Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. As with Reichardt’s more streamlined miniatures, regional detail accounts for much of the film’s lingering resonance, as her characters are molded by (and, in some cases, rail against) the landscape they inhabit.
  2. A classic piece of Americana, a down-home documentary that not only produces gales of laughter but also manages, by the end, to come together as a highly unlikely metaphor for the rigors of human existence.
    • 82 Metascore
    • 100 Critic Score
    An exquisite look at childhood, based loosely on Reidar Jonsson's 1983 novel about a rural-provincial 12-year-old equivalent of J.D. Salinger's Holden Caulfield
  3. The Best Is Yet to Come is superbly well-made, making a compelling case for recognizing the humanity of others even in the midst of illness, even when ignorance and politicized paranoia threaten your compassion. It’s not hard to discern the relevance.
  4. Not all the tricks translate, nor do they need to, since DelGaudio has shrewdly constructed the experience around the theme of identity, revealing deeply personal elements of his own history in such a way as to prime audiences to look inward as well. The result is a kind of epiphany that leaves them with a feeling of discovery rather than deception.
  5. Merkulova and Chupov deliver the visceral aspects of this Dostoevskian tale particularly well ... But 'Captain Volkogonov Escaped' is so attuned to the physical that the more metaphysical aspects of Volkogonov’s journey are underdeveloped by comparison.
    • 82 Metascore
    • 60 Critic Score
    It couldn't have been an easy film to make, and the fact that it holds as much general interest as it does speaks volumes. But the producers couldn't avoid some dull stretches of scientific discourse.
  6. No trendsetter or breakthrough, this is more than anything else a welcome chance for the fine actor Melissa Leo to finally dominate a film in a terrific and affecting lead role.
    • 82 Metascore
    • 100 Critic Score
    Magnify James Bond's extraordinary physical powers while curbing his sex drive and you have the essence of Superman, a wonderful, chuckling, preposterously exciting fantasy.
    • 82 Metascore
    • 90 Critic Score
    No previous drug-themed film has the honesty or originality of Gus Van Sant's drama Drugstore Cowboy.
  7. The look and feel owes an obvious debt to the beloved films of Studio Ghibli, which have offered some of the most iconic representations of wartime Japan and its long, fraught recovery period. “Little Amélie” starts from a place of (mostly endearing) solipsism and builds empathy and emotional depth as it goes.
  8. It’s Quillévéré’s soaring visual and sonic acumen (with an assist from composer Alexandre Desplat, here in matchless form) that suffuses a potentially familiar hospital weeper with true grace.
  9. Love Is Strange never feels anything less than authentic, like a true story shared by close friends.
  10. The film flashes back to the poisoning, and it could be the most sickening and calamitous suspense-thriller episode you ever saw.
  11. Each shimmering frame is composed of multiple layers of diverse drawing and painting techniques and washes of color combined with 2D computer animation.
    • 82 Metascore
    • 70 Critic Score
    Ophuls has used a dearth of closeups, brilliant decor playing a vital part. Film gains an opulence in the expert lensing of Christian Matras. There is much filming through carved glass, linen, silks and mirrors to create the aura of romance.
    • 82 Metascore
    • 50 Critic Score
    As a commentary on a sordid, confused side of humanity in this modern age it's a bust.
    • 82 Metascore
    • 80 Critic Score
    Tess is a sensitive, intelligent screen treatment of a literary masterwork. Roman Polanski has practiced no betrayal in filming Thomas Hardy's 1891 novel, Tess of the d'Urbervilles, and his adaptation often has that infrequent quality of combining fidelity and beauty.
  12. A mesmerizing slow burn of a martial-arts movie that boldly merges stasis and kinesis, turns momentum into abstraction, and achieves breathtaking new heights of compositional elegance: Shot for shot, it’s perhaps the most ravishingly beautiful film Hou has ever made, and certainly one of his most deeply transporting.
  13. In Jackson Heights is a classic example of Wiseman’s affinity for this type of subject, full of community organizers and advocacy meetings in which citizens and aspiring citizens learn to use their civic voices. In truth, the camera lingers longer than necessary in these gatherings, but the film has rewards on the macro and micro levels.
  14. It’s a bizarre story not entirely clear in the telling — partly because we can’t be entirely sure when the subject is telling the truth — but absorbing nonetheless.
  15. As wrenching as it is funny.
  16. Never less than gripping as an account of what happened and what went terribly wrong.
  17. Film gathers together only those who knew, loved and made music with "the quiet Beatle."
  18. One-liners and dry sight gags still abound, but the ennui-sodden formlessness of "Slacker" doesn't fly as well in this $ 6 million, smoothly lensed package, which calls for shapelier narrative and resolution.
  19. A mellow, stately, contemplative study of a stoic, brave man, but it doesn't deliver in the action department.
  20. Madeline’s Madeline mistakes intimacy for honesty, and it mis-assumes that audiences care nearly as much about the creative process as actors and directors do.
  21. Stunningly played story of faith vs. family.
  22. There is something too dry and austere about Greengrass and Ray’s telescoped vision, which touches only fleetingly on the pirates’ motives, the suffering of the Somali people and the collateral damage of global capitalism.
  23. Soft & Quiet is deeply unpleasant to watch, but that’s the point.

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