Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. Most discomforting of all is the sight of world-class actors stuck in such threadbare material.
  2. Much like a botched souffle that fails to rise, Simply Irresistible is a bland confection that remains doggedly earthbound while attempting flights of romantic fantasy.
    • 19 Metascore
    • 20 Critic Score
    Appears headed for a deep-space rendezvous with audience indifference.
  3. Though Muniz and Bynes make a somewhat likable team, their funniest skills are dampened by the material's insistent stupidity.
  4. The resulting film is one of too much reverence and not enough satire.
  5. The sheer raggedness of the plotting -- and the pic's cynical disdain toward audiences -- is staggering.
  6. Bringing absolutely no fresh angles to a time-tested formula that's seemed particularly overworked of late.
    • 13 Metascore
    • 20 Critic Score
    Something oddly appealing about this mushy romantic tale, but first-time feature writer-director Kris Isacsson doesn't have the skills to raise it far above its formulaic foundation.
  7. As dull and arid as a hike through the desert.
  8. Visually gratifying but dramatically weak, the film falls short of its aspiration to be a sweeping romantic epic.
    • 65 Metascore
    • 20 Critic Score
    [Parillaud] remains a totally uninteresting figment of Besson's blinkered movieland imagination, especially when she's in the company of Karyo and Anglade, who provide balance to her overacting.
  9. A relatively pain-free, if brain-free, diversion.
  10. Depressingly parochial.
  11. By turns laughably simplistic and confoundingly muddled as it charts the "final battle" between good and evil.
  12. Not bad enough to qualify as a memorable dud, multinational production nonetheless misses mark on every level.
  13. A shamelessly sappy family meller that bears the schmaltzy sensibility of Nora Ephron.
  14. Strictly a minor-league late fall entry.
  15. A romantic comedy as lamely generic as its title.
  16. Awfully lame bigscreen debut for pop diva Britney Spears.
  17. Action pics rarely come much more blandly generic than Extreme Ops, an instantly forgettable snow-and-stuntwork extravaganza.
  18. Lacks the comic style or abandon to make its cynical turn on male-female relationships anything more than a short-lived stunt.
  19. Looking good but lacking much in the way of personality or gray matter -- rather like its characters -- Valentine is a straightforward slasher pic that's acceptably scary until a weak finale.
  20. Banal and trite where it could have been insightful and emotionally truthful, this Fox release is also notable for featuring the first disappointing performance by teen star Natalie Portman.
  21. Young teen girls will flock to pic in droves, dragging their boyfriends or other girlfriends.
  22. A thick slice of bogus inspirational cheese that only makes itself look bad by recycling so many golden movie memories.
  23. A boner-headed comedy whose sense of gross-out humor is calculated rather than inspired.
  24. An odd case of filmmaking with a crystal-clear subject but no guiding dramatic premise.
  25. In outer space, no one can hear you scream -- of boredom.
  26. This tepid comedy-drama is, lamentably, aptly titled.
  27. This deliberately pre-'90s slice of rock 'n' roll-tinged sci-fi horror, decorated with anything but the latest in special effects, seems particularly grungy and marginal.

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