Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. By highlighting the value of artists and intellectuals, and the importance of protecting them, [Hui] imbues the authentic historical episode with timely universal relevance.
    • 82 Metascore
    • 80 Critic Score
    Made on a very low budget by a writer-director Leonard Kastle, The Honeymoon Killers, based on the Lonely Hearts murder case of the late 1940s, is made with care, authenticity and attention to detail.
  2. A documentary constructed from re-enactments, talking heads and no actual footage of the story it tells, but that still packs a knock-out punch.
  3. Ressa’s seemingly boundless energy, good humor and intelligence make her basically a power plant for the manufacture of inspiration in embattled times.
  4. In its own highbrow way, the formally demanding and impossibly intimate video essay serves as an elegy to that sense of home that disappeared with the woman who, as far as the film is concerned, seems forever confined to her own bourgeois apartment.
  5. One of Wiseman’s best, a summation of sorts of a career’s worth of principled filmmaking from a director in his ninth decade.
  6. Villeneuve earns every second of that running time, delivering a visually breathtaking, long-fuse action movie whose unconventional thrills could be described as many things — from tantalizing to tedious — but never “artificially intelligent.”
  7. Without any fuss, Lipitz has made a film deeply rooted in intergenerational relationships between women.
  8. Experimenter offers a heady brew of theories about the essence of human nature, and a Peter Sarsgaard performance that catches Milgram in all his seductive, megalomaniacal brilliance.
  9. The whole family can feel comfortable watching C.R.A.Z.Y., Jean-Marc Vallee's bouncy coming-of-age tale that coasts along on a terrific soundtrack and a spot-on feel for period detail. Story of a tight-knit Catholic family and their sexually confused son never goes near anything that might make mainstream auds uncomfortable, sticking with an old-fashioned tone balanced by inventive lensing that gives only the illusion of dipping its toe in risky waters.
  10. Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of ’90s club life with expert precision.
  11. A superior example of fearless filmmakers in exactly the right place at the right time.
  12. Exploding Raymond Carver's spare stories and minimally drawn characters onto the screen with startling imagination, Robert Altman has made his most complex and full-bodied human comedy since "Nashville."
  13. The gifted repertory company again creates an amusing gallery of incisively observed characters, riffing off each other with enjoyment levels that frequently prove contagious.
  14. Telling with a light, surefooted touch a legendary tale from British soccer history, The Damned United reps the latest collaboration in factual fiction between chameleon thesp Michael Sheen, screenwriter Peter Morgan and producer Andy Harries ("Frost/Nixon," "The Queen").
    • 81 Metascore
    • 90 Critic Score
    Performed to maximum effect by a host of top-flight actors, Ulu Grosbard's strong character study is knit together by a tense subtext that underlies even the calmest moments.
  15. This deceptively offhand vibe requires the actresses to project effortless naturalism, and they all deliver.
  16. The writing is so deft, and the actors so committed, that by the end you feel you’ve touched the burning core of something real.
  17. Much like Penny Lane’s endlessly amusing “Listening to Kenny G,” Yousef’s illuminating doc appeals to all sides, from Kinkade’s haters to his most ardent defenders, revealing dimensions altogether absent from his enormously popular oeuvre.
  18. Without advertising itself as such, Western could be viewed as a wry reflection of the European Union’s sometimes fractious present-day state — though much of its character conflict hinges on a more universal fear of the other.
  19. With enormous sympathy for all, Al Mansour captures the isolation of Saudi women and their parallel lives of freedom at home and invisibility outside.
  20. More than just another documentary, it’s a crucial and stirring document — of racism and injustice, of politics and the big-picture design of America — that, I believe, will be watched and referenced for years to come.
    • 81 Metascore
    • 70 Critic Score
    This portrait of a childhood both incredibly resourceful and tragically deprived is memorable in an era of numerous outstanding preteen performances, and the final image of Fresh cracking, for the first time, from the cumulative pressure of his life is indelible. Performances are terrifically intense from top to bottom. Esposito is particularly riveting as the sinewy drug baron, and Ron Brice also scores as a rival dealer.
  21. An alarming if ultimately inspiring David-and-Goliath parable for today.
  22. Has a terrible fascination that glues viewers to the screen. At the same time, audience patience is tested.
  23. The power of performing arts to restore hope to damaged young lives is marvelously captured in Still I Strive.
  24. The Levelling is an intimate story, waterlogged with guilt, grief and blame, but it explores this dark spectrum with such unsentimental honesty that its tiny moments of uplift, when its repressed characters form tentative connections despite themselves, are magnified and moving.
  25. This remarkable performance documentary may be for the Nick Cave-curious exclusively, but for them (us) it is close to essential.
  26. With The History of Concrete, John Wilson takes the least interesting subject imaginable — the dull gray composite used for sidewalks, overpasses and that great big church in “The Brutalist” — and crafts what’s likely to be the most entertaining documentary of the 2026 Sundance Film Festival.
  27. That such a hefty topic can be used to create such breathless, eye-watering comedy without tipping into self-indulgence — and without robbing the film of its most meaningful drama — is practically a miracle.

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