Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. If Pity doesn’t quite have the shock of the new on its side, then, its sharpest passages nonetheless exert the bracing, mouth-shuddering tang of neat ouzo: You know how it’s going to taste, but it leaves you wincing anyway.
    • 77 Metascore
    • 90 Critic Score
    At face value, The Misfits, is a robust, high-voltage adventure drama, vibrating with explosively emotional histrionics, conceived and executed with a refreshing disdain for superficial technical and photographic slickness in favor of an uncommonly honest and direct cinematic approach. Within this framework, however, lurks a complex mass of introspective conflicts, symbolic parallels and motivational contradictions, the nuances of which may seriously confound general audiences.
  2. It says more about the man behind it than any documentary to date, cut together with such a supreme understanding and care for its subject that director Morgan Neville (“20 Feet From Stardom”) seems half-justified in suggesting that his project may as well be the missing film.
    • 77 Metascore
    • 90 Critic Score
    Don Siegel's terrific film is simply beautiful, and beautifully simple, in its quiet, elegant and sensitive telling of the last days of a dying gunfighter at the turn of the century.
  3. It’s a film that spills over with laughs (most of them good, a few of them shticky) and tears (all of them earned), supporting characters who are meant to slay us (and mostly do) with their irascible sharp tongues, and dizzyingly extended flights of physical comedy.
  4. As far as establishing a sense of period goes, Herzog cleaves to a refreshing less-is-more philosophy. This may be the first Vietnam-set film in history not to feature a bar of Jimi Hendrix, the Rolling Stones or indeed any other rock music on its soundtrack.
    • 77 Metascore
    • 80 Critic Score
    A brilliant nightmare... The film employs outrageous vulgarity, stark brutality and some sophisticated comedy to make an opaque argument for the preservation of respect for man's free will - even to do wrong.
    • 77 Metascore
    • 80 Critic Score
    Costner is extremely low key while Hackman glides through his role and Patton dominates his scenes overplaying his villainous hand. Young is extremely alluring as the heroine.
  5. Lost among the bulletins and traveling shots is any sense of the individuals whose distinctiveness is eliminated under the crushing word “refugee.”
  6. One of the very best directed animated films on record. Not surprisingly from the force behind the "Babe" movies, the attention to detail is phenomenal, the humor ample.
  7. Assembled in a straightforward, television-style presentation that gets the better of it.
  8. Isn't only an outstanding documentary -- it's also a powerful personal drama.
  9. As he did in his Three Gorges Dam documentary "Up the Yangtze," Chang examines how a particular strain of Western culture promises opportunity and prosperity for Chinese youth, even as it remains a continual source of intergenerational tension.
  10. Devos depicts stages of grief not as a series of emotions but as an evolving alchemy of perception that surrounds the protagonist, distorting time, space, color and light in patterns of dislocation, muffling the synapses that connect sounds and images.
    • 77 Metascore
    • 70 Critic Score
    The film is loaded with throwaway literacy and broad slapstick, and while it fumbles the end, the parade of verbal and visual amusement is pleasant as long as it lasts.
  11. The worst that could be said of helmer David Gelb's feature debut is that it's perhaps a little over-garnished with backstory about Ono's relationship with his two sons, and is slightly repetitive. That said, this intrinsically compelling hymn to craftsmanship and taste in every sense should cleanse palates.
  12. How many horror movies can claim to hijack your subconscious? With Longlegs, writer-director Osgood Perkins (“The Blackcoat’s Daughter”) delivers the kind of payoff we sought out as kids, daring ourselves to watch films about boogeymen that made us want to sleep with the lights on.
  13. The Dark Horse is as good a title as any for a film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a formula we all know by heart
  14. Spirited, highly amusing and endearingly shambolic.
  15. It is indeed a good movie, and quite an honest one, yet its setup is so ripe for cut corners and heartwarming chintz that I was almost surprised to see it sidestep the diagram I was expecting. I bet other viewers will have the same reaction.
  16. If there is any one takeaway from the film, it’s the importance of family attachments and the succor they provide.
  17. Where The Gift toys with our expectations is in its refusal to align itself with any one character or to manufacture obvious heroes and villains.
  18. Cohen fosters an environment where the trio can share and compare their experiences, addressing topics rarely spoken of in public.
    • 77 Metascore
    • 70 Critic Score
    Ryan O'Neal stars as a likeable con artist in the Depression midwest, and his real-life daughter, Tatum O'Neal, is outstanding as his nine-year-old partner in flim-flam.
  19. The psychological dimensions of the story remain underrealized, but the loaded central premise and intimate focus the film sustains combine for a very involving and dramatic piece of crime lore.
  20. [A] penetrating study of toxic patriarchy and female identity.
  21. There’s much to praise, especially the oh-so-real dialogue, but true psychological penetration is lacking and Dolan’s hunger to prove his talent results in a superfluity of styles. Still, multigenerational auds worldwide will likely find kinship with the many funny/painful situations, and pic is a genuine crowdpleaser.
  22. Audiences may come down from the high a little sooner than the film does, with the characters’ increasingly ill-considered actions testing our faith and engagements to the breaking point, but the sheer centripetal force of the film’s vigorous technique never loses its hold.
    • 77 Metascore
    • 80 Critic Score
    Edward Zwick's high-minded new outing offers plenty of old-fashioned movie virtues such as believable action, plausible psychology, fully played-out confrontations and honest emotions.
  23. The documentary sometimes bears an eerie resemblance to Claire Denis' brilliant "White Material" in its tense evocation of menace stalking the periphery of the frame.

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