and her friends, that defines the experience, not the stock desire to be discovered. Though if Patti Cake$ really did exist, this movie would certainly make her star.
  29. The trouble with Newness — and the reason it’s shot in such a clinical vérité fashion — is that it’s a thesis movie, heady and ambitious yet overly thought out.
  30. Providing certain vivid detail but rather lacking in vitality, Ekvtimishvili’s screenplay is stronger on sociology than drama.

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