Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
    • 81 Metascore
    • 90 Critic Score
    Truly beguiling romantic comedy.
  1. An immensely satisfying taste of antebellum empowerment packaged as spaghetti-Western homage... A bloody hilarious (and hilariously bloody) Christmas counter-programmer.
  2. Pic is a little too pleased with its own evenhanded presentation of liberal moral conundrums, but there’s no gainsaying Ostlund’s remarkable achievement in coaxing entirely naturalistic perfs from his young core cast
  3. What brings a documentary like this one to life is a central character with something going on that’s thornier than his official idealism. Fortunately, that’s Padraig O’Malley.
    • 81 Metascore
    • 80 Critic Score
    It is a harsh, sadistic and brutal entertainment, superbly acted and made without any concessions to officialdom.
  4. It etches a sweet, sad and solemnly fatalistic love story between feeding times.
  5. Us
    Terrifying...The less you know going in — and the less energy you spend thinking about it after the fact — the better the movie works, trading on some uncanny combination of Peele’s imagination and our own to suggest a horror infinitely larger and more insidious than the film is capable of representing.
  6. The Wedding Banquet slides down easily even if it doesn't leave much aftertaste.
  7. It's the soundtrack, as much as the opticals, which makes this brief Imax trip a thoroughly sensory experience.
  8. There’s an unmistakable, scathing sense of outrage behind the whole endeavor, and it’s impossible not to admire McKay’s reckless willingness to do everything short of jumping through flaming hoops on a motorcycle while reading aloud from Keynes if that’s what it takes to get people to finally pay attention.
    • 81 Metascore
    • 80 Critic Score
    Pic is somewhat cerebral, being mainly helped by the fresh playing of the cast, especially Yank actress Dawn. Color is excellent, and director Marcel Camus gives this movement. (Review of Original Release)
  9. It’s a riveting and spectacular documentary.
  10. An unforgettable journey through hell under the earth, where Satan is worshipped as king. Straight-as-an-arrow filmmaking raises this docu above the crowd.
  11. Less satisfying than his previous pic, yet still a bold, melancholy statement.
  12. As princess movies go, this one broadens the studio’s horizons, and as Moana herself sings in the film, “no one knows, how far it goes.”
  13. While passive and/or helpless characters rarely make for the most engaging protagonists, the sensitivity with which this story is told coupled with Wright’s performance makes for an experience that’s never less than engaging.
  14. On the one hand, the film is a gripping whodunnit, exemplified by a scene of classic Hitchcockian suspense, when Jong-gu makes a frightening discovery while snooping around the Japanese man. At the same time it treads into supernatural territory through nightmarish dream sequences that feel unnervingly real.
  15. Made with gentle grace and sensitivity.
  16. Fernandez (“Used Parts”) has a masterful handle on narrative, structure and character, skillfully blending them all in a tale with atmosphere to spare.
  17. Skillfully blending intimate human drama with sharp political observations, Deepak Rauniyar’s outstanding second feature sends a powerful message about the need for tolerance if Nepal is to overcome divisions that remain long after the Comprehensive Peace Accord of 2006
  18. Every supremely controlled stylistic element of Zhang Yimou’s breathtakingly beautiful Shadow is an echo of another, a motif repeated, a pattern recurring in a fractionally different way each time.
  19. Has almost zero plot but molto mood. It will appeal to the most faithful of the director's camp-followers and no one else.
  20. The Edge of Democracy makes no claims to objectivity. This is documentary cinema in which facts tangle compellingly with feeling, while passages of solemn, stately mood-building split the difference.
  21. While Leon’s script can’t help but be episodic as the characters scheme their way out of one scrape after another, their shenanigans are compulsively watchable, brimming with enough details to make this modest film grow large in the memory.
    • 81 Metascore
    • 90 Critic Score
    An intense, bloody, in-your-face crime drama about a botched robbery and its aftermath, colorfully written in vulgar gangster vernacular and well played by a terrific cast.
  22. While Premature may seem less professional than your average Sundance movie (much less entry-level studio fare), that doesn’t diminish what’s fresh, vulnerable and true about the film.
  23. Filmed over the course of nine months' worth of night shoots, the resulting coverage is hypnotically immersive.
  24. With consummate artistry and the self-assurance that comes from experience, master helmer Marco Bellocchio continues to play with form and content with an originality that make younger directors look like they’re grasping at ephemeral straws.
  25. While the symbolism of the eel itself is a bit obvious, Imamura has created a rich tapestry of characters and situations, all of it vividly brought to life with pristine visuals and a generous emotional warmth.
  26. Yet even as the timelessness of the human activity on display seduces with its serenity, it evokes in modern viewers a definite impatience with the impracticality of traditional rites and rhythms, perhaps only enjoyable in 90-minute doses.

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