Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. Putting the "intelligence" in MI6, Skyfall reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre, one that places Judi Dench's M at the center of the action.
  2. Mark Landsman's spirited Thunder Soul offers a heaping helping of uplift while documenting the past triumphs and recent reunion of a predominantly black Houston high school's singularly accomplished jazz stage band.
  3. Result is by turns moving, droll and charming, and niftily assembled, but not necessarily that profound.
  4. The movie is engineered to be seen as “powerful.” Right now, though, I’d say that he’s an ace director who’s still being undercut by the holes in his screenplays.
  5. With a standout central protagonist and an urgent quest that is every parent’s nightmare, the film plays like a thriller but manages to deliver honest and piercing emotions at almost every sequence along the way.
  6. This labor of love from do-it-all animator Chris Sullivan has the same rough-edged, cantankerous charms as the characters that populate it. Narrative alone is too uneven to captivate fully for the picture's two-hour-plus duration, though there's so much to see that "Spirits" should nonetheless prove a draw for adult audiences.
  7. Elements that might feel frivolous on first mention invariably pay off later, as Elliot brings things around in thoughtful and emotional ways, to the point you forget you’re watching people made of Plasticine.
  8. In sticking to the facts, it remains plenty rousing.
  9. Vega’s tough, expressive, subtly anguished performance deserves so much more than political praise. It’s a multi-layered, emotionally polymorphous feat of acting, nurtured with pitch-perfect sensitivity by her director, who maintains complete candor on Marina’s condition without pushing her anywhere she wouldn’t herself go.
  10. This vividly realized and emotionally satisfying feature ought to make Shinkai a household name — certainly in Japan, and with any luck, in other countries as well.
  11. Precision lensing by Benoit Delhomme, and charming, contained playing by the amateur cast, add up to a tasty package.
  12. For all the tyrannical disdain he's shown other filmmakers over the years, von Trier once again demonstrates a mastery of classical technique, extracting incredibly strong performances from his cast while serving up a sturdy blend of fly-on-the-wall naturalism and jaw-dropping visual effects.
  13. Results are painfully amusing, frequently random and occasionally laugh-out-loud hilarious.
  14. In the fresh bopping beauty of their punk romantic sound, they kicked open a door of perception. They said to a generation: We got the beat, and you can too.
  15. This is a warmer, less foreboding picture than "Primer," not moving in any conventional sense, but suffused with emotion all the same.
  16. For the most part, pic’s sheer good-naturedness pulls off a not particularly inspired crusty-old-coot-thawed-by-young-scamp concept, maintaining an agreeable tonal balance despite occasional wobbles between spoof, sentimentality and silliness.
  17. Enormously absorbing.
  18. Rarely has a veteran filmmaker rejuvenated his career to such startling effect as John Boorman with The General, a fresh-off-the-slab biopic of maverick Irish crime lord Martin Cahill that both challenges and entertains the audience at a variety of levels, as well as reviving the vitality of the helmer's earliest, mid-'60s pics.
  19. Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.
    • 81 Metascore
    • 80 Critic Score
    The interplay between the stars is excellent, Cassavetes slowly but steadily digging his own grave as he reveals his shallowness in dealings with Falk, girl friend Carol Grace (a beautiful performance) and estranged wife Joyce Van Patten (a brief but excellent characterization).
  20. With its brainy scientist heroine, and surreal, super-kitsch imagery, above-average Japanese anime sci-fi pic Paprika has a better chance than most Nipponese toons of breaking out of the specialty ghetto by appealing to femme auds as well as the genre's core constituency of fanboys.
  21. Similar in its battlefield passages to last year's Danish-made "Armadillo," Dennis' film scores a layered perspective that follows Marine Sgt. Nathan Harris into combat and back home.
  22. Pic's potentially inspiring story too often remains grounded by a problematic script and unshapely direction.
  23. Brazilian director Gustavo Pizzi crafts a warm and wonderfully universal love story that comes across surprisingly unconventional for something so familiar.
  24. Without compromising the complexity of the issues raised, or condescending to the youth of its protagonists, The Hate U Give strides with absorbing, intelligent certainty through the desperately dangerous, uneven terrain of racially divided America.
  25. Come See Me in the Good Light, is very good on the existential. But Gibson and Falley are even more generous in sharing their journey through the medical morass.
  26. It's one of the best Broadway-tuner adaptations in recent years -- yes, arguably even better than those Oscar-winning ones.
  27. Faya Dayi is predominantly a mood piece that seeks to evoke the leaf’s own perception-altering properties.
  28. From the squarish Academy ratio and unconventional framing to composer Robert Ouyang Rusli’s tense, bracing-for-conflict score, Warren’s choices frequently surprise, building to an ending that does exactly the right thing with the showdown we could feel coming all along.
  29. Almost too much of a good thing, Peter Jackson's remake of the film that made him want to make movies is a super-sized version of a yarn that was big to begin with, a stupendous adventure that maximizes, and sometimes oversells, its dazzling wares.

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