Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. What might have been the latest oddity of the Greek Weird Wave — or else a surreal collection of live-action “The Far Side” cartoons — instead feels soulfully relevant as reality aligns with the speculative world Nikou imagined.
  2. People’s Republic of Desire is provocative and unsettling as it brings us on a guided tour through the digital marketplace for something resembling human contact.
    • 77 Metascore
    • 80 Critic Score
    Blessed with stellar performances, especially by lead Cate Blanchett as an ex-junkie looking for a fresh break, this sophomore feature by Australian director Rowan Woods marks a strong return after his powerful debut, "The Boys" (1998).
  3. Two Lottery Tickets is an existential-absurdist, dirty-kitchen-sink vision of ordinary lives that’s just funny and invigorating enough to hit a note of truth.
  4. Mikkelsen impresses here as a warm-hearted man who finds himself caught up in a situation way beyond his control.
  5. At the end, Bruce, speaking to us in voiceover, says that he plans to just keep going, to play in concert “until the wheels come off.” Watching Road Diary, you hope they never do.
    • 77 Metascore
    • 60 Critic Score
    An involving tale about the unlikely success of a smalltown Indiana high school basketball team that paradoxically proves both rousing and too conventional.
  6. There’s a certain pleasure to be had in seeing a revered auteur go off the disreputable deep end, and there’s no denying A Touch of Sin packs a visceral wallop.
  7. Coppola, in attempting to elevate the material, doesn’t seem to realize that The Beguiled is, and always was, a pulp psychodrama. Now it’s pulp with the juice squeezed out of it.
  8. On the Adamant is most moving when it stands back, letting its most disenfranchised subjects talk, or shout, or sing.
    • 77 Metascore
    • 40 Critic Score
    If there's a decent film lurking somewhere in Winter Kills, writer-director William Richert doesn't want anyone to see it in his Byzantine version of a presidential assassination conspiracy [from a book by Richard Condon].
  9. The film exquisitely balances character study with shrewd commentary on the precarious hierarchy of class distinctions, the turbulent persistence of sexual desire and the lingering privileges of Paraguay’s elite.
  10. It’s a touching and original piece of bare-bones sentimental humanism, and Schoenaerts is terrific in it.
  11. Basically a comedy but with typically Meadowsian dark edges, it forms an affectionate tribute to cross-cultural friendship and the rapidly changing landscape known as Somers Town.
  12. Works best as a straightforward appreciation of the music. Though docu's structure wears out full viewer interest after an hour or so, few will come away with staid prejudices (i.e. that turntablism isn't "real" musicianship) intact.
  13. This enjoyable East-meets-Western likely will succeed on its own terms as a sure-fire, long-legged crowd-pleaser.
  14. An intelligent, well-observed and ineffably poignant study of an Amerasian woman's attempt to trace her roots by journeying back to Vietnam.
    • 77 Metascore
    • 80 Critic Score
    Writer-director Choi Dong-hoon, whose grifter dramedy "The Big Swindle" was an unheralded gem two years ago, considerably ups the ante in his second feature, a long-limbed yarn centered on a bunch of ruthless professional gamblers. But involving characters and devil-may-care tone make the long running time hardly a stretch.
  15. The majesty and imperiled status of the world’s aquatic life are vividly captured in Mission Blue.
  16. That rare Princess whose wishes do come true, Montgomery’s what is known as a “genuine discovery.”
    • 77 Metascore
    • 100 Critic Score
    Westworld is an excellent film, which combines solid entertainment, chilling topicality, and superbly intelligent serio-comic story values. Michael Crichton's original script is as superior as his direction.
  17. This is a merciless film, and whether the process of teasing its meaning out for yourself feels like a punishment or a reward will depend entirely on your patience and your point of view.
    • 77 Metascore
    • 90 Critic Score
    Although not the first film which has attempted to capitalize the international reputation of Hollywood, it is unquestionably the most effective one yet made. The highly commendable results are achieved with a minimum of satiric hokum and a maximum of honest story telling.
    • 77 Metascore
    • 50 Critic Score
    Basket Case is an ultra-cheap monster film created by neophyte filmmaker Frank Henenlotter with a tongue-in-cheek approach.
    • 77 Metascore
    • 50 Critic Score
    Tapers off from a taut beginning into soggy melodrama. Wolf Rilla’s direction is adequate, but no more.
  18. You should never take for granted a documentary that fills in the basics with flair and feeling. Especially when the basics consist of great big gobs of some of the most revolutionary and exhilarating popular art ever created in this country.
    • 77 Metascore
    • 50 Critic Score
    Mike Nichols' Carnal Knowlede is a rather superficial and limited probe of American male sexual hypocrisies.
  19. Chang Can Dunk doesn’t go the way you’d expect, and that’s a good thing.
  20. A mystifying film that holds the audience in suspense over where it's going and what it might mean for almost its entire running time.
  21. Mesen’s delicate yet earthy, thoughtful yet sensual movie never tips its hand as to whether Clara’s abilities are real or imaginary — indeed it makes the line between fact and fantasy seem as nonsensical as it might to a horse — and it pays off in one of those obscurely uplifting endings.

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