Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. It’s an undeniable whopper of a yarn and, coming after a string of middling efforts from Frears, easily the director’s most compulsively watchable picture since “The Queen."
  2. First Love may be a fluffier, more eager-to-please bauble than Miike’s more challengingly outré titles, but like the cutesy mechanical toy puppy that turns up yapping in the middle of the film, it is wired to explode, and it is a blast.
  3. With a mix of sly humor, homespun grace and affecting poignancy, Get Low casts a well-nigh irresistible spell.
  4. In Jauja, Alsonso saves his most dazzling trick for last: a sudden plunge down a Lynchian rabbit hole that should, by all means, rupture the film’s hypnotizing atmosphere, but instead pulls the viewer in even deeper.
    • 77 Metascore
    • 100 Critic Score
    Paul Schrader's directorial debut is an artistic triumph. Schrader has transformed a carefully researched original screenplay penned by him and his brother Leonard into a powerful, gritty, seamless profile of three automobile assembly line workers banging their heads against the monotony and corruption that is the factory system.
  5. Unadventurous in its design — Barnett goes for a conventional mélange of clips and talking heads to structure the story — Changing the Game admittedly benefits from a traditional approach that slowly familiarizes the audience both with the subjects and the layers of an ongoing discriminatory debate around fairness.
  6. This rich, beautifully rendered film boasts an arrestingly soulful performance from Marion Cotillard.
  7. Outstandingly realized on all levels.
  8. An epic story of mismatched love shaped in the most intimate terms, the Ingmar Bergman-scripted The Best Intentions packs a sustained emotional wallop that lightens its three-hour span.
  9. Shot on delightfully grainy 16mm and featuring a cast of nonprofessional actors, the film is so alluringly disorienting that, by its end, some viewers will find themselves struggling to remember how this fever dream started.
  10. Bigelow, working from a script by her regular collaborator Mark Boal (it’s their first film since “Zero Dark Thirty”), has created a turbulent, live-wire panorama of race in America that feels like it’s all unfolding in the moment, and that’s its power. We’re not watching tidy, well-meaning lessons — we’re watching people driven, by an impossible situation, to act out who they really are.
  11. It’s a teen movie that starts off funny ha-ha but turns into something more like a light-fingered psychological thriller. The drama is all in Nadine’s personality, in how far she’ll go to act out her distress.
  12. Each time the violence explodes, it’s slashingly satisfying, because it’s earned, and also because Mangold knows just how to stage it.
  13. Typically, we look to adrenaline-fueled entertainment for catharsis. Boyle’s thrilling reboot offers enlightenment as well.
  14. A taut, provocative, sometimes overreaching but always absorbing thriller.
  15. Deftly balancing epic sociopolitical scope with intimate human emotions, all polished to a high technical gloss, Deepa Mehta's Water is a profoundly moving drama.
  16. This mesmerizing morality play, rich in rare archival footage and complete with heroic Allied saviors, merits a full-fledged arthouse run before reaching larger PBS and cable auds.
  17. At once tightly controlled and simmering with righteous fury, it’s gorgeously lensed, atmospherically scored and moves inexorably toward a gratifying payoff.
  18. The most nonconfrontational and thus accessible title in the Dogma lot to date, and will speak the international language of proletariat love to arthouse auds who go for such fare.
  19. Makes a compelling case for raising him (Bukowski) from cult status to the top rank of 20th century U.S. literary figures -- while providing ample evidence of a very colorful life and times.
  20. Splashy, noisy and downright fun.
  21. di Florio emerges with a serenely powerful, handcrafted film that navigates into a place Dr. Martin Luther King Jr. once called "the tangled discords of our nation."
  22. Candace Against the Universe has been made for “Phineas and Ferb” believers, and like such hipster kiddie brand extensions as “Teen Titans Go! To the Movies,” it’s not necessarily more fun than three good episodes of the show stacked together. But that’s fun enough.
  23. Taken strictly on its own terms, the film adaptation is an arrestingly and sometimes excruciatingly suspenseful psychological thriller lightly garnished with horror-movie flourishes...and driven by a compelling lead performance that is entirely worthy of a description too often misapplied to lesser work: tour de force.
  24. This graceful, ruminative fragment of scrap-metal Americana marks a distinguished foray into feature filmmaking for renowned narrative photographer Dweck.
    • 77 Metascore
    • 80 Critic Score
    The Plot against Harry is hilarious and often poignant.
    • 77 Metascore
    • 70 Critic Score
    Until conventional plot contrivances begin to spoil the fun, The Big Easy is a snappy, sassy battle of the sexes in the guise of a melodrama about police corruption.
  25. At 81 minutes, Code Black feels like a brisk, vital report from the frontlines of emergency medicine, forged and rooted in the most intense sort of personal and professional experience.
  26. The Wife is Close’s film from start to finish, and several of the supporting performances fail to rise to her level, with Pryce and Slater the only ones who manage to impress in her orbit.
    • 77 Metascore
    • 70 Critic Score
    Bedazzled is smartly-styled and typical of certain types of high British comedy.

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